This new edition of Norman Davies's classic study of the history of Poland has been revised and fully updated with two new chapters to bring the story to the end of the twentieth century. The writing of Polish history, like Poland itself, has frequently fallen prey to interested parties. Professor Norman Davies adopts a sceptical stance towards all existing interpretations and attempts to bring a strong dose of common sense to his theme. He presents the most comprehensive survey in English of this frequently maligned and usually misunderstood country.

This new edition of Norman Davies's classic study of the history of Poland has been revised and fully updated with two new chapters to bring the story to the end of the twentieth century. The writing of Polish history, like Poland itself, has frequently fallen prey to interested parties. Professor Norman Davies adopts a sceptical stance towards all existing interpretations and attempts to bring a strong dose of common sense to his theme. He presents the most comprehensive survey in English of this frequently maligned and usually misunderstood country.

Six rich and powerful men take six beautiful, accomplished women to a tropical island playground for a fun, no-strings-attached vacation, but when one man goes too far, the women band together in the jungle to teach the men a lesson they will never forget. Reprint.

The real basketball deal–the inside story of Harlem’s legendary tournament and the pros and playground legends who have made it world famous. Earl “The Goat” Manigault. Herman “Helicopter” Knowings. Joe “The Destroyer” Hammond. Richard “Pee Wee” Kirkland. These and dozens of other colorfully nicknamed men are the “Asphalt Gods,” whose astounding exploits in the Rucker Tournament, often against multimillionaire NBA superstars, have made them playground divinity. First established in the 1950s by Holcombe Rucker, a New York City Parks Department employee, the tournament has grown to become a Harlem institution, an annual summer event of major proportions. On that fabled patch of concrete, unknown players have been lighting it up for decades as they express basketball as a freestyle art among their peers and against such pro immortals as Julius Erving and Wilt Chamberlain. X’s and O’s are exchanged for oohs and aahs in one of the great examples of street theater to be found in urban America. Asphalt Gods is a streetwise, supremely entertaining oral history of a tournament that has influenced everything from NBA playing style to hip-hop culture. Now, legends transmitted by word of mouth find a home and the achievements of basketball’s greatest unknowns a permanent place in the game’s record.

"Bikky Sunazawa's art was unknown in North America and relatively little-known outside Hokkaido, Japan, when the Smithsonian opened its special Ainu exhibition [in 1999]. Conceived to explore the relationship of history, culture, and art of the Ainu people with other North Pacific native groups, the exhibition included a large section of contemporary Ainu sculpture, painting, graphic arts, and textile arts. The largest body of work was sculptures created by Bikky Sunazawa. . . . This is the first English-language book devoted to Bikky's life and the most complete presentation of his principal artworks. . . . [It] is the most comprehensive treatment of the artist who became the pivot point in the development of modern Ainu fine art." --from the Preface by William W. Fitzhugh

In God's Gym, the celebrated author John Edgar Wideman offers stories that pulse with emotional electricity. The ten pieces here explore strength, both physical and spiritual. The collection opens with a man paying tribute to the quiet fortitude of his mother, a woman who "should wear a T-shirt: God's Gym." In the stories that follow, Wideman delivers powerful riffs on family and fate, basketball and belief. His mesmerizing prose features guest appearances by cultural luminaries as diverse as the Harlem Globetrotters, Frantz Fanon, Thelonious Monk, and Marilyn Monroe. As always, Wideman astounds with writing that moves from the intimate to the political, from shock to transcendence.