In Treacherous Estate, award-winning author Behcet Kaya introduces us to Jack Ludefance, a P.I. who lives aboard his 57-foot houseboat in the Florida Panhandle and keeps an alligator for security. Written from Jack's first-person point of view; his commentary is frequently terse and self-deprecating. He is a man who knows his limitations and honest enough to admit them, but rarely indulges in self-pity. Unlucky in love and sometimes a bit awkward with women, he has the outward scar on his face from wrestling with a gator as a kid and the inward scar of the loss of his wife to divorce. While enjoying his usual Friday night after dinner beer at a local restaurant, Jack's evening is suddenly shattered when a beautiful young woman sits down next to him, whispers, "Can you help me, Mr. Ludef...?" then falls dead. When her death is ruled 'natural,' Jack begins to investigate why she came to him desperately seeking his help. To complicate matters, her husband is a prominent, highly respected local businessman. As Jack unravels the pieces to the unsolved puzzle, the more heinous the crimes of the dead woman's husband become, and Jack finds his own life is in danger.

While enjoying his usual Friday night after dinner beer at a local restaurant, Jacques (Jack) Ludefance's evening is suddenly shattered when a beautiful young woman sits down next to him, whispers, "Mister, can you help me?" then falls dead. After her death is ruled 'natural causes, ' Jack digs in to unravel the reasons she came to him desperately asking for his help and to investigate her mysterious death. To complicate matters further, her husband is a prominent, highly respected local business man. As Jack begins to unravel the pieces to the unsolved puzzle, the more heinous the crimes of the dead woman's husband become and Jack finds his own life is in danger.

"Diana's many fans are sure to be delighted by Edwards's intimate prose and detailed descriptions." -Publishers Weekly. Perfect for fans of Netflix's The Crown. "This is the stuff of fairy tales," said the Archbishop of Canterbury on July 23, 1981, after the 20-year-old Lady Diana Spencer arrived in a glass coach for her wedding to Prince Charles. But everyone knows how that fairy tale ended. Drawing upon intensive research and interviews, acclaimed biographer Anne Edwards, well-known for her revelatory and incisive books on members of Britain's royal family, here uncovers new details of Diana's life and her search for love; of her family background; and of a betrayal, historic in its outcome. What the public did not know at the time of her storybook wedding was the true story of Diana's troubled childhood-of the cold, autocratic grandfather who disdained her father, who was himself an abusive husband obsessed with having a son to inherit the Spencer wealth and title. When Diana married Prince Charles, she joined the equally troubled House of Windsor, and was caught up in a plot Shakespearean in its deception and eventual tragic ending. Anne Edwards paints a vivid portrait of a woman desperate in her marriage, fearful of her life, who became devious-and often brilliant-in the moves she played in a treacherous royal chess game. As in her superb biographies of other royal and celebrated women, Anne Edwards's Ever After transcends the one-sided views of Diana in a work that must be called definitive. At long last, and with all of the insight and narrative drama that have marked her previous bestsellers, Edwards brings us the first full-scale, authoritative portrait of a more intelligent, more resourceful, and sometimes more ruthless woman than we have seen before.

Investigative Journalismis a critical and reflective introduction to the traditions and practices of investigative journalism. It combines interviews with journalists, researchers, editors and television producers.

The Media and Financial Crises provides unique insights into the debate on the role of the media in the global financial crisis. Coverage is inter-disciplinary, with contributions from media studies, political economy and journalists themselves. It features a wide range of countries, including the USA, UK, Ireland, Greece, Spain and Australia, and a completely new history of financial crises in the British press over 150 years. Editors Steve Schifferes and Richard Roberts have assembled an expert set of contributors, including Joseph E Stiglitz and Lionel Barber, editor of the Financial Times. The role of the media has been central in shaping our response to the financial crisis. Examining its performance in comparative and historical perspectives is crucial to ensuring that the media does a better job next time. The book has five distinct parts: The Banking Crisis and the Media The Euro-Crisis and the Media Challenges for the Media The Lessons of History Media Messengers Under Interrogation The Media and Financial Crises offers broad and coherent coverage, making it ideal for both students and scholars of financial journalism, journalism studies, media studies, and media and economic history.