This book gives not only a detailed delineation of the artistic and technical components of the 1571–74 clock but it also presents new insighst in the astronomical indications and the underlying conceptional framework.

The Alfonsine Tables became the main computing tool for astronomers for about 250 years, from their compilation in Toledo ca. 1272 to the edition in 1551 of new tables based on Copernicus’s astronomical models. It consisted of a set of astronomical tables which, over time, was presented in many different formats. Giovanni Bianchini (d. after 1469), an astronomer active in Ferrara, Italy, was among the few scholars of that extended period to compile a coherent and insightful set based on the Alfonsine Tables. His tables, described and analyzed here for the first time, played a remarkable role in the transmission of the Alfonsine Tables and in their transition from manuscript to print. Medieval and Early Modern Science, 10

This Third Edition is the first English-language edition of the award-winning Meilensteine der Rechentechnik; illustrated in full color throughout in two volumes. The Third Edition is devoted to both analog and digital computing devices, as well as the world's most magnificient historical automatons and select scientific instruments (employed in astronomy, surveying, time measurement, etc.). It also features detailed instructions for analog and digital mechanical calculating machines and instruments, and is the only such historical book with comprehensive technical glossaries of terms not found in print or in online dictionaries. The book also includes a very extensive bibliography based on the literature of numerous countries around the world. Meticulously researched, the author conducted a worldwide survey of science, technology and art museums with their main holdings of analog and digital calculating and computing machines and devices, historical automatons and selected scientific instruments in order to describe a broad range of masterful technical achievements. Also covering the history of mathematics and computer science, this work documents the cultural heritage of technology as well.

Medieval robots took such forms as talking statues, mechanical animals, or silent metal guardians; some served to entertain or instruct while others performed surveillance or discipline. Medieval Robots explores the forgotten history of real and imagined machines that captivated Europe from the ninth through the fourteenth centuries.

An Award-Winning Essayist Plies His Craft Brian Hayes is one of the most accomplished essayists active today—a claim supported not only by his prolific and continuing high-quality output but also by such honors as the National Magazine Award for his commemorative Y2K essay titled "Clock of Ages," published in the November/December 1999 issue of The Sciences magazine. (The also-rans that year included Tom Wolfe, Verlyn Klinkenborg, and Oliver Sacks.) Hayes's work in this genre has also appeared in such anthologies as The BestAmerican Magazine Writing, The Best American Science and NatureWriting, and The Norton Reader. Here he offers us a selection of his most memorable and accessible pieces—including "Clock of Ages"—embellishing them with an overall, scene-setting preface, reconfigured illustrations, and a refreshingly self-critical "Afterthoughts" section appended to each essay.

Bringing together an international team of historians of science and philosophy to discuss the fate of matter and form, this volume shows how disputes about matter and form spurred innovation as well as conservatism in early modern science and philosophy.