"Truman Capote and the Legacy of In Cold Blood" is the anatomy of the origins of an American literary landmark and its legacy.

Selected by the Modern Library as one of the 100 best nonfiction books of all time From the Modern Library’s new set of beautifully repackaged hardcover classics by Truman Capote—also available are Breakfast at Tiffany’s and Other Voices, Other Rooms (in one volume), Portraits and Observations, and The Complete Stories Truman Capote’s masterpiece, In Cold Blood, created a sensation when it was first published, serially, in The New Yorker in 1965. The intensively researched, atmospheric narrative of the lives of the Clutter family of Holcomb, Kansas, and of the two men, Richard Eugene Hickock and Perry Edward Smith, who brutally killed them on the night of November 15, 1959, is the seminal work of the “new journalism.” Perry Smith is one of the great dark characters of American literature, full of contradictory emotions. “I thought he was a very nice gentleman,” he says of Herb Clutter. “Soft-spoken. I thought so right up to the moment I cut his throat.” Told in chapters that alternate between the Clutter household and the approach of Smith and Hickock in their black Chevrolet, then between the investigation of the case and the killers’ flight, Capote’s account is so detailed that the reader comes to feel almost like a participant in the events.

Truman Capote's compelling and harrowing account of the murder of the Clutter family and the subsequent trial and execution of the killers made a huge impact when first published in 1965, and continues to provoke controversy, find readers, and generate critical debate. This volume offers a rich range of perspectives on Capote's major work, exploring it as a "non-fiction novel" and as a "true crime" story, tracing its reception by reviewers, critics and the general public, discussing its impact on the real-life community and individuals it describes, and examining the crucial ethical, judicial and penal issues it raises.

The national bestselling biography and the basis for the film Capote starring Philip Seymour Hoffman in an Academy Award–winning turn. One of the strongest fiction writers of his generation, Truman Capote became a literary star while still in his teens. His most phenomenal successes include Breakfast at Tiffany’s, In Cold Blood, and Other Voices, Other Rooms. Even while his literary achievements were setting the standards that other fiction and nonfiction writers would follow for generations, Capote descended into a spiral of self-destruction and despair. This biography by Gerald Clarke was first published in 1988—just four years after Capote’s death. In it, Clarke paints a vivid behind-the-scenes picture of the author’s life—based on hundreds of hours of in-depth interviews with the man himself and the people close to him. From the glittering heights of notoriety and parties with the rich and famous to his later struggles with addiction, Capote emerges as a richly multidimensional person—both brilliant and flawed. “A book of extraordinary substance, a study rich in intelligence and compassion . . . To read Capote is to have the sense that someone has put together all the important pieces of this consummate artist’s life, has given everything its due emphasis, and comprehended its ultimate meaning.” —Bruce Bawer, The Wall Street Journal “Mesmerising . . . [Capote] reads as if it had been written alongside his life, rather than after it.” —Molly Haskell, The New York Times Book Review

In 1966, everyone who was anyone wanted an invitation to Truman Capote's "Black and White Dance" in New York, and guests included Frank Sinatra, Norman Mailer, C. Z. Guest, Kennedys, Rockefellers, and more. Lavishly illustrated with photographs and drawings of the guests, this portrait of revelry at the height of the swirling, swinging sixties is a must for anyone interested in American popular culture and the lifestyles of the rich, famous, and talented.

This is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War). The pieces are notable because they do not conform to the standard dispassionate and even-handed model of journalism. Rather they incorporate literary devices usually only found in fictional works.

Dave Hickock never pulled the trigger of a gun or held a knife to murder another person, but he was sentenced to a lifetime of shame, ostracism, guilt, and psychological anguish because of the actions of one man—his brother. On November 15, 1959, Richard Hickock drove to a bus station in Kansas City and picked up Perry Smith, a prison buddy. Together, they drove to Emporia, Kansas, and purchased rubber gloves, nylon cord, and black stockings. Before day's end, four innocent members of the Clutter family in a town across the state of Kansas would have their throats slashed and Richard and his buddy would be arrested and charged with one of the most brutal and infamous murders ever. As the brother of a cold-blooded killer, Dave's life would never be the same. In this compelling narrative told to Linda LeBert-Corbello, Dave shares his journey from the depths of a family tragedy to how he eventually found the kind of inner-peace that accompanies acceptance of the truth and forgiveness. I do not just want to forget and live happily ever after. I want to be forgiven. —David Hickock