The most authoritative and feature-rich edition of On War in English Carl von Clausewitz’s On War is the most significant attempt in Western history to understand war, both in its internal dynamics and as an instrument of policy. Since the work's first appearance in 1832, it has been read throughout the world, and has stimulated generations of soldiers, political leaders, and intellectuals. First published in 1976 and revised in 1984, Michael Howard and Peter Paret’s Princeton edition of Clausewitz’s classic work has itself achieved classic status and is widely regarded as the best translation and standard edition of On War in English. This feature-rich edition includes an essay by Paret on the genesis of Clausewitz’s book, an essay by Howard on Clausewitz’s influence, and an essay by Bernard Brodie on the continuing relevance of On War. In addition, Brodie provides a lengthy and detailed commentary on and guide to reading On War, and the edition also includes a comprehensive index.

This is the book on war that Napoleon never had the time or the will to complete. In exile on the island of Saint-Helena, the deposed Emperor of the French mused about a great treatise on the art of war, but in the end changed his mind and ordered the destruction of the materials he had collected for the volume. Thus was lost what would have been one of the most interesting and important books on the art of war ever written, by one of the most famous and successful military leaders of all time. In the two centuries since, several attempts have been made to gather together some of Napoleon's 'military maxims', with varying degrees of success. But not until now has there been a systematic attempt to put Napoleon's thinking on war and strategy into a single authoritative volume, reflecting both the full spectrum of his thinking on these matters as well as the almost unparalleled range of his military experience, from heavy cavalry charges in the plains of Russia or Saxony to counter-insurgency operations in Egypt or Spain. To gather the material for this book, military historian Bruno Colson spent years researching Napoleon's correspondence and other writings, including a painstaking examination of perhaps the single most interesting source for his thinking about war: the copy-book of General Bertrand, the Emperor's most trusted companion on Saint-Helena, in which he unearthed a Napoleonic definition of strategy which is published here for the first time. The huge amount of material brought together for this ground-breaking volume has been carefully organized to follow the framework of Carl von Clausewitz's classic On War, allowing a fascinating comparison between Napoleon's ideas and those of his great Prussian interpreter and adversary, and highlighting the intriguing similarities between these two founders of modern strategic thinking.

The outbreak of World War I precipitated a schism in the international socialist movement that endures today. Heeding calls for "rational defense," the leading European socialist democratic parties abandoned their vision of peace and internationalism as an integral part of the struggle for social justice and set aside their view of interstate war as the clearest example of the irrational essence of competitive capitalism. Only the Zimmerwald Left, led by Lenin, continued to speak out for internationalism. R. Craig Nation utilizes sources in Dutch, French, German, Italian, Russian, and Swedish to provide the first comprehensive history of the Zimmerwald Left as an international political tendency.

Two classic works of military strategy that shaped the way we think about warfare: The Art of War by Sun Tzu and On War by Karl von Clausewitz, together in one volume “Civilization might have been spared much of the damage suffered in the world wars . . . if the influence of Clausewitz’s On War had been blended with and balanced by a knowledge of Sun Tzu’s The Art of War.”—B. H. Liddel Hart For two thousand years, Sun Tzu’s The Art of War has been the indispensable volume of warcraft. Although his work is the first known analysis of war and warfare, Sun Tzu struck upon a thoroughly modern concept: “The supreme art of war is to subdue the enemy without fighting.” Karl von Clausewitz, the canny military theorist who famously declared that war is a continuation of politics by other means, also claims paternity of the notion “total war.” On War is the magnum opus of the era of the French Revolution and the Napoleonic wars. Now these two great minds come together in a single volume that also features an introduction by esteemed military writer Ralph Peters and the Modern Library War Series introduction by Caleb Carr, New York Times bestselling author of The Alienist. (The cover and text refer to The Art of War as The Art of Warfare, an alternate translation of the title.)

Scales on War is a collection of ideas, concepts and observations about contemporary war taken from over 30 years of research, writing and personal experience by retired Major General Bob Scales. The book melds Scales’ unique style of writing that includes contemporary military history, current events and his philosophy of ground warfare to create a very personal and expansive view of where Americn defense policies are heading in the future. The book is a collection. Each chapter addresses distinct topics that embrace tactical ground warfare, future gazing, the draft and the role of women in the infantry. His uniting thesis is that throughout its history the United States has favored a technological approach to fighting its wars and has neglected its ground forces. America’s enemies have learned though the experience of battle how to defeat American technology. The consequences of a learning and adaptive enemy has been a continuous string of battlefield defeats. Scales argues that only a resurgent land force of Army and Marine small units will restore America’s fighting competence.

Selections from poetry and fiction describe the 20th century's major conflicts.