All of her life, everyone has called her Christopher and insisted that she is a boy, but she knows that her body is wrong and, on the inside, she is really Emily. As high school in her small Minnesota town hems her in, Emily tries again to make everyone see who she really is, but her family and her girlfriend only want her to see a therapist, insisting that she is Christopher and that God does not make mistakes like that.

A moving portrait of a father and daughter relationship and a case for late-stage creativity from Emily Urquhart, the bestselling author of Beyond the Pale: Folklore, Family, and the Mystery of Our Hidden Genes. “The fundamental misunderstanding of our time is that we belong to one age group or another. We all grow old. There is no us and them. There was only ever an us.” — from The Age of Creativity It has long been thought that artistic output declines in old age. When Emily Urquhart and her family celebrated the eightieth birthday of her father, the illustrious painter Tony Urquhart, she found it remarkable that, although his pace had slowed, he was continuing his daily art practice of drawing, painting, and constructing large-scale sculptures, and was even innovating his style. Was he defying the odds, or is it possible that some assumptions about the elderly are flat-out wrong? After all, many well-known visual artists completed their best work in the last decade of their lives, Turner, Monet, and Cézanne among them. With the eye of a memoirist and the curiosity of a journalist, Urquhart began an investigation into late-stage creativity, asking: Is it possible that our best work is ahead of us? Is there an expiry date on creativity? Do we ever really know when we’ve done anything for the last time? The Age of Creativity is a graceful, intimate blend of research on ageing and creativity, including on progressive senior-led organizations, such as a home for elderly theatre performers and a gallery in New York City that only represents artists over sixty, and her experiences living and travelling with her father. Emily Urquhart reveals how creative work, both amateur and professional, sustains people in the third act of their lives, and tells a new story about the possibilities of elder-hood.

"What a gorgeous painting," exclaimed the judge of Ms. Fair's first-grade art contest. "What a beautiful rabbit!" For Emily, the words are a shock. Her painting is of her dog, Thor. Not a rabbit. But instead of thinking: What's wrong with this judge? Emily takes the words, and the judgment, to heart. Just as she takes her art. Not everyone, not Ms. Fair, or even Emily's best friend, Kelly, can see that. At first.

An inspiring and timely debut novel from Lisa Williamson, The Art of Being Normal is about two transgender friends who figure out how to navigate teen life with help from each other. David Piper has always been an outsider. His parents think he's gay. The school bully thinks he's a freak. Only his two best friends know the real truth: David wants to be a girl. On the first day at his new school Leo Denton has one goal: to be invisible. Attracting the attention of the most beautiful girl in his class is definitely not part of that plan. When Leo stands up for David in a fight, an unlikely friendship forms. But things are about to get messy. Because at Eden Park School secrets have a funny habit of not staying secret for long , and soon everyone knows that Leo used to be a girl. As David prepares to come out to his family and transition into life as a girl and Leo wrestles with figuring out how to deal with people who try to define him through his history, they find in each other the friendship and support they need to navigate life as transgender teens as well as the courage to decide for themselves what normal really means.

Paying special attention to her experience of faith, Lundin relates Dickinson's life -- as it can be charted through her poems and letters -- to nineteenth-century American political, social, religious, and intellectual history. --From publisher description.

Your Invitation Awaits… You’ve tried harder. You’ve been more intentional. You’ve done everything “right.” In your search for meaning and purpose, you’ve placed your hope in many different things—only to find yourself at a turning point, quietly asking, Is this it? Is this all there is? If the direction of your life is leading you away from peace, contentment, and true fulfillment, Emily Lex has some great news to share with you: God is offering you a better way. A way of real rest. A way of quiet confidence. A way to free yourself from expectations. A way to become the person he created you to be. A way to learn his unforced rhythms of grace. Do you breathe a sigh of hope when you hear this holy and gentle invitation from Jesus? “Come to me… Keep company with me and you’ll learn to live freely and lightly.” If so, then you are ready to accept his offer to recover and renew your life. Start your journey today.

This collection of three previously published books contains the full text of THE YEAR MY LIFE WENT DOWN THE LOO, THEY WEAR WHAT UNDER THEIR KILTS? and WHAT'S FRENCH FOR "EW!"? THE YEAR MY LIFE WENT DOWN THE LOO When sixteen-year-old Emily’s family uproots her from Seattle to England right before her junior year, she has to adjust to a whole new lingo, new friends, and a serious lack of malls. Luckily, hunkalicious British boys do exist! THEY WEAR WHAT UNDER THEIR KILTS? Emily spends her month of work experience on a Scottish sheep farm, complete with wild sheep, her best friend Holly , and Ruaraidh the shepherd, AKA the Scottish God of Love who just happens to have eleven fingers. Kilt-watching, disastrous castle tours, graffiti spray-painted sheep, and tanning lotions gone horribly awry—it’s just another month in the life of Emily. WHAT'S FRENCH FOR "EW!"? Spring break arrives, and Emily is in Paris to learn French. With her trusty friend Holly at her side, an anti-pregnancy doll named Jack, and snogariffic boyfriend Devon arriving for a visit, Emily's habit of getting into the most hilarious situations ever results in her storming more than just the Bastille. Will Paris survive her visit?