Presents a humorous ode to cinematic hubris, discussing the story of the mysteriously wealthy misfit, Tommy Wiseau, the producer, director, and star of the "The Room," which later became an international cult film despite making no money at the box office.

Originally published in hardcover in 2013 by Simon & Schuster.

Learn About Tommy Wiseau and The Best Bad Movie Ever Made In A Fraction Of The Time It Takes To Read The Actual Book!!!Today only, get this 1# Amazon bestseller for just $2.99. Regularly priced at $9.99. Read on your PC, Mac, smart phone, tablet or Kindle device The opening chapter of Sestero's book introduces us to Tommy Wiseau, the eccentric filmmaker himself, as he treats his friend, Greg Sestero, to a celebratory dinner at Hollywood's Palm Restaurant. Filming of Wiseau's film, The Room, starts the following day. Sestero explains that Wiseau wrote, directed, produced, cast, and starred in the film-a true passion project. Sestero spends the majority of this chapter detailing Wiseau's all around strangeness. For example, Tommy's hair is long and unkempt, he wears outdated clothes with two (yes, two) belts on his pants, and he drinks glasses of hot water with every meal. Two girls come over to the table, introducing themselves and flirting accordingly, and Wiseau-who speaks in broken English-insults them viciously and hilariously in a French(ish) accent. Wiseau then racks up a huge bill, barely tips the waiter, and storms out of the restaurant in traditional Tommy Wiseau fashion. Wiseau then drives himself and Sestero from the restaurant at a mere twenty miles per hour in his Mercedes. In the car, Tommy makes Greg an interesting offer the day before his film's production; Tommy wants Greg to star in The Room as Mark, a character who betrays Tommy's lead character, Johnny. Here Is A Preview Of What You'll Learn When You Download Your Copy Today* How The Disaster Artist Was Created * The Reason Why Tommy Wiseau Is One Of The Most Unique Directors In The World * Learn How The Disaster Artist Was A Success Even Though It Was Also A Failure Download Your Copy Today! The contents of this book are easily worth over $9.99, but for a limited time you can download "The Disaster Artist" by Greg Sestero and Tom Bissell for a special discounted price of only $2.99

From the best-selling coauthor of The Disaster Artist and “one of America's best and most interesting writers" (Stephen King), a new collection of stories that range from laugh-out-loud funny to disturbingly dark—unflinching portraits of women and men struggling to bridge the gap between art and life A young and ingratiating assistant to a movie star makes a blunder that puts his boss and a major studio at grave risk. A long-married couple hires an escort for a threesome in order to rejuvenate their relationship. An assistant at a prestigious literary journal reconnects with a middle school frenemy and finds that his carefully constructed world of refinement cannot protect him from his past. A Bush administration lawyer wakes up on an abandoned airplane, trapped in a nightmare of his own making. In these and other stories, Tom Bissell vividly renders the complex worlds of characters on the brink of artistic and personal crises—writers, video-game developers, actors, and other creative types who see things slightly differently from the rest of us. With its surreal, poignant, and sometimes squirm-inducing stories, Creative Types is a brilliant new offering from one the most versatile and talented writers working in America today.

(Applause Books). Oh Hai! The Room: The Definitive Guide is the ultimate key to the biggest pop culture phenomenon of the 21st century, Tommy Wiseau's The Room . Arguably the worst film of all time and certainly one of the most beguiling, the masterpiece of so-bad-it's-good filmmaking has grown since its release in 2003 to become one of the most popular theatrical releases of all time, with an extremely loyal and vocal fan base. Within the book, readers will find everything required to step into The Room for the first time and understand the traditions, characters, and (lack of) logic at play within the ultimate cult film. Favorite customers of the film will also find a dozen red roses as the book takes a look back at the history of the phenomenon, features extensive and in-depth analysis of the film, includes extensive interviews with the cast and crew, and, of course, studies the film's enigmatic and visionary auteur, Tommy Wiseau. This is the first available book guide to The Room . And an added bonus is the graphic design from cult film artist Mute, which will give the book an eye-catching and distinctive look. So get your tuxedo on, grab your football, have your spoons at the ready, and prepare to shout, "You're tearing me apart, Lisa!" for the first or thousandth time, as we enter The Room .

The author describes his journey to Vietnam with his war veteran father, offering a glimpse of a land that had shaped both of their lives while reflecting on his father's war experience and the war's continuing political, cultural, and personal influence.

“A remarkably entertaining and thought-provoking look at the human voice and all of its myriad functions and sounds . . . Wonderful” (Library Journal, starred review). From Farinelli, the eighteenth-century castrato who brought down opera houses with his high C, to the recording of Johnny B. Goode affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean’s “BYAH!” and Marlon Brando’s “Stellaaaaa!” and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought’s incarnating instrument and Elena Passarello’s essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves. “Standout pieces include a biography of the most famous scream in Hollywood history; a breakdown of the relationship between song and birdsong; and an analysis of the sounds of disgust. Akin to: A dinner party at which David Sedaris, Mary Roach and Marlon Brando are trying to out-monologue one another.” —Philadelphia Weekly “The beauty of Ellen Passarello’s voice is that it’s so confidently its own . . . I began randomly with her essay wondering what the space aliens will make of ‘Johnny B. Goode’ on the Voyager gold record and couldn’t stop after that.” —John Jeremiah Sullivan, author of Pulphead