A feminist encyclopaedia focusing on mythology, anthropology, religion and sexuality. Discover where the legend of a cat's nine lives comes from, why mama is a word understood in nearly all languages and whether there really was a female Pope.

A comprehensive reference on mythology, anthropology, religion and sexuality from a feminist point of view.

This fascinating guide to the history and mythology of woman-related symbols features: Unique organization by shape of symbol or type of sacred object 21 different sections including Round and Oval Motifs, Sacred Objects, Secular-Sacred Objects, Rituals, Deities' Signs, Supernaturals, Body Parts, Nature, Birds, Plants, Minerals, Stones and Shells, and more Introductory essays for each section 753 entries and 636 illustrations Alphabetical index for easy reference Three-Rayed Sun The sun suspended in heaven by three powers, perhaps the Triple Goddess who gave birth to it (see Three-Way Motifs). Corn Dolly An embodiment of the harvest to be set in the center of the harvest dance, or fed to the cattle to `make them thrive year round' (see Secular-Sacred Objects). Tongue In Asia, the extended tongue was a sign of life-force as the tongue between the lips imitated the sacred lingam-yoni: male within female genital. Sticking out the tongue is still a polite sign of greeting in northern India and Tibet (see Body Parts). Cosmic Egg In ancient times the primeval universe-or the Great Mother-took the form of an egg. It carried all numbers and letters within an ellipse, to show that everything is contained within one form at the beginning (see Round and Oval Motifs).

This fascinating guide to the history and mythology of woman-related symbols features: Unique organization by shape of symbol or type of sacred object 21 different sections including Round and Oval Motifs, Sacred Objects, Secular-Sacred Objects, Rituals, Deities' Signs, Supernaturals, Body Parts, Nature, Birds, Plants, Minerals, Stones and Shells, and more Introductory essays for each section 753 entries and 636 illustrations Alphabetical index for easy reference Three-Rayed Sun The sun suspended in heaven by three powers, perhaps the Triple Goddess who gave birth to it (see Three-Way Motifs). Corn Dolly An embodiment of the harvest to be set in the center of the harvest dance, or fed to the cattle to `make them thrive year round' (see Secular-Sacred Objects). Tongue In Asia, the extended tongue was a sign of life-force as the tongue between the lips imitated the sacred lingam-yoni: male within female genital. Sticking out the tongue is still a polite sign of greeting in northern India and Tibet (see Body Parts). Cosmic Egg In ancient times the primeval universe-or the Great Mother-took the form of an egg. It carried all numbers and letters within an ellipse, to show that everything is contained within one form at the beginning (see Round and Oval Motifs).

Extraordinary independent scholar of comparative religion and mythology Walker examines a time when the Goddess and her consort/son ruled supreme and forward into the era when the patriarchy usurped Her worship.

Barbara G. Walker, bestselling author of The Woman’s Encyclopedia of Myths and Secrets and past winner of the American Humanist Association’s Humanist Heroine Award, takes a hard look at religion in her latest book: Belief & Unbelief. Walker’s 22 new essays cover the spectrum, from “The Islamic Holocaust” being perpetrated against women to the dizziness of crystal-gazers in “Encountering the New Age.” Walker explains in depth how religion has been perverted from its naturalistic roots in the celebration of the mystery of new life to a patriarchal orgy of violence. In “Does Religion Make People Good?”, Walker responds with an emphatic “No!”, citing extensive evidence of “Bible Morality” to produce today’s Christian “God the Monster.” Women have borne the brunt of patriarchal religion’s evils – Walker even argues cogently for “Religion As the Root of Sexism.” Yet in her conclusion, “Family and the Future,” the ever-upbeat Walker imagines a return to the original, best traditions of religion as a metaphor for the wonder of the universe.

Kathleen Wall traces the myth through fifteen works of English, American, and Canadian literature, providing a fresh, feminist reading of these narratives. Among the works analysed are selections by Margaret Atwood, Charlotte Bronte, Thomas Hardy, and George Elliot. The resulting text reveals many facets of the realities of women's experience from the Middle Ages to the twentieth century. And ultimately, Wall shows rape to be an expression of dominance rather than lust, giving increased support to the definition suggested by feminists. Wall demonstrates that the Callisto myth is a powerful archetype which illustrates both the victimization of women and their search for independence and autonomy, an archetype that should not be ignored by modern women.