As the final volume in the series opens, Maddy, Dane, and Stamp are still together, though barely, nestled safely inside the walls of Sentinel City, a stronghold designed to keep Zerkers out—and zombies in. Maddy trains night and day, hoping to join Vera as a Keeper. Dane has been given Sentinel Support in the form a busty blonde named Courtney. And what of Stamp? Although Maddy’s dad has worked hard to rehabilitate him after his Zerker bite, he’s still not all . . . there. When Dr. Swift inadvertently allows the zombies’ archenemy, Val, to escape from Sentinel City, Maddy’s world turns upside down. She and Stamp are vanished—expelled from the safety of Sentinel City, no better than common Zerkers. Dane, a Sentinel now, escapes punishment and is assigned to ensure that his old friends never return. As Maddy and Stamp stray from the safety of Sentinel City, danger mounts . . . and not just for them. Val has taken up residence in a seaside town and enrolled in another Normal high school. To outwit her and save Seagull Shores from all-out zombie Armageddon, Maddy must face her archenemy once again. Only this time, she’s all alone...

As the final volume in the series opens, Maddy, Dane, and Stamp are still together, though barely, nestled safely inside the walls of Sentinel City, a stronghold designed to keep Zerkers out—and zombies in. Maddy trains night and day, hoping to join Vera as a Keeper. Dane has been given Sentinel Support in the form a busty blonde named Courtney. And what of Stamp? Although Maddy’s dad has worked hard to rehabilitate him after his Zerker bite, he’s still not all . . . there. When Dr. Swift inadvertently allows the zombies’ archenemy, Val, to escape from Sentinel City, Maddy’s world turns upside down. She and Stamp are vanished—expelled from the safety of Sentinel City, no better than common Zerkers. Dane, a Sentinel now, escapes punishment and is assigned to ensure that his old friends never return. As Maddy and Stamp stray from the safety of Sentinel City, danger mounts . . . and not just for them. Val has taken up residence in a seaside town and enrolled in another Normal high school. To outwit her and save Seagull Shores from all-out zombie Armageddon, Maddy must face her archenemy once again. Only this time, she’s all alone...

Sun Tzu meets George Romero in Scott Kenemore’s third zombie book. 40 color illustrations

Humour.

The most comprehensive zombie handbook ever published—with a foreword by Max Brooks! In one indispensable volume, Matt Mogk busts popular myths and answers all your raging questions about the living dead.* Q. How can I increase my chances of survival? A. One simple step is to keep away from other people. Without people there can be no zombies. Q. What is the connection between the Voodoo zombie and the flesh-eating zombie of popular culture? A. Other than a shared name, absolutely nothing. Q. Will zombies actually eat me, or will they just bite and chew? A. Research suggests the neuromuscular activity required for swallowing may be too complex for a zombie. Q. Will we see any warning signs before the dead rise? A. Unfortunately, entire populations could be infected with the zombie sickness before anyone even knows there’s a problem. Q. How come Zombie Awareness Month is in May and not October? A. Unlike witches and vampires, zombies are not otherworldly creatures. They are made of flesh and blood. Don’t forget to wear your gray ribbon. * Many more questions about zombies—including why not all of them are undead—are answered inside the book.

When humankind faces what it perceives as a threat to its very existence, a macabre thing happens in art, literature, and culture: corpses begin to stand up and walk around. The dead walked in the fourteenth century, when the Black Death and other catastrophes roiled Europe. They walked in images from World War I, when a generation died horribly in the trenches. They walked in art inspired by the Holocaust and by the atomic attacks on Japan. Now, in the early twenty-first century, the dead walk in stories of the zombie apocalypse, some of the most ubiquitous narratives of post-9/11 Western culture. Zombies appear in popular movies and television shows, comics and graphic novels, fiction, games, art, and in material culture including pinball machines, zombie runs, and lottery tickets. The zombie apocalypse, Greg Garrett shows us, has become an archetypal narrative for the contemporary world, in part because zombies can stand in for any of a variety of global threats, from terrorism to Ebola, from economic uncertainty to ecological destruction. But this zombie narrative also brings us emotional and spiritual comfort. These apocalyptic stories, in which the world has been turned upside down and protagonists face the prospect of an imminent and grisly death, can also offer us wisdom about living in a community, present us with real-world ethical solutions, and invite us into conversation about the value and costs of survival. We may indeed be living with the living dead these days, but through the stories we consume and the games we play, we are paradoxically learning what it means to be fully alive.