First published in Japanese in 1966, this debut novel by the critically acclaimed author of Singular Rebellion creates an unparalleled portrait of a man at odds with his society, and with himself."--BOOK JACKET.

Across the Nightingale Floor is Book 1 in the five-part Tales of the Otori series. More than four million copies have been sold in over 36 countries.'The best story of magic, love, sex, revenge and suspense to have come this way since Philip Pullman' Independent On Sunday (UK) In his fortress at Inuyama, the murderous warlord Iida Sadamu surveys his famous nightingale floor. Constructed with exquisite skill, it sings at the tread of each human foot. No assassin can cross it unheard. Brought up in a remote village among the Hidden, a reclusive and spiritual people, Takeo has learned only the ways of peace. Why, then, does he possess the deadly skills that make him so valuable to the sinister Tribe? These supernatural powers will lead him to his violent destiny within the walls of Inuyama - and to an impossible longing for a girl who can never be his. His journey is one of revenge and treachery, beauty and magic, and the passion of first love. 'masterful storytelling ... a fantastic read' The Age Coming soon - the spellbinding new TALE OF SHIKANOKO, set 300 years before Otori: THE EMPEROR OF THE EIGHT ISLANDS (Books 1 & 2 in THE TALE OF SHIKANOKO) and THE LORD OF THE DARKWOOD (Books 3 & 4).PRAISE FOR THE TALES OF THE OTORI 'An engrossing fantasy saga of literary quality.' The Age'Lian Hearn's marvellous storytelling talent ... makes reading these books a moment of pure bliss.' Le Monde'an enthralling and original work of fantasy' The Times

I am Kozaisho: Fifth daughter, Woman-For-Play, teller of stories, lover, wife and Flower Samurai. In the rich, dazzling, brutal world of twelfth century Japan, one young girl begins her epic journey, from the warmth of family to the Village of Outcasts. Marked out by an auspicious omen, she is trained in the ancient warrior arts of the samurai. But it is through the power of storytelling that she learns to fight her fate, twisting her life onto a path even she could not have imagined...

Grass for His Pillow is the second novel in Lian Hearn's astonishingly beautiful series inspired by feudal Japan, Tales of the Otori. In the ancient Oriental lands of the Otori, amidst a time of violent war, famine and treacherous alliances, the fate of the young lovers Otori Takeo and Shirakawa Kaede hangs in the balance . . . Takeo, heir to the great Otori clan, has pledged his life to the secret Tribe. His supernatural skills of virtual invisibility and acute hearing make him their most deadly assassin. But he must deny the solemn oath of vengeance he made, his adopted birthright of wealth, land and power – and his love for Kaede. If he does not devote himself entirely to the brutal ways of the Tribe, they will kill him. Whichever path he chooses, it will lead to hardship and sacrifice in the bitter winter of the high mountains, and test him to the limits of his being. Kaede, heiress to vast lands, is now the valuable pawn of ruthless warlords. She must use her intelligence, beauty and cunning to assert her place in a world of all-powerful men – who must never suspect the dangerous secret she hides.

The Makura no Sôshi, or The Pillow Book as it is generally known in English, is a collection of personal reflections and anecdotes about life in the Japanese royal court composed around the turn of the eleventh century by a woman known as Sei Shônagon. Its opening section, which begins haru wa akebono, or “spring, dawn,” is arguably the single most famous passage in Japanese literature. Throughout its long life, The Pillow Book has been translated countless times. It has captured the European imagination with its lyrical style, compelling images and the striking personal voice of its author. Worlding Sei Shônagon guides the reader through the remarkable translation history of The Pillow Book in the West, gathering almost fifty translations of the “spring, dawn” passage, which span one-hundred-and-thirty-five years and sixteen languages. Many of the translations are made readily available for the first time in this study. The versions collected in Worlding Sei Shônagon are an enlightening example of the many ways in which translations can differ from their source text, undermining the idea of translation as the straightforward transfer of meaning from one language to another, one culture to another. By tracing the often convoluted trajectory through which a once wholly foreign literary work becomes domesticated—or resists domestication—this compilation also exposes the various historical, ideological or other forces that inevitably shape our experience of literature, for better or for worse.

“One of the most satisfying science fiction novels I have read in years.”—The New York Times Book Review Here is a novel as original as the breathtaking, unspoiled world for which it is named, a place where all appears to be in idyllic balance. Generations ago, humans fled to the cosmic anomaly known as Grass. Over time, they evolved a new and intricate society. But before humanity arrived, another species had already claimed Grass for its own. It, too, had developed a culture. . . . Now, a deadly plague is spreading across the stars. No world save Grass has been left untouched. Marjorie Westriding Yrarier has been sent from Earth to discover the secret of the planet’s immunity. Amid the alien social structure and strange life-forms of Grass, Lady Westriding unravels the planet’s mysteries to find a truth so shattering it could mean the end of life itself.