The terrorist attacks of 9/11 and Bush’s belligerent response fractured the American left—partly by putting pressure on little-noticed fissures that had appeared a decade earlier. In a masterful survey of the post-9/11 landscape, renowned scholar Michael Bérubé revisits and reinterprets the major intellectual debates and key players of the last two decades, covering the terrain of left debates in the United States over foreign policy from the Balkans to 9/11 to Iraq, and over domestic policy from the culture wars of the 1990s to the question of what (if anything) is the matter with Kansas. The Left at War brings the history of cultural studies to bear on the present crisis—a history now trivialized to the point at which few left intellectuals have any sense that merely "cultural" studies could have something substantial to offer to the world of international relations, debates over sovereignty and humanitarian intervention, matters of war and peace. The surprising results of Bérubé’s arguments reveal an American left that is overly fond of a form of "countercultural" politics in which popular success is understood as a sign of political failure and political marginality is understood as a sign of moral virtue. The Left at War insists that, in contrast to American countercultural traditions, the geopolitical history of cultural studies has much to teach us about internationalism—for "in order to think globally, we need to think culturally, and in order to understand cultural conflict, we need to think globally." At a time when America finds itself at a critical crossroads, The Left at War is an indispensable guide to the divisions that have created a left at war with itself.

Publisher Description

In The Left Side of History Kristen Ghodsee tells the stories of partisans fighting behind the lines in Nazi-allied Bulgaria during World War II: British officer Frank Thompson, brother of the great historian E.P. Thompson, and fourteen-year-old Elena Lagadinova, the youngest female member of the armed anti-fascist resistance. But these people were not merely anti-fascist; they were pro-communist, idealists moved by their socialist principles to fight and sometimes die for a cause they believed to be right. Victory brought forty years of communist dictatorship followed by unbridled capitalism after the fall of the Berlin Wall in 1989. Today in democratic Eastern Europe there is ever-increasing despair, disenchantment with the post-communist present, and growing nostalgia for the communist past. These phenomena are difficult to understand in the West, where “communism” is a dirty word that is quickly equated with Stalin and Soviet labor camps. By starting with the stories of people like Thompson and Lagadinova, Ghodsee provides a more nuanced understanding of how communist ideals could inspire ordinary people to make extraordinary sacrifices.

New York Times bestselling author and FOX News contributor Katie Pavlich exposes the truth behind the real war on women—the one being waged by Democrats. Assault and Flattery goes beyond the Democratic Party’s rhetoric and exposes its shocking and sustained assault on American women that has lasted for generations. And in some cases, the word “assault” is quite literal. Katie Pavlich thinks the Democrats have run the conversation for too long—and is out to debunk the sacred cows of the so-called Republican War on Women. Conservatives are raving about Assault and Flattery. Mark Levin calls it “a thorough and gutsy book that should help set history straight.” Michelle Malkin calls it “a tour-de-force…bold, beautiful, and brilliant.” Sean Hannity calls Katie “one of the country’s top conservative reporters,” and Monica Crowley says she “blows the lid off the lies the Left tells women.” In Assault and Flattery, Katie Pavlich explains that what the Democratic Party is doing to women, it is doing to us all. By segregating us by gender, they’re harming our future.

Beginning with his debut masterpiece, The Naked and the Dead, Norman Mailer has repeatedly told the truth about war. Why Are We at War? returns Mailer to the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die. First published in the early days of the Iraq War, Why Are We at War? is an explosive argument about the American quest for empire that still carries weight today. Scrutinizing the Bush administration’s words and actions, Mailer unleashes his trademark moral rigor: “Because democracy is noble, it is always endangered. . . . To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.” Praise for Why Are We at War? “We’re overloaded with information these days, some of it possibly true. Mailer offers a provocative—and persuasive—cultural and intellectual frame.”—Newsweek “[Mailer] still has the stamina to churn out hard-hitting criticism.”—Los Angeles Times “Penetrating . . . There’s plenty of irreverent wit and fresh thinking on display.”—San Francisco Chronicle “Eloquent . . . thoughtful . . . Why Are We at War? pulls no punches.”—Fort Worth Star-Telegram Praise for Norman Mailer “[Norman Mailer] loomed over American letters longer and larger than any other writer of his generation.”—The New York Times “A writer of the greatest and most reckless talent.”—The New Yorker “Mailer is indispensable, an American treasure.”—The Washington Post “A devastatingly alive and original creative mind.”—Life “Mailer is fierce, courageous, and reckless and nearly everything he writes has sections of headlong brilliance.”—The New York Review of Books “The largest mind and imagination [in modern] American literature . . . Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book.”—Chicago Tribune “Mailer is a master of his craft. His language carries you through the story like a leaf on a stream.”—The Cincinnati Post

For thousands of young British girls, the influx of Canadian soldiers conscripted to Britain during the Second World War meant throngs of handsome young men. The result was over 48,000 marriages to Canadian soldiers alone, and a mass emigration of British women to North America and around the world in the 1940’s. For many brides, the decision to leave their family and home to move to a country thousands of miles away with a man they hardly knew brought forth ensuing happiness. For others, the outcome was much different, and the darker side of the story reveals the infidelity, domestic violence, poverty, alcoholism and divorce that many lived through. War Brides draws on original archival documents, personal correspondence, and key first hand accounts to tell the amazing story of the War Brides in their own words-and shows the love, passion, tragedy and spirit of adventure of thousand of British women.