No. Not the Palace. Anywhere but the Palace. 12-year-old Alexander Buchan was once content, training as a falconer at Strathbogie Castle in Huntly. But when his Earl sends him to Edinburgh to the court of the newly arrived Mary, Queen of Scots, the boy finds himself lured into a world of intrigue, terror and treachery. Alexander knows right from wrong, but how can he hope to outwit the Earl's murderous messenger? Surely no one can defy such a powerful master whose wife is rumoured to be a witch! Soon, more than the boy's own life is at stake: his friend Lizzie is arrested and the the angry clouds of Reformation Scotland gather around the young Queen. It seems that Alexander must spy – or die.

"Superb.... A perceptive, suspenseful account." --The New York Times Book Review "Dunn demythologizes Elizabeth and Mary. In humanizing their dynamic and shifting relationship, Dunn describes it as fueled by both rivalry and their natural solidarity as women in an overwhelmingly masculine world." --Boston Herald The political and religious conflicts between Queen Elizabeth I and the doomed Mary, Queen of Scots, have for centuries captured our imagination and inspired memorable dramas played out on stage, screen, and in opera. But few books have brought to life more vividly the exquisite texture of two women’s rivalry, spurred on by the ambitions and machinations of the forceful men who surrounded them. The drama has terrific resonance even now as women continue to struggle in their bid for executive power. Against the backdrop of sixteenth-century England, Scotland, and France, Dunn paints portraits of a pair of protagonists whose formidable strengths were placed in relentless opposition. Protestant Elizabeth, the bastard daughter of Anne Boleyn, whose legitimacy had to be vouchsafed by legal means, glowed with executive ability and a visionary energy as bright as her red hair. Mary, the Catholic successor whom England’s rivals wished to see on the throne, was charming, feminine, and deeply persuasive. That two such women, queens in their own right, should have been contemporaries and neighbours sets in motion a joint biography of rare spark and page-turning power.

Two queens, two religions, two visions for the future of the nation. Fleeing to London with a witch hunter on her trail, Alyce discovers her own dark magic and lands herself embroiled in the struggle. Alyce's mother has just been burnt at the stake for practicing witchcraft. With only a thin set of instructions and a witch's mommet for guidance, Alyce must face the world that she's been sealed off from -- a world of fear and superstition. With a witch hunter fast on her trail, she'll need the help of an innkeeper and a boy looking to discover the truth behind his own mother's past. But as her journey continues, another war rages: a hidden war of the supernatural, of the living and the dead. Good and evil are blurred, and nobody's motives can be trusted. And Alyce finds herself thrown unwillingly into the conflict. Struggling to understand her own powers, she is quickly drawn into a web of secret, lies, and dark magic that could change the fate of the world she is just coming to know.This dark, twisty, and thrillingly original debut will leave readers entranced in its suspenseful plot and rich prose.

'Gradually I forgot I was a foreigner.' Barbara Henderson has been Scottish by inclination for 30 years. She fell in love with Scotland and its people when she left Germany at the age of 19. Now a children's author, storyteller and teacher in the Highlands, she gives us a lively glimpse of Scotland through the eyes of an EU immigrant – from her first ceilidh to Brexit and the choppy seas of citizenship. Scottish by Inclination also celebrates the varied contributions of 30 remarkable Europeans – beer brewers, entrepreneurs, academics, artists and activists – who have chosen to call Scotland home. 'All voices matter and deserve to belong. Belonging is more than a privilege. Belonging, I am now convinced, can be a choice.'

In comparison with many who write about contemporary art, Hare is never self indulgent or wilfully obscure – there is no bogus theorising to be found here. From the Foreword by ALEXANDER MOFFAT Alan Davie • Eduardo Paolozzi • William Turnbull • Janet Boulton • Ian Hamilton Finlay • Joan Eardley • Anthony Hatwell • Colquhoun and MacBryde • Boyle Family • Jack Knox • Barbara Rae • Lys Hansen • Joyce Cairns • Doug Cocker • John Kirkwood • Steven Campbell • Ken Currie • Peter Howson • Henry Kondracki • Paul Reid • Iain Robertson • Douglas Gordon This book is a wide-ranging exploration of Scottish art and artists by one of Scotland's leading art historians. Navigating the intricacies of aesthetic debate with attitude and aplomb, Bill Hare examines the historical forces that have shaped Scottish art. His elegant, approachable writings are a treasure-house of informed discourse. Illuminating and perennially relevant, these essays offer stimulating perspectives and nuanced insights into the confluence of passion, mystery and myth that lies at the heart of the best of Scottish art.