This book should be of use to undergraduates reading modern British history, as well as students of modern British culture and society.

This book examines issues of censorship, publicity and teenage fandom in 1950s Britain surrounding a series of controversial Hollywood films: The Wild One, Blackboard Jungle, Rebel Without a Cause, Rock Around the Clock and Jailhouse Rock. It also explores British cinema’s commentary on juvenile delinquency through a re-examination of such British films as The Blue Lamp, Spare the Rod and Serious Charge. Taking a multi-dimensional approach, the book intersects with star studies and social history while reappraising the stardom of Marlon Brando, James Dean and Elvis Presley. By looking at the specific meanings, pleasures and uses British fans derived from these films, it provides a logical and sustained narrative for how Hollywood star images fed into and disrupted British cultural life during a period of unprecedented teenage consumerism.

How was American culture disseminated into Britain? Why did many British citizens embrace American customs? And what picture did they form of American society and politics? This engaging and wide-ranging history explores these and other questions about the U.S.'s cultural and political influence on British society in the post-World War II period.

For the last sixty years discussion of 1950s science fiction cinema has been dominated by claims that the genre reflected US paranoia about Soviet brainwashing and the nuclear bomb. However, classic films, such as Invasion of the Body Snatchers (1956) and It Came from Outer Space (1953), and less familiar productions, such as It! The Terror from Beyond Space (1958), were regularly exported to countries across the world. The histories of their encounters with foreign audiences have not yet been told. Science Fiction Cinema and 1950s Britain begins this task by recounting the story of 1950s British cinema-goers and the aliens and monsters they watched on the silver screen. Drawing on extensive archival research, Matthew Jones makes an exciting and important intervention by locating American science fiction films alongside their domestic counterparts in their British contexts of release and reception. He offers a radical reassessment of the genre, demonstrating for the first time that in Britain, which was a significant market for and producer of science fiction, these films gave voice to different fears than they did in America. While Americans experienced an economic boom, low immigration and the conferring of statehood on Alaska and Hawaii, Britons worried about economic uncertainty, mass immigration and the dissolution of the Empire. Science Fiction Cinema and 1950s Britain uses these and other differences between the British and American experiences of the 1950s to tell a new history of the decade's science fiction cinema, exploring for the first time the ways in which the genre came to mean something unique to Britons.

In the first integrated biographical study of his work, this book situates British historian Raphael Samuel (1934–1996) in relation to his distinctive form of activist politics as they developed from youthful Cold War communism to the first British New Left, 1960s radicalism to the 1980s history wars. As the catalyst behind the History Workshop movement, Samuel championed the democratisation of history-making and practised an eclectic form of people’s history in his own work. His unique approach was controversial, drawing impassioned responses from across the ideological spectrum, the most sustained critique often coming from his left-wing contemporaries. It is argued here that this compelling figure has been unjustly neglected and that he continues to offer important insights into the politics of history-making in a post-Marxist world.

A History of Modern Britain: 1714 to the Present presents a lively introduction to the history of the modern British Isles from the Hanoverian succession to the present day. Develops themes of tradition and change, the role of the four nations of the British Isles, and Britain in a world context Complements the narrative with descriptions of fascinating personalities from Britain's past, from the arsonist James Aitken and the female adventurer Jane Digby, to the celebrity footballer George Best Includes features to help orientate the reader: illustrations, maps, royal family genealogies, chronology, and glossary; online supplements include preliminary chapter from 1688 An accompanying website containing additional support and materials for lecturers and students is available at www.wiley.com/go/wasson

In the last 50 years, the United Kingdom has witnessed a growing proportion of mixed African-Caribbean and white British families. With rich new primary evidence of "mixed-race" in the capital city, The Creolisation of London Kinship thoughtfully explores this population. Making an indelible contribution to both kinship research and wider social debates, the book emphasises a long-term evolution of family relationships across generations. Individuals are followed through changing social and historical contexts, seeking to understand in how far many of these transformations may be interpreted as creolisation. Examined, too, are strategies and innovations in relationship construction, the social constraints put upon them, the special significance of women and children in kinship work and the importance of non-biological as well as biological notions of family relatedness. -- P. [4] of cover.