A curse causes a princess to have no gravity, but the help of a prince brings her back down to earth.

A king and queen have a daughter and invite everyone to the christening except the King's sister Princess Makemnoit, a spiteful and sour woman. She arrives without an invitation and curses the princess to have no gravity. Whenever the princess accidentally moves up in the air, she has to be brought down, and the wind is capable of carrying her off. As she grows, she never cries, and never can be brought to see the serious side of anything. She passionately loves swimming, and when she swims, she regains her gravity. This leads to the proposal that if she could be brought to cry, it might break the curse. But nothing can induce her to cry. This wonderful tale is clearly a precursors to Sleeping Beauty. Also included in this volume are the stories The Giant's Heart and The Golden Key.

The Light Princess and Other Fairy Stories is a collection of fairy tales. The Light Princess is a Scottish fairy tale by George MacDonald. It was published in 1864 as a story within the larger story Adela Cathcart. Drawing on inspiration from "Sleeping Beauty", it tells the story of a princess afflicted by a constant weightlessness, unable to get her feet on the ground, both literally and metaphorically, until she finds a love that brings her down to earth.

Her atrocious aunt had deprived the child of all her gravity. If you ask me how this was effected, I answer, "In the easiest way in the world. She had only to destroy gravitation." For the princess was a philosopher, and knew all the ins and outs of the laws of gravitation as well as the ins and outs of her boot-lace. And being a witch as well, she could abrogate those laws in a moment; or at least so clog their wheels and rust their bearings, that they would not work at all. But we have more to do with what followed than with how it was done.The first awkwardness that resulted from this unhappy privation was, that the moment the nurse began to float the baby up and down, she flew from her arms towards the ceiling. Happily, the resistance of the air brought her ascending career to a close within a foot of it. There she remained, horizontal as when she left her nurse's arms, kicking and laughing amazingly. The nurse in terror flew to the bell, and begged the footman, who answered it, to bring up the house-steps directly. Trembling in every limb, she climbed upon the steps, and had to stand upon the very top, and reach up, before she could catch the floating tail of the baby's long clothes.When the strange fact came to be known, there was a terrible commotion in the palace. The occasion of its discovery by the king was naturally a repetition of the nurse's experience. Astonished that he felt no weight when the child was laid in his arms, he began to wave her up and-not down, for she slowly ascended to the ceiling as before, and there remained floating in perfect comfort and satisfaction, as was testified by her peals of tiny laughter. The king stood staring up in speechless amazement, and trembled so that his beard shook like grass in the wind. At last, turning to the queen, who was just as horror-struck as himself, he said, gasping, staring, and stammering, -"She can't be ours, queen!"Now the queen was much cleverer than the king, and had begun already to suspect that "this effect defective came by cause

George MacDonald occupied a major position in the intellectual life of his Victorian contemporaries. This volume brings together all eleven of his shorter fairy stories as well as his essay "The Fantastic Imagination". The subjects are those of traditional fantasy: good and wicked fairies, children embarking on elaborate quests, and journeys into unsettling dreamworlds. Within this familiar imaginative landscape, his children's stories were profoundly experimental, questioning the association of childhood with purity and innocence, and the need to separate fairy tale wonder from adult scepticism and disbelief.

Also included in this volume are "The Giant's Heart," "The Golden Key," "Cross Purposes," and "The Shadows."