In one indispensable volume, Matt Mogk, founder and head of the Zombie Research Society, busts popular myths and answers all your raging questions about the living dead.

The most comprehensive zombie handbook ever published—with a foreword by Max Brooks! In one indispensable volume, Matt Mogk busts popular myths and answers all your raging questions about the living dead.* Q. How can I increase my chances of survival? A. One simple step is to keep away from other people. Without people there can be no zombies. Q. What is the connection between the Voodoo zombie and the flesh-eating zombie of popular culture? A. Other than a shared name, absolutely nothing. Q. Will zombies actually eat me, or will they just bite and chew? A. Research suggests the neuromuscular activity required for swallowing may be too complex for a zombie. Q. Will we see any warning signs before the dead rise? A. Unfortunately, entire populations could be infected with the zombie sickness before anyone even knows there’s a problem. Q. How come Zombie Awareness Month is in May and not October? A. Unlike witches and vampires, zombies are not otherworldly creatures. They are made of flesh and blood. Don’t forget to wear your gray ribbon. * Many more questions about zombies—including why not all of them are undead—are answered inside the book.

A zombie-tastic take on a favorite fairy tale! “A horror spoof with a big heart: Lorenzo’s acrylic and colored pencil cartooning offers a warm glow, and readers will cheer for this undead family that finally feels complete.” —Publishers Weekly Forget Goldilocks and the three bears—MOLDILOCKS and the THREE SCARES are here, in a delightful new version of the popular story. Papa Scare (a monster), Mama Scare (a mummy), and Baby Scare (a vampire) live in a haunted house where they eat finger sandwiches and alpha-bat soup. One night, they go out to walk their dog (a bloodhound, of course) to let their soup cool down. While they’re away, in walks the zombie Moldilocks, looking for food, a chair, and a bed that’s just right. Kids will love this hauntingly funny story with its surprise ending!

Each of Greg Stones's paintings reveal funny and unexpected scenes of zombie disgruntlement, cataloging the stuff that really riles up the walking dead (astronauts, rain, bagpipes, re-gifting, and more) with wit, humor, and, of course, brains.

Sometimes, you can't hide. When the apocalypse came, nine-year-old Letitia Johnson tried. She grabbed her little sister and her classmates and locked them all in a school bathroom. For five days, they hid. The hid while their teachers were being killed, while their classmates were being killed, even while the Bronx was being evacuated. Now there's no one to help them. There's no place left to hide. It's just her, one ax, twelve kindergarteners, twelve garden stakes, and her will to live.

In the myths, legends, and folklore of many peoples, the returning, physical dead play a significant role, whether they are the zombies of Haiti or the draugr of Scandinavia. But what are the origins of an actual bodily return from the grave? Does it come from something deep within our psyche, or is there some truth to it? In Zombies, Bob Curran explores how some of these beliefs may have arisen and the truths that lay behind them, examining myths from all around the world and from ancient times including Sumerian, Babylonian, Egyptian, and Celtic. Curran traces the evolution of belief in the walking cadaver from its early inception in religious ideology to the "Resurrections" and cataleptics of 18th century Europe, from prehistoric tale to Arthurian romance. Zombies even examines the notion of the "living dead" in the world today—entities such as the "living mummies" of Japan. Zombies is a unique book, the only one to systematically trace the development of a cultural idea of physical resurrection and explore the myths that have grown around it, including the miracles of Old Testament prophets. It will interest those enticed by the return of the corporeal dead and also those curious as to how such an idea sits within the historical context.