A magisterial, richly detailed history of the Kremlin, and of the centuries of Russian elites who have shaped it—and been shaped by it in turn The Moscow Kremlin is the heart of the Russian state, a fortress whose blood-red walls have witnessed more than eight hundred years of political drama and extraordinary violence. It has been the seat of a priestly monarchy, a worldly church and the Soviet Union; it has served as a crossroads for diplomacy, trade, and espionage; it has survived earthquakes, devastating fires, and at least three revolutions. Its very name is a byword for enduring power. From Ivan the Terrible to Vladimir Putin, generations of Russian leaders have sought to use the Kremlin to legitimize their vision of statehood. Drawing on a dazzling array of sources from hitherto unseen archives and rare collections, renowned historian Catherine Merridale traces the full history of this enigmatic fortress. The Kremlin has inspired innumerable myths, but no invented tales could be more dramatic than the operatic successions and savage betrayals that took place within its vast compound of palaces and cathedrals. Today, its sumptuous golden crosses and huge electric red stars blaze side by side as the Kremlin fulfills its centuries-old role, linking the country's recent history to its distant past and proclaiming the eternal continuity of the Russian state. More than an absorbing history of Russia's most famous landmark, Red Fortress uses the Kremlin as a unique lens, bringing into focus the evolution of Russia's culture and the meaning of its politics.

In the impregnable red fortress, the mysterious leader of the slavers waits, accumulating power. Slavers have been taking children from across the divided world for longer than Nes can remember. While she’s rescued her sibs with the help of her friends Malenie and Paza, her cousins are still missing and most everyone else has given up hope. But Nes has the shaper’s sense. With it, a lock of hair will lead her to its owner and a pebble can become a truth stone. Friends may not let friends hunt slavers alone, but if Nes doesn’t succeed, she will lose not just her family but Malenie and Paza too.

Today, we associate the Red Fort with the view of the Prime Minister proudly unfurling the national flag every year on 15 August on the massive red wall curtain. To children and even most of us, the Red Fort is only this view that is broadcast on television. It is the ubiquitous image often used in marketing as well. Many of us haven’t even bothered to go inside the Fort, and many, including me, satisfied ourselves with our photos taken in front of this wall. This actually is a later addition erected by Shah Jahan’s son Aurangzeb. The Red Fort is much more than this red wall and the platform where the prime minister delivers his speech. In the book, the author attempts to swipe aside the wall and take a deep dive inside the Fort – not just the physical structures but how exactly the planning was done to create a truly complex and artistic palace fortress, to explore the Mughal way of life with their festivals, ceremonies, food and clothing amongst other themes. The beauty of the fort can only be understood and best appreciated from the string of apartments that once lined the river Yamuna on its opposite side. It must have been beautiful indeed to glide down the Yamuna on a boat and appreciate all the buildings that housed the emperor’s private quarters. Now the river has receded afar, but in olden times the various private apartments such as the Rang mahal, Khwabgah (‘abode of dreams’) or the emperor’s bed-chamber as well as the famous Diwan-e-Khas where the Mughal Emperor sat on the Peacock Throne were lined along the river front. There is a reason why the pioneering British historian-explorer James Fergusson termed the Red Fort ‘the most magnificent palace in the East.’ It was a creative venture well integrated to a new city and was truly unrivalled with respect to its design as well as functioning. The book also highlights that, though separated in time by more than three centuries from today, we can still visualize how the unsure footsteps which Babur took in Hindustan took shape in the reign of Shah Jahan, a connoisseur of art and culture. Descending on one side from Genghis Khan and the brutal Tamerlane on the other, Babur gained an irreversible entry to India in the plains of Panipat almost unexpectedly, by defeating a mammoth army of Ibrahim Lodi in 1526. The Mughals, which was the Persian word for ‘Mongols’, set up an incredible empire in Agra and Delhi, to which were born great emperors like Akbar and Shah Jahan. Apart from magnificent monuments they also built a truly syncretic culture of shared values, encouraged free exchange of knowledge and established rituals, customs and festivals that assimilated age-old traditions from east and west. Even the Taj Mahal, described by Rabindranath Tagore as a ‘teardrop on the face of Time’, was built as a symbol of love of a king to his departed queen, like an re-incarnation of Majnun for his Laila, so different from the obvious imagery that a barbaric king may evoke in one’s mind. Similarly, the Red Fort of Delhi was the culmination of Mughal soft power. With profusely laid flower and fruit-bearing char-bagh gardens criss-crossed with streams of water canals, it was layered in symbolism that art historians find interesting even after many centuries to discuss elements that give it a sense of freshness even with the mere empty shell of buildings left behind after 1857. As the author says, “Delhi however lived up to its reputation of slipping through the very fingers of those who attempted to raise a new city here: starting with Prithvi Raj Chauhan’s Lal Kot; Allauddin Khilji’s Siri; the Tughluq trio’s troika of Tughluqabad, Jahanpanah & Kotla Firuz Shah; Humayun’s Dinpanah and later Lutyen’s Delhi of the British; Shah Jahan’s majestic offering to the city of his choice was soon to be destroyed by fate.” The narrative follows the incidents of 1857 till the British Durbars and highlights that the Fort was not the home of the Mughals only in their prime, but also in their decline and till their very extinction. The book seeks to present the lived culture of Mughals in all its multiple facets. The book is divided in four parts. In Part 1 the focus is on the Imperial court and the court etiquette, cultivation of Persian and its enrichment with translations from Sanskrit, patronage of Hindu and Jain scholars. Part 2 contains detailed accounts of the Red Fort and the symbolism of its architecture, the philosophy of jharokha darshan, ceremonies, games and pastimes, the material culture of costumes and jewellery, food, drink and perfumery. The remaining two parts deal with the decline and fall of the Mughal rule and the British Colonial Durbars at the Red Fort. The broadly historical narrative is enlivened by various anecdotes.

A Chicago Public Library Best Book of the Year* "The Little Red Hen gets an appealing girl-power update...Young makers of all genders will be inspired." --The Bulletin of the Center for Children's Books, starred reviewRuby's mind is always full of ideas.One day, she finds some old boards and decides to build something. She invites her brothers to help, but they just laugh and tell her she doesn't know how to build."Then I'll learn," she says.And she does!When she creates a dazzling fort that they all want to play in, it is Ruby who has the last laugh.With sprightly text and winsome pictures, this modern spin on the timeless favorite The Little Red Hen celebrates the pluck and ingenuity of young creators everywhere!

WINNER OF THE WOLFSON PRIZE 2013 The extraordinary story of the Kremlin - from prize-winning author and historian Catherine Merridale Both beautiful and profoundly menacing, the Kremlin has dominated Moscow for many centuries. Behind its great red walls and towers many of the most startling events in Russia's history have been acted out. It is both a real place and an imaginative idea; a shorthand for a certain kind of secretive power, but also the heart of a specific Russian authenticity. Catherine Merridale's exceptional book revels in both the drama of the Kremlin and its sheer unexpectedness: an impregnable fortress which has repeatedly been devastated, a symbol of all that is Russian substantially created by Italians. The many inhabitants of the Kremlin have continually reshaped it to accord with shifting ideological needs, with buildings conjured up or demolished to conform with the current ruler's social, spiritual, military or regal priorities. In the process, all have claimed to be the heirs of Russia's great historic destiny.

A year after the Crimean War ended, an uprising broke out in India which was to have equal impact on the balance of world power and the British Empire's role in world affairs. The revolt was against the East India Company which, not entirely against its will, had assumed responsibility for administering large parts of India. The ostensible cause of the mutiny sprang from a rumour that cartridges used by the native Sepoy troops were greased with cow's fat and pig's lard —cows being sacred to the Hindus, and pigs abhorred by the Mohammedans. But the roots of the trouble lay far deeper, and a bloody and ineptly handled war ensued. The Red Fort is a breathtaking account of the struggle, with all its cruelties, blunderings and heroic courage. When peace was finally restored, the India we know today began to emerge. "This is a battle piece of the finest kind, detailed, authentic and largely written from original documents. Never has this story of hate, violence, courage and cowardice been better told." The New York Times

On April 12, 1864, on the Tennessee banks of the Mississippi River, a force of more than 3,000 Confederate cavalrymen under General Nathan Bedford Forrest stormed Fort Pillow, overwhelming a garrison of some 350 Southern white Unionists and over 300 former slaves turned artillerymen. By the next day, hundreds of Federals were dead, over 60 black soldiers had been captured and re-enslaved, and over 100 white soldiers had been marched off to their doom at Andersonville. Confederates called this bloody battle and its aftermath a hard-won victory. Northerners deemed it premeditated slaughter. To this day, Fort Pillow remains one of the most controversial battles in American history. River Run Red vividly depicts the incompetence and corruption of Union occupation in Tennessee, the horrors of guerrilla warfare, the legacy of slavery, and the pent-up bigotry and rage that found its release at Fort Pillow. Andrew Ward brings to life the garrison’s black soldiers and their ambivalent white comrades, and the former slave trader Nathan Bedford Forrest and his ferocious cavalry, in a fast-paced narrative that hurtles toward that fateful April day and beyond. Destined to become as controversial as the battle itself, River Run Red establishes Fort Pillow’s true significance in the annals of American history.