The Royal Palace of Palermo, today seat of the Sicilian Regional Assembly, is one of the symbols of Sicily and of the rich Sicilian and national patrimony. Formerly a fortress, then royal palace and finally building of government, the palace is today an

Traces the evolution and style of these architectural masterpieces.

A study of the well known medieval royal chapel, constructed by Roger II, king of Sicily in the mid-twelfth century.

This book is a collection of milestone articles of a leading scholar in the study of the Norman Kingdom of Sicily, a crossroads of Latin-Christian, Greek-Byzantine, and Arab-Islamic cultures and one of the most fascinating but also one of the most neglected kingdoms in the medieval world. Some of his articles were published in influential journals such as English Historical Review, Viator, Mediterranean Historical Review, and Papers of the British School at Rome, while others appeared in hard-to-obtain festschrifts, proceedings of international conferences, and so on. The articles included here, based on analysis of Latin, Greek, and Arabic documents as well as multi-lingual parchments, explore subjects of interest in medieval Mediterranean world such as Norman administrations, multi-cultural courts, Christian-Muslim diplomacy, conquests and migrations, religious tolerance and conflicts, cross-cultural contacts, and so forth. Some of them dig deep into curious specific topics, while others settle disputes among scholars and correct our antiquated interpretations. His attention to the administrative structure of the kingdom of Sicily, whose bureaucracy was staffed by Greeks, Muslims and Latins, has been a particularly important part of his work, where he has engaged in major debates with other scholars in the field.

This major reference work covers all aspects of architectural inscriptions in the Muslim world: the artists and their patrons, what inscriptions add to architectural design, what materials were used, what their purpose was and how they infuse buildings with meaning. From Spain to China, and from the Middle Ages to our own lifetime, Islamic architecture and calligraphy are inexorably intertwined. Mosques, dervish lodges, mausolea, libraries, even baths and market places bear masterpieces of calligraphy that rival the most refined of books and scrolls.