Published to accompany an exhibition at The Van Gogh Museum, this volume is the first to trace Van Gogh's decade-long achievement as a draughtsman. It features about 110 of his finest works, as well as a group of related paintings, all of which offer insight into his ongoing development as an artist.

Presents a collection of the drawings of Vincent Van Gogh, providing images of his works in charcoal, chalk, ink, graphite, and watercolor, and including essays the place each drawing in its historical context, explaining its significance.

Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.

"The most revolutionary discovery in the entire history of Van Gogh's oeuvre. Not one drawing; not ten, not fifty, but sixty-five drawings." --Ronald Pickvance, from the Foreword Late in life, during his time living in Provence, Vincent van Gogh kept a sketchbook within a humble account ledger given to him by Joseph and Marie Ginoux, the owners of the Café de la Gare in Arles. This artifact of incalculable historical and aesthetic value remained hidden for more than one hundred and twenty years. It reappears today as a revelation and an extraordinary treasure. Published in this volume for the first time, Van Gogh's lost sketchbook tells a riveting story. Over two tumultuous years in the artist's life, he drew sixty-five sketches, including landscapes, still lifes, portraits, and a self-portrait, within the ledger. These priceless drawings provide insight into the last years of Van Gogh's life, just before his fatal stay in Auvers-sur-Oise, and a new understanding of his most famous paintings, such as The Yellow House, The Night Café, and The Starry Night. With meticulous analysis of the sketchbook and the historical record, art historian Bogomila Welsh-Ovcharov discusses each drawing in terms of Van Gogh's career as a whole, and in particular during his time in Arles and Saint-Rémy-de-Provence between February 1888 and May 1890. This groundbreaking book includes facsimile reproductions of all the sketches and is richly illustrated with dozens of drawings, photographs, and paintings that situate the sketchbook in the context of Van Gogh's life's work and the history of art. The result of a remarkable discovery, Vincent van Gogh: The Lost Arles Sketchbook offers fresh insight into the life and work of one of the world's most beloved artists.

"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."