In the winter of 1991, at a concert in Krakow, an older woman with a marvelously pitched violin meets a fellow musician who is instantly captivated by her instrument. When he asks her how she obtained it, she reveals the remarkable story behind its origin. . . . Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel's former identity as a crafter of fine violins is revealed to all. The camp's two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure. Written with lyrical simplicity and haunting beauty-and interspersed with chilling, actual Nazi documentation-The Auschwitz Violin is more than just a novel: it is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.

An international sensation now available in English for the first time, The Violin of Auschwitz is the unforgettable story of one man’s refusal to surrender his dignity in the face of history’s greatest atrocity. In the winter of 1991, at a concert in Krakow, an older woman with a marvelously pitched violin meets a fellow musician who is instantly captivated by her instrument. When he asks her how she obtained it, she reveals the remarkable story behind its origin. . . . Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel’s former identity as a crafter of fine violins is revealed to all. The camp’s two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure. Written with lyrical simplicity and haunting beauty—and interspersed with chilling, actual Nazi documentation—The Violin of Auschwitz is more than just a novel: It is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.

A son chronicles his Jewish mother’s real-life efforts to save as many young women as possible from the Auschwitz gas chambers during World War II. Arrested in 1943 and deported to Auschwitz, Elsa survived because she had the “opportunity” to join the women’s orchestra. But Elsa kept her story a secret, even from her own family. Indeed, her son would only discover what had happened to his mother many years later, after gradually unearthing her unbelievable story following her premature death, without ever having revealed her secret to anyone . . . Jean-Jacques Felstein was determined to reconstruct Elsa’s life in Birkenau, and would go in search of other orchestra survivors in Germany, Belgium, Poland, Israel, and the United States. The recollections of Hélène, first violin, Violette, third violin, Anita, a cellist, and other musicians, allowed him to rediscover his twenty-year-old mother, lost in the heart of hell. The story unfolds in two intersecting stages: one, contemporary, is that of the investigation, the other is that of Auschwitz and its unimaginable daily life, as told by the musicians. They describe the recitals on which their very survival depended, the incessant rehearsals, the departure in the mornings for the forced labourers to the rhythm of the instruments, the Sunday concerts, and how Mengele pointed out the pieces in the repertoire he wished to listen to in between “selections.” In this remarkable book, Jean-Jacques Felstein follows in his mother’s footsteps and by telling her story, attempts to free her, and himself, from the pain that had been hidden in their family for so long.

Based on the unforgettable true story of Alma Rosé, The Violinist of Auschwitz brings to life one of history's most fearless, inspiring and courageous heroines. Alma's bravery saved countless lives, bringing hope to those who had forgotten its meaning... In Auschwitz, every day is a fight for survival. Alma is inmate 50381, the number tattooed on her skin in pale blue ink. She is cooped up with thousands of others, torn from loved ones, trapped in a maze of barbed wire. Every day people disappear, never to be seen again. This tragic reality couldn't be further from Alma's previous life. An esteemed violinist, her performances left her audiences spellbound. But when the Nazis descend on Europe, none of that can save her... When the head of the women's camp appoints Alma as the conductor of the orchestra, performing for prisoners trudging to work as well as the highest-ranking Nazis, Alma refuses: "they can kill me but they won't make me play". Yet she soon realizes the power this position offers: she can provide starving girls with extra rations and save many from the clutches of death. This is how Alma meets Miklos, a talented pianist. Surrounded by despair, they find happiness in joint rehearsals, secret notes, and concerts they give side by side--all the while praying that this will one day end. But in Auschwitz, the very air is tainted with loss, and tragedy is the only certainty... In such a hopeless place, can their love survive?

Jacques Stroumsa: Preface to the English edition Professor Dr. Erhard Roy Wiehn from the University of Konstanz and editor of an important collection of books about the Shoah, has asked me to write a preface for the English edition of my book, Violinist in Auschwitz. The experience acquired in Germany during my lectures at Gymnasia (high schools) in Berlin and neighboring Potsdam in 1993 and 1994 gave me a number of important insights which I would like to share with the English-speaking public. The Nazi concentration camps were intended to completely destroy the human personality and to reduce it to a number tattooed on the skin, like animals in a slaughterhouse. The questions that people asked were, for example: having survived physically after being in Auschwitz and Mauthausen for two years, having survived the terrible Death March in January 1945, how did you find the strength to be a human being again; how did you adjust to living in a normal society again? Above all, where did you find the strength to come back to Germany (the land where crime was so scientifically organized) and, day after day, tell young Germans the details of your sufferings? How could you tell them that the younger generation is not guilty, that they and their parents (who are now the same age as my children) were not even born at the time when these events occurred? The answers to these anguished questions were given to me by the children themselves; they were deeply moved by my lectures. One day, in December 1994, I received an invitation from Micaela von Marcard, head dramaturge of the Berlin State Opera, to attend the Memorial Concert to be given in Berlin on January 28, 1995, on the fiftieth anniversary of the liberation of Auschwitz. Also, Mrs. von Marcard asked me to write some "Memories of Auschwitz" for Vivace, the bulletin of the State Opera. I used the occasion of my visit to Berlin to present several lectures at various Gymnasia in the vicinity and, most important, to once again meet a few of the girls who had written to me after my original lectures. I am very grateful to Mr. and Mrs. Leonhard Dünnwald for organizing this reunion in their villa in BerIin. I am also very grateful to four girls, Juliana, Tina, Katrin and Kristin for coming so far to our meeting and for their most thoughtful contributions to the discussions of these very anguished questions. My sincere appreciation to James S. Brice, an American student at the University of Konstanz, for translation.

A stirring testament to the strength of the human spirit and the power of music, Violins of Hope tells the remarkable stories of violins played by Jewish musicians during the Holocaust, and the Israeli violin maker dedicated to bringing these inspirational instruments back to life. The violin has formed an important aspect of Jewish culture for centuries, both as a popular instrument with classical Jewish musicians—Jascha Heifetz, Yehudi Menuhin, Itzhak Perlman—and also a central factor of social life as part of the enduring Klezmer tradition. But during the Holocaust, the violin assumed extraordinary new roles within the Jewish community. For some musicians, the instrument was a liberator; for others, it was a savior that spared their lives. For many, the violin provided comfort in mankind’s darkest hour, and, in at least one case, helped avenge murdered family members. Above all, the violins of the Holocaust represented strength and optimism for the future. In Violins of Hope, music historian James A. Grymes tells the amazing, horrifying, and inspiring story of the violins of the Holocaust, and of Amnon Weinstein, the renowned Israeli violinmaker who has devoted the past twenty years to restoring these instruments in tribute to those who were lost, including 400 members of his own family. Juxtaposing tales of individual violins with one man’s harrowing struggle to reconcile his own family’s history and the history of his people, it is a poignant, affecting, and ultimately uplifting look at the Holocaust and its enduring impact.

This book traces the unique and remarkable life of Shony Alex Braun. As a boy of four, he becomes lost in the Transylvanian forest and encounters a group of gypsies who enchant him with their musical instruments. This launches his love and fascination for the violin. He eagerly learns to play the violin, and by age eleven he makes his debut on Radio Bucharest. His dreams of further study are cut short by Nazi oppression and the deportation of him at thirteen and his family to Auschwitz. The violin miraculously saves his life in the death camp of Dachau and then after liberation, the violin brings him back from the brink of death as he recovers from a gunshot wound, blood poisoning, tuberculosis and malnutrition. He meets a charming girl in the recovery hospital and begins a new life with her as his wife in the United States. Shony goes on to become a prolific composer, Hollywood performer, concert soloist and Pulitzer Prize nominee. His faith in God and his courage to survive will inspire you. Shonys loving concern for others with help you realize there is good in the world.