Beautifully illustrated works of art by the late artist David G. Paulley from a 1990 Wyoming Centennial Project depicting Wyoming's unique historical legacy. New narratives describing each historical event included by Dr. Jeremy M. Johnston.

Imagine a world of Gatsby-esque glamor, opulence, and cultural prestige, of exclusive parties and elegant dinners, of literary luminaries including Somerset Maugham, Daphne du Maurier, Irving Stone, and Theodore Roethke, of Manhattan townhouses and country estates. This is a world where children are raised by nannies, tutors, chauffeurs, gardeners, butlers, maids, and assorted staff, sent off to private schools—and largely ignored by their parents. Publishing magnate Nelson Doubleday’s daughter, Neltje, was raised to assume her place as a society matron. But beneath a seemingly idyllic childhood, darker currents ran: a colorful but alcoholic father whose absences left holes, a mother incapable of love, a family divided by money and power struggles, and a secret that drove the young woman into emotional isolation. North of Crazy is her story—written with the same fierce passion, wit, and emotion that drove her off the conventional path to reconstruct her life from base zero. She became an artist, cattle rancher, and entrepreneur.

‘Encampment, Wyoming: Selections from the Lora Webb Nichols Archive 1899- 1948’ features Nichols’ own work and the images by amateur photographers she collected in the early 20th century as the proprietor of a photofinishing business in southern Wyoming. Culled from over 24,000 photographs, the book provides a dynamic visual window into the social, domestic, and economic aspects of the American Western frontier and captures an elusive sense of place through the images of this community of friends, families, and strangers -- Provided by the publisher.

Peter Fine's innovative study traces the development of a mass visual culture in the United States, focusing on how new visual technologies played a part in embedding racialized ideas about African Americans, and how whiteness was privileged within modernist ideals of visual form. Fine considers the visual and material manifestations of this process through the history of three important technologies of the art of mechanical reproduction – typography, lithography, and photography, and then moves on to consider how racialized representation has been configured and contested within contemporary film and television, fine art and digital design.