**A 2019 Dayton Literary Peace Prize Finalist** **A 2018 National Jewish Book Award Finalist for Debut Fiction** In this “nuanced, sharp, and beautifully written” (Michael Chabon) debut novel, a young man prepares to serve in the Israeli army while also trying to reconcile his close relationship to two Palestinian siblings with his deeply ingrained loyalties to family and country. The story begins in an Israeli military jail, where—four days after his nineteenth birthday—Jonathan stares up at the fluorescent lights of his cell and recalls the series of events that led him there. Two years earlier: Moving back to Israel after several years in Pennsylvania, Jonathan is ready to fight to preserve and defend the Jewish state. But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith—the twin daughter and son of his mother’s friend. From that morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage, while also feeling love for those outside of your own family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever. “Unflinching in its honesty, unyielding in its moral complexity” (Geraldine Brooks, Pulitzer Prize–winning author), Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

Soon to be a major motion picture, starring Helen Mirren and Gillian Anderson! R. J. Palacio’s unforgettable graphic novel debut is a story about the power of kindness and unrelenting courage in a time of war. SYDNEY TAYLOR AWARD WINNER • A NEW YORK PUBLIC LIBRARY BEST BOOK OF THE YEAR • NEW YORK TIMES BESTSELLER In R. J. Palacio's bestselling collection of stories Auggie & Me, which expands on characters in Wonder, readers were introduced to Julian's grandmother, Grandmère. Here, Palacio makes her graphic novel debut with Grandmère's heartrending story: how she, a young Jewish girl, was hidden by a family in a Nazi-occupied French village during World War II; how the boy she and her classmates once shunned became her savior and best friend. Sara's harrowing experience movingly demonstrates the power of kindness to change hearts, build bridges, and even save lives. As Grandmère tells Julian, "It always takes courage to be kind, but in those days, such kindness could cost you everything." With poignant symbolism and gorgeous artwork that brings Sara's story out of the past and cements it firmly in this moment in history, White Bird is sure to captivate anyone who was moved by the book Wonder or the blockbuster movie adaptation and its message. Praise for White Bird: "At once expressive and chaste, an elusive but ideal combination." —New York Times "A story that shows the impact of the Second World War and the rise of fascism on what had been a pastoral, fairy-tale childhood, with White Bird pulling no punches in connecting that historical moment to what’s happening in the world today." —The Hollywood Reporter “Extraordinarily powerful.... White Bird does not shrink from depicting the terror and violence of the Nazi occupation for younger readers, and respects the ability of those readers to handle strong material.” —Forbes "A must-read graphic novel that is both heart-rending and beautifully hopeful." —Kirkus Reviews, starred review "R.J. Palacio brings to life the nature of heroism and the real risks we face today." —Meg Medina, Newbery award-winning author of Mercy Suarez Changes Gears "Rare, superb, timely, and timeless." —Mark Siegel, author of the 5 Worlds graphic novel series

Published in 1931, Bess Streeter Aldrich's novel 'A White Bird Flying' is about Abbie Deal, the matriarch of a pioneer Nebraska family, who has died at the beginning of the story. She left her china and heavy furniture to others, and to her granddaughter Laura - the secret of her dream of finer things. Grandma Deal's literary aspirations had been thwarted by the hard circumstances of her life, but Laura vows that nothing, no one, will deter her from a successful writing career. Childhood passes, and the more she repeats her vow the more life intervenes.

By a talent and highly acclaimed illustrator, The Lion and the Bird is every bit as unusual, lovely, and powerful as Little Bird and should be represented. The high production values of the book, along with the quality of the images and storytelling, as well as the author's previous books should lead buyers to take a chance on this title. Not to represent this book would be to miss out on a major book of the spring season. This is a book for all ages so provide buyers, whether at the independents or the museum stores, with several strong choices in terms of shelving and presentation. As a French Canadian author, Dubuc is close to the east coast and will be coming to promote and talk about her book.

“Self-deprecating humor abounds in this debut novel that pulls no punches about the experience of depression and anxiety for its teen protagonist.”—Kirkus Reviews (starred review) “I hate myself but I love Walt Whitman, the kook. Always positive. I need to be more positive, so I wake myself up every morning with a song of myself.” Sixteen-year-old James Whitman has been yawping (à la Whitman) at his abusive father ever since he kicked his beloved older sister, Jorie, out of the house. James’s painful struggle with anxiety and depression—along with his ongoing quest to understand what led to his self-destructive sister’s exile—make for a heart-rending read, but his wild, exuberant Whitmanization of the world and keen sense of humor keep this emotionally charged debut novel buoyant. “A poignant, funny, and bighearted novel about the power of saving oneself.”—Nina LaCour, award-winning author of We Are Okay “The right readers may find it lifesaving. Give this darkly funny debut to fans of Stephen Chbosky’s The Perks of Being a Wallflower.”—Booklist “Roskos has created a character that does not necessarily change throughout the book, but learns to live with himself as he is, to celebrate himself and those around him even as flawed as they are.”—VOYA “Author Roskos’s strength lies in his refusal to tidy up the mess in James’s life and in his relentless honesty about surviving with depression and anxiety.”—Horn Book “Roskos effectively sketches James as a boy who is far more comfortable inside his own head than in connecting with others . . . Bravely facing real sorrow, James confronts his problems with grace and courage.”—Publishers Weekly

An NPR Best Book of the Year A mesmerizing, inventive story of three souls in 1930s Philadelphia seizing new life while haunted by the old. I do not believe that all the world is darkness. In the swirl of Philadelphia at the end of Prohibition, Leyb meets Charles. They are at a former speakeasy called Cricket’s, a bar that welcomes, as Charles says in his secondhand Yiddish, feygeles. Leyb is startled; fourteen years in amerike has taught him that his native tongue is not known beyond his people. And yet here is suave Charles—fingers stained with ink, an easy manner with the barkeep—a Black man from the Seventh Ward, a fellow traveler of Red Emma’s, speaking Jewish to a young man he will come to call Lion. Lion is haunted by memories of life before, in Zatelsk, where everyone in his village, everyone except the ten non-Jews, a young poet named Gittl, and Leyb himself, was taken to the forest and killed. Then, miraculously, Gittl is in Philadelphia, too, thanks to a poem she wrote and the intervention of a shadowy character known only as the Baroness of Philadelphia. And surrounding Gittl are malokhim, the spirits of her siblings. Flowing and churning and seething with a glorious surge of language, carried along by questions of survival and hope and the possibility of a better world, Moriel Rothman-Zecher’s Before All the World lays bare the impossibility of escaping trauma, the necessity of believing in a better way ahead, and the power that comes from our responsibility to the future. It asks, in the voices of its angels, the most essential question: What do you intend to do before all the world?