This book examines the role played by the international circulation of literature in constructing cultural memories of the Second World War. War writing has rarely been read from the point of view of translation even though war is by definition a multilingual event, and knowledge of the Second World War and the Holocaust is mediated through translated texts. Here, the author opens up this field of research through analysis of several important works of French war fiction and their English translations. The book examines the wartime publishing structures which facilitated literary exchanges across national borders, the strategies adopted by translators of war fiction, the relationships between translated war fiction and dominant national memories of the war, and questions of multilingualism in war writing. In doing so, it sheds new light on the political and ethical questions that arise when the trauma of war is represented in fiction and through translation. This engaging work will appeal to students and scholars of translation, cultural memory, war fiction and Holocaust writing.

Top 10 First Novels of 2016--Booklist 2016 Great Group Reads Selection Contemplating suicide after nearly a decade at war, Levi sits down to write a note to his best friend Nick, explaining why things have to come to this inevitable end. Years earlier, Levi--a sergeant in the army--made a tragic choice that led his team into ambush, leaving three soldiers dead and two badly injured. During the attack, Levi risked death to save a badly burned and disfigured Nick. His actions won him the Silver Star for gallantry, but nothing could alleviate the guilt he carried after that fateful day. He may have saved Nick in Iraq, but when Levi returns home and spirals out of control, it is Nick's turn to play the savior, urging Levi to write. Levi begins to type as a way of bidding farewell, but what remains when he is finished is not a suicide note. It's a love song, a novel in which the beginning is the story's end, the story's end is the real beginning of Levi's life, and the future is as mutable as words on a page.

**WINNER of the EU Prize for Literature** 'One of the most exciting and original Northern Irish writers of her generation' SUNDAY TIMES 'Gripping, affecting, surprising. I inhaled it' LISA MCINERNEY 'Captivating, intelligent and courageous' IRISH TIMES 'Spectacular. At once grittily real, wildly magical and insanely alluring - a siren-song of a novel.' DONAL RYAN 'Jan Carson seems to have invented a new Belfast in this gripping, surprising, exhilarating novel.' RODDY DOYLE 'Blew me away with its power, anger and wit.' JOSEPH O'CONNOR Dr Jonathan Murray fears his new-born daughter is not as harmless as she seems. Sammy Agnew is wrestling with his dark past, and fears the violence in his blood lurks in his son, too. The city is in flames and the authorities are losing control. As matters fall into frenzy, and as the lines between fantasy and truth, right and wrong, begin to blur, who will these two fathers choose to protect? Dark, propulsive and thrillingly original, this tale of fierce familial love and sacrifice fizzes with magic and wonder.

The relationship between translation and conflict is highly relevant in today's globalised and fragmented world, and this is attracting increased academic interest. This collection of essays was inspired by the first international conference to directly address the translator and interpreter's involvement in situations of military and ideological conflict, and its representation in fiction. The collection adopts an interdisciplinary approach, and the contributors to the volume bring to bear a variety of perspectives informed by media studies, historiography, literary scholarship and self-reflective interpreting and translation practice. The reader is presented with compelling case studies of the 'embeddedness' of translators and interpreters, either on the ground or as portrayed in fiction, and of their roles in mediating, memorizing or rewriting conflict. The theoretical reflection which the essays generate regarding mediation and neutrality, ethical involvement and responsibility, and the implications for translator and interpreter training, will be of interest to researchers in translation, interpreting, media, intercultural and postcolonial studies.

Ship of Fate tells the emotionally gripping story of a Vietnamese military officer who evacuated from Saigon in 1975 but made the dramatic decision to return to Vietnam for his wife and children, rather than resettle in the United States without them. Written in Vietnamese in the years just after 1991, when he and his family finally immigrated to the United States, Trần Đình Trụ’s memoir provides a detailed and searing account of his individual trauma as a refugee in limbo, and then as a prisoner in the Vietnamese reeducation camps. In April 1975, more than 120,000 Indochinese refugees sought and soon gained resettlement in the United States. While waiting in the Guam refugee camps, however, approximately 1,500 Vietnamese men and women insisted in no uncertain terms on being repatriated back to Vietnam. Trần was one of these repatriates. To resolve the escalating crisis, the U.S. government granted the Vietnamese a large ship, the Việt Nam Thương Tín. An experienced naval commander, Trần became the captain of the ship and sailed the repatriates back to Vietnam in October 1975. On return, he was imprisoned and underwent forced labor for more than twelve years. Trần’s account reveals a hidden history of refugee camps on Guam, internal divisions among Vietnamese refugees, political disputes between the United Nations High Commissioner for Refugees and the U.S. government, and the horror of the postwar “reeducation” camps. While there are countless books on the U.S. war in Vietnam, there are still relatively few in English that narrate the war from a Vietnamese perspective. This translation adds new and unexpected dimensions to the U.S. military’s final withdrawal from Vietnam.

"Imagine a book about an unnecessary war written by the ruthless general of an occupying army - a vivid and dramatic propaganda piece that forces the reader to identify with the conquerors and that is designed, like the war itself, to fuel the limitless political ambitions of the author. Could such a campaign autobiography ever be a great work of literature - perhaps even one of the greatest? It would be easy to think not, but such a book exists -and it helped transform Julius Caesar from a politician on the make into the Caesar of legend. This remarkable new translation of Caesar's famous but underappreciated War for Gaul captures, like never before in English, the gripping and powerfully concise style of the future emperor's dispatches from the front lines in what are today France, Belgium, Germany, and Switzerland. While letting Caesar tell his battle stories in his own way, distinguished classicist James O'Donnell also fills in the rest of the story in a substantial introduction and notes that together explain why Gaul is the "best bad man's book ever written"--A great book in which a genuinely bad person offers a bald-faced, amoral description of just how bad he has been. Complete with a chronology, a map of Gaul, suggestions for further reading, and an index, this feature-rich edition captures the forceful austerity of a troubling yet magnificent classic - a book that, as O'Donnell says, 'gets war exactly right and morals exactly wrong.'" -- Front jacket flap