A comprehensive but accessible examination of how elite Chinese politics work covering the period from Deng Xiaoping to Xi Jinping.

"The Introduction sets out the theoretical and empirical concerns of the book: Institutionalization is defined as a decision-making rule that allows power to pass from one leader to another. Institutionalization is, by definition, a set of rules that constrain the personalization of power. Leninism, as a mobilizing system, provides no such rule, and the repeated consolidation of power and the accompanying tendency to build personal networks prevent the system from institutionalizing. It should be noted that the elaboration of intra-party rules does not mean that such rules extend to the core leadership; rather they are rules that bind others. Finally, Leninism as a specific form of organization, is different from the broader term 'authoritarianism.' Inherent in the concept is the notion that Leninism develops through phases. Leninism under reform is subject to certain pathologies that weaken it"--

Understanding Chinese politics has become more important than ever. Some argue that China's political system is 'institutionalized' or that 'win all/lose all' struggles are a thing of the past, but, Joseph Fewsmith argues, as in all Leninist systems, political power is difficult to pass on from one leader to the next. Indeed, each new leader must deploy whatever resources he has to gain control over critical positions and thus consolidate power. Fewsmith traces four decades of elite politics from Deng to Xi, showing how each leader has built power (or not). He shows how the structure of politics in China has set the stage for intense and sometimes violent intra-elite struggles, shaping a hierarchy in which one person tends to dominate, and, ironically, providing for periods of stability between intervals of contention.

The profound political, economic, and social changes in China in the second half of the twentieth century have produced a wealth of scholarship; less studied however is how cultural events, and theater reforms in particular, contributed to the dynamic landscape of contemporary Chinese society. Rethinking Chinese Socialist Theaters of Reform fills this gap by investigating the theories and practice of socialist theater and their effects on a diverse range of genres, including Western-style spoken drama, Chinese folk opera, dance drama, Shanghai opera, Beijing opera, and rural theater. Focusing on the 1950s and ’60s, when theater art occupied a prominent political and cultural role in Maoist China, this book examines the efforts to remake theater in a socialist image. It explores the unique dynamics between official discourse, local politics, performance practice, and audience reception that emerged under the pressures of highly politicized cultural reform as well as the off-stage, lived impact of rapid policy change on individuals and troupes obscured by the public record. This multidisciplinary collection by leading scholars covers a wide range of perspectives, geographical locations, specific research methods, genres of performance, and individual knowledge and experience. The richly diverse approach leads readers through a nuanced and complex cultural landscape as it contributes significantly to our understanding of a crucial period in the development of modern Chinese theater and performance.

A vision of contemporary China from the inside, Xu's essays offer a liberal reaction to the complexity of China's rise.

Preliminary Material /Rebecca E. Karl and Peter Zarrow --Introduction /Rebecca E. Karl and Peter Zarrow --The Reform Movement, the Monarchy, and Political Modernity /Peter Zarrow --Literati-Journalists of the Chinese Progress (Shiwu bao) in Discord, 1896-1898 /Seungjoo Yoon --Zhang Zhidong's Proposal for Reform: A New Reading of the Quanxue pian /Tze-ki Hon --The Founding of the Imperial University and the Emergence of Ghinese Modernity /Timothy B. Weston --Placing the Hundred Days: Native-Place Ties and Urban Space /Richard Belsky --Reforming the Feminine: Female Literacy and the Legacy of 1898 /Joan Judge --Naming the First 'New Woman' /Hu Ying --'Slavery,' Citizenship, and Gender in Late Qing China's Global Context /Rebecca E. Karl --'Poetic Revolution,' Colonization, and Form at the Beginning of Modern Chinese Literature /Xiaobing Tang --Index /Rebecca E. Karl and Peter Zarrow --Harvard East Asian Monographs /Rebecca E. Karl and Peter Zarrow.

Through analyses of a wide range of Chinese literary and visual texts from the beginning of the twentieth century through the contemporary period, the thirteen essays in this volume challenge the view that canonical and popular culture are self-evident and diametrically opposed categories, and instead argue that the two cultural sensibilities are inextricably bound up with one another. An international line up of contributors present detailed analyses of literary works and other cultural products that have previously been neglected by scholars, while also examining more familiar authors and works from provocative new angles.The essays include investigations into the cultural industries and contexts that produce the canonical and popular, the position of contemporary popular works at the interstices of nostalgia and amnesia, and also the ways in which cultural texts are inflected with gendered and erotic sensibilities while at the same time also functioning as objects of desire in its own right. As the only volume of its kind to cover the entire span of the 20th century, and also to consider the interplay of popular and canonical literature in modern China with comparable rigor, Rethinking Chinese Popular Culture is an important resource for students and scholars of Chinese literature and culture.