Written by Mariko Tamaki Art and cover by Steve Rolston "Auspicious . . . an unusually strong graphic novel - rich in visuals and observations." - Publishers Weekly on Tamaki's Skim A borrowed diary, a double life and identity issues fuel a teenager's quest to find herself before she cracks and commits social suicide. Watch Emi go from dull, suburban babysitter to eclectic urban art star compliments of one crazy summer! Retailers: See this month's order form for a special ordering incentive on this title. Advance-solicited; on sale October 1 - 5.25" x 8" - 176 pg, FC, B&W, $9.99 US

In America, comics and comic books have often been associated with adolescent male fantasy--muscle-bound superheroes and scantily clad women. Nonetheless, comics have also been read and enjoyed by girls. While there have been many strong representations of women throughout their history, the comics of today have evolved and matured, becoming a potent medium in which to explore the female experience, particularly that of girlhood and adolescence. In Girls and Their Comics: Finding a Female Voice in Comic Book Narrative, Jacqueline Danziger-Russell contends that comics have a unique place in the representation of female characters. She discusses the overall history of the comic book, paying special attention to girls' comics, showing how such works relate to a female point of view. While examining the concept of visual literacy, Danziger-Russell asserts that comics are an excellent space in which the marginalized voices of girls may be expressed. This volume also includes a chapter on manga (Japanese comics), which explains the genesis of girls' comics in Japan and their popularity with girls in the United States. Including interviews with librarians, comic creators, and girls who read comics and manga, Girls and Their Comics is an important examination of the growing interest in comic books among young females and will appeal to a wide audience, including literary theorists, teachers, librarians, popular culture and women's studies scholars, and comic book historians.

Inspired by the Pulitzer Prize-winning novel The Amazing Adventures of Kavalier & Clay, this story of three aspiring comics creators with big dreams, small cash, and publishing rights to one forgotten Golden Age hero--The Escapist--is Brian K. Vaughan's love letter to his chosen medium. The lives of these creators Max, Denny, and Case--latter day versions of Joe Kavalier and Sam Clay--are brilliantly woven together with the world of their creations. Discovering his late father's decades-spanning vault of Escapist memorabilia at the age of six, Max became a fan of the Master of Elusion almost overnight. After exhausting the extensive stash of Golden and Silver Age comics, he needed more--and started writing his own Escapist stories. Now nineteen, he's determined to make the character a sensation once again. Together with his friend Denny Jones, and their newfound artist Case Weaver, Max relaunches The Escapist comics. Through a couple risky publicity stunts--including one that makes national news--the creators risk criminal charges to get the word out about their publication. Will it be enough to make the book a success? Or just enough to get them in jail? Interwoven with Max's struggles are the comic-within-a-comic stories of The Escapist himself, his ally Luna Moth, good old-fashioned death traps, betrayal, and a touch of romance. Mulitiple award-winning author Brian K. Vaughan (Saga, Y--The Last Man, Ex Machina) successfully crafts the perfect partner to Michael Chabon's masterpiece.

NOW A NEW YORK TIMES BESTSELLER! Publisher's Weekly "Best Summer Books of 2013" The Daily Beast's "Brainy Summer Beach Reads" The classic literary canon meets the comics artists, illustrators, and other artists who have remade reading in Russ Kick's magisterial, three-volume, full-color The Graphic Canon, volumes 1, 2, and 3. Volume 3 brings to life the literature of the end of the 20th century and the start of the 21st, including a Sherlock Holmes mystery, an H.G. Wells story, an illustrated guide to the Beat writers, a one-act play from Zora Neale Hurston, a disturbing meditation on Naked Lunch, Rilke's soul-stirring Letters to a Young Poet, Anaïs Nin's diaries, the visions of Black Elk, the heroin classic The Man With the Golden Arm (published four years before William Burroughs' Junky), and the postmodernism of Thomas Pynchon, David Foster Wallace, Kathy Acker, Raymond Carver, and Donald Barthelme. The towering works of modernism are here--T.S. Eliot's "The Love Song of J. Alfred Prufrock" and "The Waste Land," Yeats's "The Second Coming" done as a magazine spread, Heart of Darkness, stories from Kafka, The Voyage Out by Virginia Woolf, James Joyce's masterpiece, Ulysses, and his short story "Araby" from Dubliners, rare early work from Faulkner and Hemingway (by artists who have drawn for Marvel), and poems by Gertrude Stein and Edna St. Vincent Millay. You'll also find original comic versions of short stories by W. Somerset Maugham, Flannery O'Connor, and Saki (manga style), plus adaptations of Lolita (and everyone said it couldn't be done!), The Age of Innocence, Siddhartha and Steppenwolf by Hermann Hesse, "The Negro Speaks of Rivers" by Langston Hughes, One Flew Over the Cuckoo's Nest, Last Exit to Brooklyn, J.G. Ballard's Crash, and photo-dioramas for Animal Farm and The Wonderful Wizard of Oz. Feast your eyes on new full-page illustrations for 1984, Brave New World, Waiting for Godot, One Hundred Years of Solitude,The Bell Jar, On the Road, Lord of the Flies, The Wind-Up Bird Chronicle, and three Borges stories. Robert Crumb's rarely seen adaptation of Nausea captures Sartre's existential dread. Dame Darcy illustrates Cormac McCarthy's masterpiece, Blood Meridian, universally considered one of the most brutal novels ever written and long regarded as unfilmable by Hollywood. Tara Seibel, the only female artist involved with the Harvey Pekar Project, turns in an exquisite series of illustrations for The Great Gatsby. And then there's the moment we've been waiting for: the first graphic adaptation from Kurt Vonnegut's masterwork, Slaughterhouse-Five. Among many other gems.

The New Paper Trails is a lively and provocative collection of 24 short-short stories suitable for upper primary and lower secondary students of English. These lesson-sized stories from Australian and international authors cover a range of themes, styles and genres, and introduce students to writing techniques and the skills of critical literacy. This new edition of the original anthology includes a completely new set of stories, activities and exercises, along a bold and engaging design and illustrations. It features work from well-known authors such as Garth Nix, Angela Carter and Carmel Bird, and alongside authors just starting their literary careers.

To say that graphic novels, comics, and other forms of sequential art have become a major part of popular culture and academia would be a vast understatement. Now an established component of library and archive collections across the globe, graphic novels are proving to be one of the last kinds of print publications actually gaining in popularity. Full of practical advice and innovative ideas for librarians, educators, and archivists, this book provides a wide-reaching look at how graphic novels and comics can be used to their full advantage in educational settings. Topics include the historically tenuous relationship between comics and librarians; the aesthetic value of sequential art; the use of graphic novels in library outreach services; collection evaluations for both American and Canadian libraries; cataloging tips and tricks; and the swiftly growing realm of webcomics.

21 Journeys is one of Cloudscape's most ambitious books, a full-colour, Shuster nominated, 250-page anthology centered around the theme of travel. The book features artists such as Steve Rolston, famed artist of Ghost Projekt, independent comics veteran Colin Upton, alternative poet Ray Hsu and Israeli-American cartoonist Miriam Libicki. These stories take the reader to all points of the globe, from wartime Germany to modern Uganda, from the tip of the Matterhorn to deep beneath the Gulf Stream, from the other side of the world to just down the street. You meet students, soldiers, and scientists; businessmen, teachers, and priests; people from every imaginable profession, each following their own path.