"The Ghostly Rental" is a brilliantly written ghost story with a twist and many allusions. A 22-year-old takes up his studies in Cambridge. One day, he takes a shortcut home, sees a mysterious, gloomy mansion, and thinks this house must be haunted. He meets an older man, Captain Diamond, and discovers his tragic secret. When the older man falls ill, the boy is to visit the haunted house on his behalf of him. Will he meet the ghost there?

Employing the subtle methods of presenting mysterious ghost stories in the backdrop of psychological troubles, the novel presents the life of James. The troubles that he faces, combined with the baffling events around him give an aura to the novel that is almost unsurpassable....

The importance of ghosts, and liminal experience in general, in the fiction of Henry James.

Henry James (1843-1916), was an American-born author and literary critic of the late 19th and early 20th centuries. He is primarily known for novels, novellas and short stories based on themes of consciousness and morality. He significantly contributed to the criticism of fiction, particularly in his insistence that writers be allowed the greatest freedom possible in presenting their view of the world. His imaginative use of point of view, interior monologue and possibly unreliable narrators in his own novels and tales brought a new depth and interest to narrative fiction. He is one of the major figures of trans-Atlantic literature. His works include The American (1877), Daisy Miller (1878), Confidence (1879), A Bundle of Letters (1879), The Author of Beltraffio (1884), The Bostonians (1886), The Aspern Papers (1888), The Awkward Age (1899), and The Ambassadors (1903).

It's no surprise that remote Martha's Vineyard is home to a significant population of ghosts. There are the strange entities that just may have played a part in the notorious accident at the Chappaquiddick Bridge. There is the ghost of aristocratic Desire Coffin, called back from the Other Side by the power of music and the memory of lost love. And at one haunted inn, Room 8, accessible only by way of a cramped hidden staircase, is the focus of strange events—including the total disappearance of one guest. After twenty years in print, this classic is now updated and expanded with new information and new stories.

An unsettling new collection of Henry James's best short stories exploring ghosts and the uncanny 'There had been a moment when I believed I recognised, faint and far, the cry of a child; there had been another when I found myself just consciously starting as at the passage, before my door, of a light footstep' 'I see ghosts everywhere', wrote Henry James, who retained a fascination with the supernatural and sensational throughout his writing career. This new collection brings together eight of James's tales exploring the uncanny, including his infamous ghost story, 'The Turn of the Screw', a work saturated with evil, in which a fraught governess becomes convinced that malicious spirits are menacing the children in her care. The other masterly works here include 'The Jolly Corner', 'Owen Wingrave' and further tales of visitations, premonitions, madness, grief and family secrets, where the living are just as mysterious and unknowable as the dead. With an introduction and notes by Susie Boyt General Editor Philip Horne

This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound to the horror genre, such as Thomas Hardy and E. F. Benson. These are damnable tales, selected and beautifully illustrated by Richard Wells. They stalk the moors at night, the deep forests, cornered fields and dusky churchyards, the narrow lanes and old ways of these ancient places, drawing upon the haunted landscapes of folk-horror – a now widely used term first applied to a series of British films from the late 1960s and 1970s: Witchfinder General (1968), Blood on Satan’s Claw (1971), and The Wicker Man (1973). But as this collection shows, writers of uncanny fiction were dabbling in the dark side of folklore long before. These twenty-two stories take the reader beyond the safety and familiarity of the town into the isolated and untamed wilderness. Unholy rites, witches’ curses, sinister village traditions and ancient horrors that lurk within the landscape all combine to remind us that the shiny modern, urban world might not have all the answers...