The show must go on . . . When mystery bookstore owner Annie Laurance is invited to stage a Mystery Night for the annual antebellum house tour of the Historical Preservation Society of Chastain, South Carolina, she instead finds herself the leading lady in a flesh-and-blood drama. The play's the thing wherein the curtain falls on mean-spirited grande dame Corinne Webster. While jeweled fingers point, accusing Annie of murder, the perpetrator lurks within the genteel cast of Murder-Most-Make-Believe . . . and the murder weapon is one of the props. In the tight-laced society of Chastain, Annie is guilty until proven innocent. With her fiance, Max Darling, Annie pieces together evidence to clear her name—until her chief witness is murdered. Now it will take all her sleuthing skills to discover the evil in the heart of Chastain's Beautiful People.

Book five of Murders by Design Interior designer Deva Dunne should be focusing her attention on buying a new home with Lt. Victor Rossi. But in typical Deva-style, she's got her mind on everyone else's abodes. Keeping her busy are her two newest clients, who have a lot in common. They both live on Whiskey Lane, and both were involved with the same woman. Coincidence or competition? James Stahlman believes Stew Hawkins moved into the house across the street to terrorize him after he became engaged to Kay, Stew's ex-wife. But Stew is over it. He's remarried—and to someone much younger. When both women are found "accidentally" dead weeks apart, Deva thinks there's something afoot on Whiskey Lane. Coincidence or murder? Deva can't stay away…as much as her protective fiancé would like her to. And it's becoming clear that someone thinks Deva's seen too much. With the list of suspects growing, and Deva and Rossi that much closer to becoming homeless—really, where are they going to live?—she'll have to sift through the clues herself, or there'll be no happily ever after. 71,000 words

In the newest in the USA Today bestselling series, Jessica Fletcher visits New York City during Fashion Week, only to discover that someone has rather fatal designs... KILLER COUTURE Jessica is in Manhattan to attend the debut of new designer Xandr Ebon—formerly Sandy Black of Cabot Cove. He’s introducing his evening wear collection to the public and—more important—to the industry’s powers that be: the stylists, magazine editors, buyers, and wealthy clientele who can make or break him. At the show, the glitz and glamour are dazzling until a young new model shockingly collapses and dies. Natural causes? Perhaps. But when another model is found dead, a famous cover girl and darling of the paparazzi, the fashion world gets nervous. Two models. Two deaths. Their only connection? Xandr Ebon. Jessica’s crime-solving instincts are put to the test as she sorts through the egos, the conflicts of interest, the spiteful accusations, and the secrets, all while keeping an amorous detective at arm’s length. But she’ll have to dig deep to uncover a killer. A designer’s career is on the line. And another model could perish in a New York minute.

Edward Bennett, a playwright, and his wife Sorel Bennett, an actress, flee London and head to Cookham after a disastrous opening night. But various guests arrive unexpectedly - a conservative politician, a fiery socialist, a nearsighted ingenue, a zany modern dancer - each with a long-held secret. When one of the guests is murdered, it's left to Bridgit, the feisty Irish maid with a macabre interest in homicide, to solve the crime.

An in-depth look at the films of Dario Argento, Italy's acknowledged master of horror and suspense, has made a career out of exploring the macabre poetry of images of violent death. He did not, however, set out to be a filmmaker. He established himself early on as a progressive voice in film criticism-lavishing praise on directors like Sergio Leone, who had yet to receive their due from the Italian critical establishment. His efforts attracted the attention of Leone himself, who invited the young critic to help develop the story for his next feature. The end result, Once Upon a Time in the West, is often cited as a masterpiece-and from there, Argento went on to enjoy success as a screenwriter before making the all-important switch to directing. His directorial debut, The Bird with the Crystal Plumage, became a major hit and helped to popularize the floundering genre of Italian thrillers, also known as gialli. In the years since, Argento has established a high profile as one of Italian cinema's most commercially successful artists, earning a level of celebrity which is almost unheard of among film directors. His filmography includes such beloved gems as Deep Red, Suspiria, Inferno, and Phenomena, as well as more hotly-debated titles like The Stendhal Syndrome, The Phantom of the Opera, Sleepless, and Mother of Tears. Murder by Design: The Unsane Cinema of Dario Argento explores the full scope of his work as a writer, a producer, and a director. Lavishly illustrated and with newly conducted interviews with Dario Argento, as well as such colleagues as actress (and daughter) Fiore Argento, actress Sally Kirkland, actress Irene Miracle, composer Claudio Simonetti, and cinematographer Luciano Tovoli, the book provides a comprehensive overview of Argento's life, career, and rich cinematic legacy.

Arriving for work at the Design Studio in the Coach House of Haslop Hall in the Cotswolds, Tracy Yorke finds her boss murdered. The police investigation shows that many people might have had cause to kill Oliver Medway — including Tim Baxter whom Tracy has started to love. She can trust nobody, and finds her life in grave danger. British Mystery by Nancy Buckingham writing as Erica Quest; originally published by Doubleday for the Crime Club