In American by Blood, three U.S. Army scouts leading an infantry column arrive a day late to join Custer at the Little Bighorn. They come upon the ruins of th Seventh Cavalry, a trail of blood and corpses defiled by wild dogs and swarms of flies. It is a scene that will haunt these three young men in vivid and irrevocable ways. With the loss at Little Bighorn, their mission to find and help clear the land of the Indian tribes ineluctably becomes one of vengeance as well. They journey into limitless wilderness after their prey, skirmishing in the dense forests and the high plains. The scouting party consists of James H. Bradley, who discovers that war is as much a test of the heart as it is of his ideals; William Gentle, who finds himself torn between his desire to emulate the older soldiers and his fascination with the Indians they hunt; and August Huebner, who wishes to see an America beyond that which he knows and escape the slums of the newly industrialized East. Gus Huebner was the author's great-great-grandfather, who in 1875 left New Jersey to join the army int he West. Family myth has it that he arrived a day late to the Battle of Little Bighorn. From these scant biographical details, Andrew Huebner has imagined a rich and powerful novel of the American West. American by Blood unforgettably combines epic storytelling and evocations of awe-inspiring natural beauty with a shattering repudiation of some of our nation's most central myths.

In Ben Sanders's American Blood, a former undercover cop now in witness protection finds himself pulled into the search for a missing woman; film rights sold to Warner Bros with Bradley Cooper attached to star and produce. After a botched undercover operation, ex-NYPD officer Marshall Grade is living in witness protection in Santa Fe, New Mexico. Marshall's instructions are to keep a low profile: the mob wants him dead, and a contract killer known as the Dallas Man has been hired to track him down. Racked with guilt over wrongs committed during his undercover work, and seeking atonement, Marshall investigates the disappearance of a local woman named Alyce Ray. Members of a drug ring seem to hold clues to Ray's whereabouts, but hunting traffickers is no quiet task. Word of Marshall's efforts spreads, and soon the worst elements of his former life, including the Dallas Man, are coming for him. Written by a rising New Zealand star who has been described as "first rate," this American debut drops a Jack Reacher-like hero into the landscape of No Country for Old Men.

NATIONAL BESTSELLER • From the author of Ghost Soldiers comes an eye-opening history of the American conquest of the West—"a story full of authority and color, truth and prophecy" (The New York Times Book Review). In the summer of 1846, the Army of the West marched through Santa Fe, en route to invade and occupy the Western territories claimed by Mexico. Fueled by the new ideology of “Manifest Destiny,” this land grab would lead to a decades-long battle between the United States and the Navajos, the fiercely resistant rulers of a huge swath of mountainous desert wilderness. At the center of this sweeping tale is Kit Carson, the trapper, scout, and soldier whose adventures made him a legend. Sides shows us how this illiterate mountain man understood and respected the Western tribes better than any other American, yet willingly followed orders that would ultimately devastate the Navajo nation. Rich in detail and spanning more than three decades, this is an essential addition to our understanding of how the West was really won.

"After a brief stint in college, Michael joins an old Army buddy, crazed killer Tom Carp, in a northern New Mexico commune. Once the commune breaks up, Michael and Tom drift apart. Years later when Michael is shot by the teenage daughter of the woman he loves, Tom swears revenge on mother and daughter. In the horrible months ahead, Michael comes to terms with his darkest nightmares of Vietnam."--Library Journal.

In the decades following the Revolution, the supernatural exploded across the American landscape—fabulous reports of healings, exorcisms, magic, and angels crossed the nation. Under First Amendment protections, new sects based on such miracles proliferated. At the same time, Enlightenment philosophers and American founders explicitly denied the possibility of supernatural events, dismissing them as deliberate falsehoods—and, therefore, efforts to suborn the state. Many feared that belief in the supernatural itself was a danger to democracy. In this way, miracles became a political problem and prompted violent responses in the religious communities of Prophetstown, Turtle Creek, and Nauvoo. In Blood from the Sky, Adam Jortner argues that the astonishing breadth and extent of American miracles and supernaturalism following independence derived from Enlightenment ideas about proof and sensory evidence, offering a chance at certain belief in an uncertain religious climate. Jortner breaks new ground in explaining the rise of radical religion in antebellum America, revisiting questions of disenchantment, modernity, and religious belief in a history of astounding events that—as early Americans would have said—needed to be seen to be believed.

"[A] vital investigation of Forsyth’s history, and of the process by which racial injustice is perpetuated in America." —U.S. Congressman John Lewis Forsyth County, Georgia, at the turn of the twentieth century, was home to a large African American community that included ministers and teachers, farmers and field hands, tradesmen, servants, and children. But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders” launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten. National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and ’80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white” well into the 1990s. In precise, vivid prose, Blood at the Root delivers a "vital investigation of Forsyth’s history, and of the process by which racial injustice is perpetuated in America" (Congressman John Lewis).

An astonishing untold story from the nineteenth century—a “riveting…engrossing…‘American Epic’” (The Wall Street Journal) and necessary work of history that reads like Gone with the Wind for the Cherokee. “A vigorous, well-written book that distills a complex history to a clash between two men without oversimplifying” (Kirkus Reviews), Blood Moon is the story of the feud between two rival Cherokee chiefs from the early years of the United States through the infamous Trail of Tears and into the Civil War. Their enmity would lead to war, forced removal from their homeland, and the devastation of a once-proud nation. One of the men, known as The Ridge—short for He Who Walks on Mountaintops—is a fearsome warrior who speaks no English, but whose exploits on the battlefield are legendary. The other, John Ross, is descended from Scottish traders and looks like one: a pale, unimposing half-pint who wears modern clothes and speaks not a word of Cherokee. At first, the two men are friends and allies who negotiate with almost every American president from George Washington through Abraham Lincoln. But as the threat to their land and their people grows more dire, they break with each other on the subject of removal. In Blood Moon, John Sedgwick restores the Cherokee to their rightful place in American history in a dramatic saga that informs much of the country’s mythic past today. Fueled by meticulous research in contemporary diaries and journals, newspaper reports, and eyewitness accounts—and Sedgwick’s own extensive travels within Cherokee lands from the Southeast to Oklahoma—it is “a wild ride of a book—fascinating, chilling, and enlightening—that explains the removal of the Cherokee as one of the central dramas of our country” (Ian Frazier). Populated with heroes and scoundrels of all varieties, this is a richly evocative portrait of the Cherokee that is destined to become the defining book on this extraordinary people.