Poet, critic, and hybrid-genre artist Johnson tracks the use of trouble in word, concept, and practice in this debut of brief, elliptical, lyric essays. He moves through a wide swath of 20th- and 21st-century music, always alert to a sense of melancholy shared among songwriters, their songs, and their listeners in the ever-growing web of popular music. "When we say 'trouble,' we refer to the history of trouble whether or not we have it in mind. When we sing trouble, we sing (with) history," Johnson writes. "A Trouble Song is a complaint, a grievance, an aside, a come-on, a confession, an admission, a resignation, a plea. It's an invitation-to sorrow." The effect of all this trouble is dizzying. Highly annotated-often to personal, humorous, and hidden effects-the book weaves among genres, chronologies, and various forms of trouble to ask "Where are we in song? Who are we in song?" Johnson suggests that an answer lies somewhere in the locus of singer, song, and listener-the "essential relations in the Trouble Song." Detouring into philosophy, cultural theory, and verse, Johnson works multilaterally to explore what trouble in popular music does to connect listeners, embolden them, and open a space from which trouble can be addressed across time.

Hang on to yer hat, Cowboy. Yeeeee-hah! Boynton goes Country with Frog Trouble, a terrific CD and illustrated songbook of her new and wildly original Country songs. And they’re sung by a truly amazing roster of Country Music’s biggest and brightest stars: Here’s Brad Paisley with "Copycat," Dwight Yoakam singing "I’ve Got a Dog," Alison Krauss on "End of a Summer Storm," Ben Folds rocking "Broken Piano," Darius Rucker with "Beautiful Baby." The lonesome-cowboy title track is performed by the low-voiced moody rocker Mark Lanegan (yes, of Queens of the Stone Age.) Add Josh Turner, Fountains of Wayne, Ryan Adams, Linda Eder, and quickly rising Country star Kacey Musgraves—all accompanied by Nashville’s finest instrumentalists—and WHOA. You’ve got yourself some mighty fine music, with a whole lot of gumption and heart. A COUNTRY MUSIC ALBUM FOR KIDS AND EVERYONE • Boynton-illustrated songbook with full-length music CD • 12 new songs with a whole lot of gumption and heart • Cowboy, Country, Rockabilly, Honkytonk, Bluegrass, Blues • Retro sound with a TRULY AMAZING All-Star Artist roster! • Lyrics by Sandra Boynton • Music written and produced by Sandra Boynton and Michael Ford • Recorded in Nashville with renowned session musicians • Boynton & Ford have written and produced three Gold Records • Boynton has a Grammy Nomination for Philadelphia Chickens, which was also a #1 New York Times Bestseller

Trouble Boys is the first definitive, no-holds-barred biography of one of the last great bands of the twentieth century: The Replacements. With full participation from reclusive singer and chief songwriter Paul Westerberg, bassist Tommy Stinson, guitarist Slim Dunlap, and the family of late band co-founder Bob Stinson, author Bob Mehr is able to tell the real story of this highly influential group, capturing their chaotic, tragic journey from the basements of Minneapolis to rock legend. Drawing on years of research and access to the band's archives at Twin/Tone Records and Warner Bros. Mehr also discovers previously unrevealed details from those in the group's inner circle, including family, managers, musical friends and collaborators.

Ben loves to draw and does so in all of his classes, but his drawings of people are so good he is afraid to let his classmates see them, until the day he loses his notebook and his talent is revealed.

Is capitalism killing music? A critical look at the music industry.

Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.