You will never find your way. You are lost. Such are the hauntings of Eos Bellator, trapped in the North American Sector desert by a never-ending sandstorm. The government forces the orphan siblings, Eos and Maxima, to harvest their Soul Energy, providing power for the Sector. Beyond the sands lies a tattered world being vied for by many forces. Yet, the biggest threat to Eos is not having control over his emotion-driven abilities. When fear overwhelms him, disaster strikes, and the siblings are separated. They learn that they are not alone. The Mitad, an off-world organization of similarly super-powered members, is attempting to capture them. The government has them cornered. A crazed prisoner seems to hold the answers. So begins a journey of high-powered, dangerous adventure. Eos and Maxima's search for freedom and the truth about their past leads them to pursue a mysterious world they never knew existed-Hyperborea.

In Greek mythology, Hyperboreans were a tribe who lived far to Greece's north. Contained in what has come down to us of Greek literary tradition are texts that identify the Hyperboreans with the Celts, or Hyperborean lands with Celtic ones. This groundbreaking book studies the texts that make or imply this identification, and provides reasons why some ancient Greek authors identified a mythical people with an actual one. Timothy P. Bridgman demonstrates not only that these authors mythologize history, but that they used the traditional Greek parallel mythical world to interpret history throughout ancient Greek culture, thought and literature.

Cosmography is defined here as the rhetoric of cosmology: the art of composing worlds. The mirage of Hyperborea, which played a substantial role in Greek religion and culture throughout Antiquity, offers a remarkable window into the practice of composing and reading worlds. This book follows Hyperborea across genres and centuries, both as an exploration of the extraordinary record of Greek thought on that further North and as a case study of ancient cosmography and the anthropological philology that tracks ancient cosmography. Trajectories through the many forms of Greek thought on Hyperborea shed light on key aspects of the cosmography of cult and the cosmography of literature. The philology of worlds pursued in this book ranges from Archaic hymns to Hellenistic and Imperial reconfigurations of Hyperborea. A thousand years of cosmography is thus surveyed through the rewritings of one idea. This is a book on the art of reading worlds slowly.

Mike Mignola! From the ancient warrior Gall Dennar, to Sir Edward Grey, to the B.P.R.D.'s Agent Howards, the iconic Hyperborean sword from the world of Hellboy has landed in many influential hands. And this has been no accident. Trace the sword's path through the adventures and encounters that finally brought it to Ragna Rok, at the end of the world, and witness the sword's journey through history. Hellboy creator Mike Mignola gives us a new tale from the world of Hellboy, cowritten by Rob Williams and featuring the art of Mignolaverse veteran Laurence Campbell to deliver never-before-seen Hellboy lore! • The story of the Hyperborean blade!

A Role-Playing Game of Swords, Sorcery, and Weird Fantasy

Russia is a country of eternal changes and completely non-conservative, it is country beyond conservative customs, where historical times live, and do not part with rituals and ideas. The Russians are not a young people, but the old ones - like the Chinese. They are very old, ancient, conservatively preserved all the oldest and do not refuse it. In their language, their superstition, their disposition, etc., one can study the most ancient times. Victor von Hyun. 1870.