The world’s first Zombie Animal epic is here! A deadly hurricane threatens New Orleans just as a frightening and mysterious outbreak hits the animal kingdom! Join all-star creators Kevin Eastman, Joshua Ortega, and Digger T. Mesch for this highly anticipated new horror series! With art by rising star Qing Ping Mui.

As her father lies gravely ill with pancreatic cancer, eighteen-year-old Victoria's last hope is to find a vampire in New Orleans, an impossible mission that rekindles a special friendship.

During a writing career lasting nearly seven decades, E. Hoffman Price formed lasting friendships with many of the great and near-great fictioneers, editors and artists of his day -- H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Otis Adelbert Kline, Farnsworth Wright, W.K. Mashburn, Ralph Milne Farley, Seabury Quinn, Hugh Rankin, Robert Spencer Carr, Barsoom Badigian, Harry Olmstead, Albert Richard Wetjen, Norbert W. Davis, Milo Ray Phelps, William S. Bruner, Henry Kuttner, Jack Williamson, August Derleth and Edmond Hamilton. Through long correspondence and many cross country trips, E. Hoffman Price kept diaries of his visits, which from time to time he transformed into essays recalling the grand old days of the fictioneer's precarious way of life. Several essays were previously published in fanzines and as Arkham House book introductions. In 1977, Price rewrote these and added additional essays to fill a book. This is one of the most fascinating and historically important books about the pulp fiction era.

Sylvia Ji's haunting, seductive and psychedelically tinged portrayals of women offer a whole new slant on femininity, and blur the line between high and lowbrow art. The dominant influence on her work is La Calavera Catrina, the iconic skeleton dame of Mexico's Day of the Dead celebrations, and her macabre, yet glamorous, take on the Sugar Skull tradition. This retrospective monograph offers a lavish overview of an artist who draws inspiration from life and death to create highly charged and darkly exotic work.

As the publishers say, these stories "make the Mendezes look like Ozzie and Harriet." A mother hires hit men to kill her husband's second wife to get back her child, a boy has sex with a naked woman in a painting, a serial killer keeps body parts for sexual stimulus.

Being a bit of an asshole isn't required to survive the zombie apocalypse, but it helps. Mead, the socially awkward fry cook turned zombie slayer, abandoned the main group of survivors weeks ago, fleeing like a ghost in the night. His whereabouts have been a mystery, until now. I KILL THE DEAD is Mead's story and sets the stage for the LIFE OF THE DEAD finale in book 5. In the months after the zombies arrived, Mead travels the east coast, kills zombies with reckless glee, crafts an assortment of weapons, and meets fellow survivors, some new and some old. Along the way Mead shares his expertise on everything from exploding zombies to oral hygiene in the midst of the apocalypse. I KILL THE DEAD is a 125 page novella told from Mead's point of view.