‘A highly original, piercingly beautiful work, full of beautiful shocks... I felt like a door had been kicked open in my brain’ Johanna Thomas-Corr, Observer A woman searches Buenos Aires for the paintings that are her inspiration and her refuge. Her life -- she is a young mother with a complicated family -- is sometimes overwhelming. But among the canvases, often little-known works in quiet rooms, she finds clarity and a sense of who she is . . . 'I was reminded of John Berger's Ways of Seeing, enfolded in tender and exuberant personal narratives' Claire-Louise Bennett 'This woman-guide, who goes from Lampedusa to The Doors with crushing elegance, is unforgettable' Mariana Enriquez 'A dazzling combination of memoir, fiction and art book, like nothing you’ve ever read before’ Elle

Published to accompany an exhibition at the Columbus Museum of Art, Ohio, this book examines the development of the Op Art movement, its cultural context, and its widespread impact on advertising, fashion and film-making. It includes works by Josef Albers, Bridget Riley and Victor Vasarely.

This is the first practical reference book focusing only on common optic nerve disorders. The author discusses diagnosis, pathophysiology, management, and prognosis of complex optic nerve disorders. The book is organized by optic nerve diagnoses commonly encountered in a neuro-ophthalmologic practice. It is written in a clear, concise style for quick, easy reference in the clinic. Each chapter is formatted in a similar manner. Neurologists and ophthalmologists will find this book useful when they need a practical reference for incorporating optic nerve evaluation in their clinical practice.

Presents thirty-two stories that deal with a variety of characters, including a shy novelist who seeks out the girl he was obsessed with in high school, a lonely woman who loses her job, and high school outcasts.

A New York Times Book Review Editors' Choice New York Times Notable author María Gainza, who dazzled critics with Optic Nerve, returns with the captivating story of an auction house employee on the trail of an enigmatic master forger In the Buenos Aires art world, a master forger has achieved legendary status. Rumored to be a woman, she specializes in canvases by the painter Mariette Lydis, a portraitist of Argentinean high society. But who is this absurdly gifted creator of counterfeits? What motivates her? And what is her link to the community of artists who congregate, night after night, in a strange establishment called the Hotel Melancólico? On the trail of this mysterious forger is our narrator, an art critic and auction house employee through whose hands counterfeit works have passed. As she begins to take on the role of art-world detective, adopting her own methods of deception and manipulation, she warns us “not to proceed in expectation of names, numbers or dates . . . My techniques are those of the impressionist.” Driven by obsession and full of subtle surprise, Portrait of an Unknown Lady is a highly seductive and enveloping meditation on what we mean by "authenticity" in art, and a captivating exploration of the gap between what is lived and what is told.

"No attainment is ever final" Vascular disorders of the optic disc and nerve are important not only to the ophthalmologist but also to the neurologist and the internist. To the first specialty group they represent one cause of blindness or severe visual impairment; to the second group the optic disc edema and optic atrophy seen in these disorders can pose serious problems of diagnosis, or give indica tions of the involvement of the cerebral circulation; while to the last group they are frequently indicative of systemic disease, particularly of the cardiovas cular system. Recent advances in our knowledge of the blood supply of the optic nerve head have shed a significant new light on the subject. With the recent advent of fluorescein fundus angiography, an extra dimension has been added to the study of the ocular and optic disc circulations, and we have entered into a new era in the understanding of ocular vascular disorders "in vivo". In the pre-angiography era, postmortem injection studies, although very valuable, did not completely reveal the vascular pattern of the optic disc in the living, in health, and disease. The ophthalmoscope, without doubt, has been valuable in assessing optic disc lesions, but could not give us informa tion on the circulation of the eye and optic disc "in vivo".

Optic nerve evaluation/swollen optic disc/pseudotumor cerebri/optic atrophy/common optic neuropathies/glaucoma/etc