This is a comprehensive edition of Hebrew hymns composed by Eleazar the Babylonian, a prolific composer and scholar who lived in 13th-century Baghdad. His poetic language and style show much affinity with contemporary Sufism.

This volume presents the reader with a fascinating collection of hymns composed by El'azar the Babylonian, an Arab-Jewish poet who is active in Baghdad during the first half of the 13th century. His religious oeuvre consists of dozens of hymns, coming down to us from the treasures of the Cairo Genizah and the Firkovicz Collections. His compositions provide a cross-section of genres and liturgical destinations. El'azar's devotional hymnology is characterised by a striking spiritual tendency which reveals his familiarity with contemporary Sufism in both Muslim and Jewish circles.

A critical edition with introduction and commentaries of the poetry of Elazar ha-Bavli (Baghdad, 13th century).

The collection of Elazar’s poetry is impressive and contains more than four hundred compositions with a striking preponderance of panegyrics, laments, homonymic poems, and epigrams. Elazar was strongly involved in promoting the Baghdadi-Jewish elite, dignified people who held high office in the city, either as government officials or as leaders of the Jewish community. This critical edition of a manuscript offers much literary and historical information about Baghdadi Jewry in the days before and during the Mongol invasion of 1258.

Offering an edition of secular poems taken from the earliest, fifteenth-century manuscript, this book seeks to evaluate Moses Dar??’s poetry in the light of the Andalusian-Hebrew poetical tradition and within the context of Hebrew literary activity in the Muslim East.

Analysing well-known Hebrew medieval poets from a new, refreshing standpoint and focusing on less known authors and periods, this book shows the maturity of the research in this field. Written in English (and French) the articles make the Hebrew texts more easily available to scholars of comparative literature.

A constant feature of Jewish culture in the medieval Mediterranean was the dedication of panegyric texts in Hebrew, Judeo-Arabic, and other languages to men of several ranks: scholars, communal leaders, courtiers, merchants, patrons, and poets. Although the imagery of nature and eroticism in the preludes to these poems is often studied, the substance of what follows is generally neglected, as it is perceived to be repetitive, obsequious, and less aesthetically interesting than other types of poetry from the period. In Dominion Built of Praise, Jonathan Decter demurs. As is the case with visual portraits, panegyrics operate according to a code of cultural norms that tell us at least as much about the society that produced them as the individuals they portray. Looking at the phenomenon of panegyric in Mediterranean Jewish culture from several overlapping perspectives—social, historical, ethical, poetic, political, and theological—he finds that they offer representations of Jewish political leadership as it varied across geographic area and evolved over time. Decter focuses his analysis primarily on Jewish centers in the Islamic Mediterranean between the tenth and thirteenth centuries and also includes a chapter on Jews in the Christian Mediterranean through the fifteenth century. He examines the hundreds of panegyrics that have survived: some copied repeatedly in luxurious anthologies, others discarded haphazardly in the Cairo Geniza. According to Decter, the poems extolled conventional character traits ascribed to leaders not only diachronically within the Jewish political tradition but also synchronically within Islamic and, to a lesser extent, Christian civilization and political culture. Dominion Built of Praise reveals more than a superficial and functional parallel between Muslim and Jewish forms of statecraft and demonstrates how ideas of Islamic political legitimacy profoundly shaped the ways in which Jews conceptualized and portrayed their own leadership.