Selected by the Modern Library as one of the 100 best novels of all time 'American writing, before and after Dreiser's time, differed almost as much as biology before and after Darwin,' said H. L. Mencken. Sister Carrie, Dreiser's great first novel, transformed the conventional 'fallen woman' story into a bold and truly innovative piece of fiction when it appeared in 1900. Naïve young Caroline Meeber, a small-town girl seduced by the lure of the modern city, becomes the mistress of a traveling salesman and then of a saloon manager, who elopes with her to New York. Both its subject matter and Dreiser's unsparing, nonjudgmental approach made Sister Carrie a controversial book in its time, and the work retains the power to shock readers today. 'Sister Carrie came to housebound and airless America like a great free Western wind, and to our stuffy domesticity gave us the first fresh air since Mark Twain and Whitman,' noted Sinclair Lewis. 'Dreiser enlarged, willy-nilly, by a kind of historical accident if you will, the range of American literature,' observed Robert Penn Warren. '[Sister Carrie] is a vivid and absorbing work of art.'

Caroline, known as “Lina” to her family, has always lived in the shadow of her older brother William Herschel’s accomplishments. And yet when William invites Lina to join him in England to assist in his musical and astronomical pursuits—not to mention to run his bachelor household—she accepts, finding a new sense of purpose. William may be an obsessive genius, but Lina adores him, and aids him with the same fervency as a beloved wife. When William decides to marry, however, Lina’s world collapses. As she attempts to rebuild a future, we witness the dawning of an early feminist consciousness—a woman struggling to find her own place among the stars.

Best remembered for being one of the leading figures in the school of fiction writing known as naturalism, American author Theodore Dreiser got his professional start as a journalist, and he brings his love of research and detail to this collection of biographical essays celebrating the lives and contributions of 12 people who influenced him.

#1 NEW YORK TIMES BESTSELLER • WITH A NEW INTRODUCTION BY MARGARET ATWOOD • Stephen King's legendary debut, the bestselling smash hit that put him on the map as one of America's favorite writers • In a world where bullies rule, one girl holds a secret power. Unpopular and tormented, Carrie White's life takes a terrifying turn when her hidden abilities become a weapon of horror. “A master storyteller.” —The Los Angeles Times • “Guaranteed to chill you.” —The New York Times • "Gory and horrifying. . . . You can't put it down." —Chicago Tribune Unpopular at school and subjected to her mother's religious fanaticism at home, Carrie White does not have it easy. But while she may be picked on by her classmates, she has a gift she's kept secret since she was a little girl: she can move things with her mind. Doors lock. Candles fall. Her ability has been both a power and a problem. And when she finds herself the recipient of a sudden act of kindness, Carrie feels like she's finally been given a chance to be normal. She hopes that the nightmare of her classmates' vicious taunts is over . . . but an unexpected and cruel prank turns her gift into a weapon of horror so destructive that the town may never recover.

The story of a young woman from Wisconsin who goes to Chicago, becomes an actress, marries and moves to New York, and when her husband loses his job, returns to the stage.

In a cottage high atop Llanfair Mountain, sixteen-year-old Clara lives with her sister, Maren, and guardian Auntie. By day, they gather herbs for Auntie s healing potions. By night, Auntie spins tales of faraway lands and wicked fairies. Clara s favorite story tells of three orphan infants Clara, who was brought to Auntie by a stork; Maren, who arrived in a seashell; and their best friend, O Neill, who was found beneath an apple tree. One day, Clara discovers shimmering scales just beneath her sister s skin. She realizes that Maren is becoming a mermaid and knows that no mermaid can survive on land. Desperate to save her, Clara and O Neill place the mermaid-girl in their gypsy wagon and set out for the sea. But no road is straight, and the trio encounters trouble around every bend. Ensnared by an evil troupe of traveling performers, Clara and O Neill must find a way to save themselves and the ever-weakening mermaid.

Depraved characters parade themselves and their crass literary leanings; many keep journals, out of which Carrie is revealed with stylistic pyrotechnics. Fairbanks's scrappy, fantastic, debauched characters reveal themselves as well in hot rapid monologue and dialogue.