Begun in the 1980s and worked on until the author's death in 2003, The Woes of the True Policeman is Roberto Bolaño's last, unfinished novel. The novel follows Amalfitano—an exiled Chilean university professor and widower with a teenage daughter—as his political disillusionment and love of poetry lead to the scandal that will force him to flee from Barcelona and take him to Santa Teresa, Mexico. This border town is haunted by dark tales of murdered women and populated by characters such as Sorcha, who fought in the Andalusia Blue Division in the Spanish Civil War, and Castillo, who makes his living selling his forgeries of Larry Rivers paintings to wealthy Texans. It is here that Amalfitano meets Arcimboldi, a magician and writer whose work highlights the provisional and fragile nature of literature and life. Woes of the True Policeman is an exciting, kaleidoscopic novel, lyrical and intense, yet darkly humorous. Exploring the roots of memory and the limits of art, it marks the culmination of one of the great careers of world literature.

An unfinished masterpiece from the author of THE SAVAGE DETECTIVES and 2666. Follows Amalfitano, exiled Chilean university professor and widower with a teenage daughter, as his political disillusionment and love of poetry lead to the scandal that will force him to flee from Barcelona and take him to Santa Teresa, Mexico. It is here, in this border town, that Amalfitano meets Arcimboldi, a magician and writer whose work highlights the provisional and fragile nature of literature and life.

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In "Cowboy Graves," Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism. "French Comedy of Horrors" takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in "Fatherland," a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.

Collection of most of Bolaño's newspaper columns, articles (many about other literary authors), prefaces, and texts of talks or speeches given by Bolaño during the last five years of his life. "Taken together, they make a surprisingly rounded whole . . . a kind of fragmented 'autobiography.'"--Introduction, p.1.

Since the publication of The Savage Detectives in 2007, the work of Roberto Bolaño (1953–2003) has achieved an acclaim rarely enjoyed by literature in translation. Chris Andrews, a leading translator of Bolaño's work into English, explores the singular achievements of the author's oeuvre, engaging with its distinct style and key thematic concerns, incorporating his novels and stories into the larger history of Latin American and global literary fiction. Andrews provides new readings and interpretations of Bolaño's novels, including 2666, The Savage Detectives, and By Night in Chile, while at the same time examining the ideas and narrative strategies that unify his work. He begins with a consideration of the reception of Bolaño's fiction in English translation, examining the reasons behind its popularity. Subsequent chapters explore aspects of Bolaño's fictional universe and the political, ethical, and aesthetic values that shape it. Bolaño emerges as the inventor of a prodigiously effective "fiction-making system," a subtle handler of suspense, a chronicler of aimlessness, a celebrator of courage, an anatomist of evil, and a proponent of youthful openness. Written in a clear and engaging style, Roberto Bolano's Fiction offers an invaluable understanding of one of the most important authors of the last thirty years.