During the 1970s disco was the sound track to the lives of millions. Its hedonism, drive, and sweet, catchy melodies made dancers worldwide experience the bliss of complete abandon. This book traces its entire history, from the underground dives of New York to the glittering clubs of Rome. Along the way, the book provides instruction on how to do the hustle and the bus stop; explains the gay subculture central to disco; explores disco fashions, movies, clubs, and drugs; and tells the fascinating stories behind not only the American hits but the Eurodisco masterpieces, the soft-porn divas, and the mysterious producers behind the shimmering sound.

When two spoiled rich kids meet and one of them tries to get the upper hand on the other it turns into a big mess. Jae-In tries to stud In Hee and in the end both end up being forced to marry. She only hates him due to the cost of what she has to pay, he not knowing what to do considering that from her point of view it was all a joke. Both are forced to mature and face day-to-day difficulties, with all perks removed. Love, Comedy and a lot of confusion will mark their lives.

The analysis of popular music forces us to rethink the assumptions that underpin our approaches to the study of Western music. Not least, it brings to the fore an idea that many musicologists still find uncomfortable - that commercial production and consumption can be aligned with artistic authenticity. Reading pop texts takes place through dialogue on many levels, which, as Stan Hawkins argues, deals with how musical events are shaped by personal alliances between the artist and the recipient. The need for a critical approach to evaluating popular music lies at the heart of this book. Hawkins explores the relationships that exist between music, spectatorship and aesthetics through a series of case studies of pop artists from the 1980s and 1990s. Madonna, Morrissey, Annie Lennox, the Pet Shop Boys and Prince represent the diversity of cultures, identities and sexualities that characterised the start of the MTV boom. Through the interpretation of aspects of the compositional design and musical structures of songs by these pop artists, Hawkins suggests ways in which stylistic and technical elements of the music relate to identity formation and its political motivations. Settling the Pop Score examines the role of irony and empathy, the question of gender, race and sexuality, and the relevance of textual analysis to the study of popular music. Interpreting pop music within the framework of musicology, Hawkins helps us to understand the pleasure so many people derive from these songs.

After narrowly avoiding a personal disaster, she-wolf Alyssa Morgan can’t wait to leave her wolf pack and start her life over. Trying to rebuild her shattered self-esteem, she swears off relationships. When she accepts a job at Stone’s gym, working for three hunky were-hyena brothers, she discovers the hardest thing she ever had to do wasn’t leaving her pack, but keeping them at arm’s length. Dante, Cairo, and Mason Stone have been unlucky in love. As were-hyenas, they need to share a mate, and they hadn’t found the right woman… until Alyssa walks through the door. But the sweet she-wolf is anything but interested in a relationship with them. Oppressed within her wolf pack, she doesn’t see herself as worthy of their affection. When her life is threatened and they almost lose her, they decide it’s time to convince her that she is their mate and they are perfect for each other. This story contains one she-wolf trying to find herself, three overprotective were-hyenas with love on their minds, m/f/m/m interaction, neck biting, and symbolic tattoos.

Elvis Presley and Karlheinz Stockhausen. The Beatles and Andy Warhol. Terry Riley and Ken Kesey. What all these artists have in common is that loops have played a significant role in their work. The short sequences of sounds or images repeated using recording media have proved to be an astonishingly flexible, versatile and momentous aesthetic method in post-World War II art and music. Today, loops must be counted among the most important creative tools of postmodern art and music. Yet until now they have been largely overlooked as an aesthetic phenomenon. Now, for the first time, this book tells a secret story of the 20th century: how a formerly inconspicuous basic function of all modern media technology gave rise to complete artistic oeuvres, musical styles such as minimal music, hip hop and techno, and, most recently, entire scenes and subcultures that would have been unthinkable without loops.