Camille Rose Garcia's world is a beautiful place. It is the ballroom of an Empire, a forest of aquamarine jewels, a place where cream-layered cakes, crystal castles and opiate abundance serve to sedate the masses. but as the telescope retracts, the glossy veneer of privelege falls away to reveal another reality. Machine guns and machetes decorate the landscape alongside exploding poppies. Deer and princesses hand suspensefully in a cloud of malaise and disbelief becomes the ether of the living.

When Donald Rumsfeld briefed his press secretary on how to deal with the media, he said: Begin with an illogical premise and proceed perfectly logically to an illogical conclusion They [the media] do it all the time. Kathryn Mocklers new collection of poems applies Rumsfelds advice to powerful poetic ends. Deeply interested in American politics and the absurdity of our mediated relation to the political sphere, the beautiful and entertaining narrative poems in The Saddest Place on Earth follow absurd premises to their most logical conclusions. Here, God appears on Oprah, Hurt Feelings and Anger rent a cottage together on Lake Huron for a week in August, and the saddest place on earth is discovered in a Chinese restaurant at the end of a strip-mall. Kathryn Mocklers approach to language and the world results in an extremely engaging, moving and often hilarious poetics of deep disorientation.

Thomas Cook has always been drawn to dark places, for the powerful emotions they evoke and for what we can learn from them. These lessons are often unexpected and sometimes profoundly intimate, but they are never straightforward.With his wife and daughter, Cook travels across the globe in search of darkness—from Lourdes to Ghana, from San Francisco to Verdun, from the monumental, mechanized horror of Auschwitz to the intimate personal grief of a shrine to dead infants in Kamukura, Japan. Along the way he reflects on what these sites may teach us, not only about human history, but about our own personal histories.During the course of a lifetime of traveling to some of earth's most tragic locals, from the leper colony on Molokai to ground zero at Hiroshima, he finds not only darkness, but a light that can illuminate the darkness within each of us. Written in vivid prose, this is at once a personal memoir of exploration (both external and internal) and a strangely heartening look at the radiance and optimism that may be found at the very heart of darkness.

Now a new series on Peacock with Rainn Wilson, THE GEOGRAPHY OF BLISS is part travel memoir, part humor, and part twisted self-help guide that takes the viewer across the globe to investigate not what happiness is, but WHERE it is. Are people in Switzerland happier because it is the most democratic country in the world? Do citizens of Qatar, awash in petrodollars, find joy in all that cash? Is the King of Bhutan a visionary for his initiative to calculate Gross National Happiness? Why is Asheville, North Carolina so damn happy? In a unique mix of travel, psychology, science and humor, Eric Weiner answers those questions and many others, offering travelers of all moods some interesting new ideas for sunnier destinations and dispositions.

The Sunday Times and New York Times bestselling author of Damaged tells the true story of Donna, who came into foster care aged ten, having been abused, victimised and rejected by her family.

A “poignant [and] powerful” novel about a 1920s Midwestern community in the aftermath of a devastating tornado (The New Yorker). In March 1925, the worst tornado in the nation’s history will descend without warning on the small town of Marah, Illinois. By nightfall, hundreds will be homeless and hundreds more will lie in the streets, dead or grievously injured. Only one man, Paul Graves, will still have everything he started the day with—his family, his home, and his business, all miraculously intact. This “absolutely gorgeous” novel follows Paul Graves and his young family in the year after the storm as they struggle to comprehend their own fate and that of their devastated town (The New York Times). They watch helplessly as Marah tries to resurrect itself from the ruins and as their friends and neighbors begin to wonder how one family, and only one, could be exempt from terrible misfortune. As the town begins to recover, the family miscalculates the growing resentment and hostility around them with tragic results, in an “extraordinarily moving” portrayal of survivor’s guilt and the frenzy of bereavement following a disaster (Financial Times). “All the big themes are here—chance, fate, loyalty, revenge, guilt, jealousy . . . Inspired by actual events surrounding the 1925 Tri-State tornado, the worst in U.S. history, Southwood’s poignantly penetrating examination of the psychic cost of survival is breathtaking in its depth of understanding.” —Booklist (starred review) “What’s most exciting about Southwood’s debut is her prose, which is reminiscent of Willa Cather’s in its ability to condense the large, ineffable melancholy of the plains into razor-sharp images.” —The Daily Beast

A penetrating take on how our planet would respond without the relentless pressure of the human presence