A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.

A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.

The Director as Collaborator teaches essential directing skills while emphasizing how directors and theater productions benefit from collaboration. Good collaboration occurs when the director shares responsibility for the artistic creation with the entire production team, including actors, designers, stage managers, and technical staff. Leadership does not preclude collaboration; in theater, these concepts can and should be complementary. Students will develop their abilities by directing short scenes and plays and by participating in group exercises. New to the second edition: updated interviews, exercises, forms, and appendices new chapter on technology including digital research, previsualization and drafting programs, and web-sharing sites new chapter on devised and ensemble-based works new chapter on immersive theater, including material and exercises on environmental staging and audience–performer interaction

Multiple award-winning producer and leading teacher of acting Robert Benedetti offers a no-nonsense, detailed, and clearly structured approach to the fundamentals of acting for the camera. Benedetti uses the same approach he has employed in writing and teaching for over fifty years — defining underlying principles, presenting them in a logically sequential program of development, and providing experiential exercises to help future, as well as experienced, actors shine in film and television.

BEST MONOLOGUES FROM THE BEST AMERICAN SHORT PLAYS VOLUME 2

A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.

(Applause Books). THE BACCHAE was not only the last and greatest of Euripides' tragedies, it was very close to the last of the great Greek tragedies. The story of the play is in part about this cultural dissolution in Athens. It's also about the theatre itself, and how a sane society needs strong, intelligent theatre to survive. THE BACCHAE makes a perfect first entry in the new Applause series of classic dramas, because it argues so passionately and beautifully and convincingly for the need for such a theatre, in our era as much as in Euripides'. Herbert Golder in his new translation has turned an ancient play into a new one, one just as potent for an applicable to our troubled times as Euripides' own.