Return to where it all started: New Orleans, the birthplace of the Krewe of Hunters, the FBI’s elite paranormal investigation unit. Rediscover the first case in book 1 of the New York Times bestselling series, only from Heather Graham. Though haunted by the recent deaths of two teammates, Jackson Crow knows that it’s the living who commit the most heinous crimes. As a police officer using her sometimes-otherworldly intuition, Angela Hawkins already has her hands full of mystery and bloodshed. Under the oversight of Adam Harrison, Jackson and Angela will join a newly formed unit of the FBI, with the extraordinary opportunity to use their psychic talents. And the first assignment calls to them too strongly to resist. In a historic mansion in the French Quarter, a senator’s wife falls to her death. Most think she jumped; some say she was pushed. Yet others believe she was beckoned by the ghostly spirits inhabiting the house—once the site of a serial killer’s grisly work. In this seemingly unsolvable case, only one thing is certain: whether supernatural or all too human, crimes of passion will cast Jackson and Angela straight into danger. Originally published in 2011

A secret government unit is formed under Adam Harrison, famed paranormal investigator. The six members he's gathered have a psychic talent of their own.

The Krewe of Hunters: an unusual FBI unit, solving unusual crimes. See where—and how—this elite group first began. Read the first four Krewe books and see why Publishers Weekly says Heather Graham "stands at the top of the romantic suspense category." PHANTOM EVIL FBI agent Jackson Crow is haunted by the deaths of two teammates. Just like New Orleans police officer Angela Hawkins, Jackson has the gift—or the curse—of paranormal intuition. Both are drawn into an apparently unsolvable case involving the death of a senator’s wife. Suicide, murder—or the work of ghosts? HEART OF EVIL A man’s corpse is discovered on Donegal Plantation in Louisiana—exactly where patriarch Marshall Donegal had been found dead in the 1860s. Heiress Ashley Donegal turns to the Krewe of Hunters, which includes an old flame of hers, Agent Jake Mallory. Ashley and Jake are determined to get to the root of the evil, and the secrets, that haunt the plantation. SACRED EVIL The body of a promising young starlet has been found between two of Manhattan’s oldest graveyards, and the details of the crime scene are no coincidence. Detective Jude Crosby recognizes the tableau: a recreation of Jack the Ripper's gruesome work. Jude calls on Krewe member Whitney Tremont, and what they learn is far more shocking than either could have predicted… THE EVIL INSIDE Long ago, a historic New England house was the witness to madness…and murder. Now, the horrific murders begin again, with a teenage boy the main suspect. Krewe member Jenna Duffy investigates, with the help of attorney Samuel Hall. When there’s a crime that can’t be explained, when the dead make their presence known, who are you going to call? The Krewe of Hunters! Look for Heather Graham’s romantic thriller Flawless.

The Adventures of Phantom

Indrajal Comics began publishing self-titled monthly issues in March 1964. Each of the first 10 issues had 16 pages of Phantom comics. The stories had to be edited to fit this short format. The remaining 12 pages were dedicated to other content, similar to Gold Key's style. In the next 19 issues it became 20-24 pages. As the series continued, different characters would share the spotlight. Characters such as Flash Gordon, Mandrake the Magician, Bahadur, Kerry Drake, Rip Kirby, Garth, Mike Nomad and Buz Sawyer appeared - as well as Disney characters Robin Hood and Mickey Mouse along with Goofy, but the majority of the series spotlighted The Phantom. So much so that the series is often erroneously referred to as "The Phantom" instead of the correct "Indrajal Comics". In due course the publication became fortnightly and then weekly by 1981. The numbering of books which was simply sequential in the beginning then changed to have the typical volume and a number. Indrajal Comics #444 was labeled as Vol.20 and No.1. The front cover design changed with distinct banner containing the title "Indrajal Comics" with a small circle showing the face of the main charracter. A total of 803 Indrajal Comics were published, excluding #123 and #124 which were not printed due to industrial strike action. More than half of these issues contained Phantom stories. The publishing stopped in 1990. The cover artwork for the first 50 or so issues of Indrajal Comics was done by B.Govind, with the back cover featuring a pin-up poster. His artwork became very popular and even said to have matched the artwork on the covers of international phantom publications such as Gold key or Frew. To avoid confusion among Indian readers, there were some minor changes done to the name of the Phantom's location and some characters in stories published in Indrajal Comics. The term " Bengali" or "Bengalla" or "Bengal" was changed to "Denkali" and in some issues "Dangalla" as well. This was since there is a state called "Bengal" in India and this may lead the readers to wonder about the "Pygmy" people that don't exist in Bengal. The name of the "Singh Brotherhood" was changed to "Singa Brotherhood" and the killer of the father of the current (21st) Phantom was changed from "Rama" to "Ramalu" although the latter too is one of the common names in India. Apart from English, Indrajal Comics published the stories in at least a dozen other Indian languages including Hindi, Bengali, Tamil and Kannada. Contents: Issue #60 The Phantom And The Cold Fire Worshippers Issue #59 The Phantom And The Sleeping Giant Issue #58 The Sixth Man Issue #57 The Terror Tiger Issue #56 The Phantom And Delilah Issue #55 The Villain's Challenge December 1, 1967 Issue #54 The Great Riddle Issue #53 Thugs In The City Park Issue #52 The White Goddess Issue #51 The Phantom And The River Pirates Issue #50 Mandrake And The Black Wizard Issue #49 The Secrets Of The Phantom Issue #48 The Magic Mountain Issue #47 The Adventures Of The Girl Phantom Issue #46 Mandrake And The Doomsday Issue #45 The Phantom And The Deadly Web

Probably the best known of all Phantom comics in the U.S.A., this series of 73 colour comics was published between Nov 1962 and Jan 1977, under three different publishers. The series began under the Gold Key label, published by K.K.Publications as a quarterly 12c comic. With issue #11 in 1965, the series changed to a bi-monthly. In 1966, the release schedule returned to a quarterly basis, and only lasted two more issues before the first change of publisher occurred. In total, there were 17 Phantom comics with the Gold Key label. All sported beautiful painted covers by George Wilson. Three of these covers are reported to have been painted by another unknown artist (#5, #12, #13). Most of the stories were adaptations of original Lee Falk newspaper strip stories, with new artwork by Bill Lignante. King Features Syndicate became the new publisher of The Phantom comics, releasing their first issue in September 1966 under the King Comics label. They continued the numbering sequence from the Gold Key series, labelling this issue #18. It was published as a 12c bi-monthly until issue #23 in mid-1967 when it changed to a monthly schedule. Issue #28 was the last to be published under the King Comics label (cover price 15c), only 6 issues into the monthly schedule. Of the 11 Phantom comics published by King, all but one of the stories were illustrated by Bill Lignante. The first two issues contained adaptations of older Lee Falk stories, and thereafter, the stories were original. Issue #25 contained a story entitled The Cold Fire Worshippers which was reprinted from the Italian comics series American Adventures published by Fratelli Spada, and drawn by Senio Pratesi. The cover artwork on the first three of these comics were by Bill Lignante, while all others appear to have been lifted directly from panels of Sy Barry's newspaper strips. The reigns of The Phantom comic were picked up again over a year later (February 1969), by Charlton Press using the Charlton Comics label. They continued with the same numbering sequence but skipped #29 and began with #30. This first issue featured uncredited artwork, but the covers and all but two of the stories in the next year of bi-monthly issues were by Jim Aparo. Issue #33 was the first to contain a story by Pat Boyette, and Bill Lignante was brought back to illustrate his last Phantom story which appeared in #35. From issue #39 onwards (August 1970), the cover and story artwork was exclusively by Pat Boyette. With only a handful of exceptions, each issue then contained three 7-page stories. The art and stories during this period can best be described as woeful. Despite a considerable volume of negative feedback from readers, Charlton persisted with Pat Boyette until #59 in December 1973. The declining sales must have struck a nerve with Charlton (who'd changed their name to Charlton Publications after #56), and the comic was revived six months later in #60 as The New Phantom. In their search for new artists and writers, Charlton first relied on stories from the Italian publisher Fratelli Spada, before introducing us to the work of Don Sherwood and ... more notably ... Don Newton. In total, Don Newton contributed six beautifully illustrated 22-page stories (#67, #68, #70, #71, #73, #74) complete with painted cover artwork, plus the cover for #69. Sales improved, but not enough to save the flagging title. The last issue of The Phantom comic was #74, in January 1977. A complete index of the individual stories in each issue of Charlton Comics is available HERE. An analysis of the circulation data and the cover price builds an interesting picture of how this series eventually failed. Cover price for the series commenced at 12c, and was raised to 15c from #34, 20c from #46, 25c from #60, and finally 30c from #70 -- this was common for all American comics at the time. At the same time, the number of comics being printed was gradually falling, but at a lesser rate than the number that were being sold. This graph shows what happened. By 1976, the paid circulation was less than 40%, compared with a peak of 65% in 1965. Not even the brilliant efforts of Don Newton were enough to save the title ... the damage had already been done. Simply put, the editors at Charlton were too slow to make the necessary corrections. The Phantom was subsequently absent from American newsstands, at least in comic book form, for the next 10 years. Issue Publisher Date #1 - #17 Gold Key Comics Nov 1962 - Jul 1966 #18 - #28 King Comics Sep 1966 - Dec 1967 #30 - #74 Charlton Comics Feb 1969 - Jan 1977