Alva Noë is one of a new breed—part philosopher, part cognitive scientist, part neuroscientist—who are radically altering the study of consciousness by asking difficult questions and pointing out obvious flaws in the current science. In Out of Our Heads, he restates and reexamines the problem of consciousness, and then proposes a startling solution: Do away with the two hundred-year-old paradigm that places consciousness within the confines of the brain. Our culture is obsessed with the brain—how it perceives; how it remembers; how it determines our intelligence, our morality, our likes and our dislikes. It's widely believed that consciousness itself, that Holy Grail of science and philosophy, will soon be given a neural explanation. And yet, after decades of research, only one proposition about how the brain makes us conscious—how it gives rise to sensation, feeling, and subjectivity—has emerged unchallenged: We don't have a clue. In this inventive work, Noë suggests that rather than being something that happens inside us, consciousness is something we do. Debunking an outmoded philosophy that holds the scientific study of consciousness captive, Out of Our Heads is a fresh attempt at understanding our minds and how we interact with the world around us.

Out of Our Heads is the Rare Book That is Unafraid to celebrate rock'n' roll's druggy good times-before the uptight killjoys and self-righteous reformists came along and spoiled the party.

Adventures in cutting-edge ideas about consciousness, from bestselling non-fiction writer Tim Parks. Hardly a day goes by without some discussion about whether computers can be conscious, whether our universe is some kind of simulation, whether mind is a unique quality of human beings or spread out across the universe like butter on bread. Most philosophers believe that our experience is locked inside our skulls, an unreliable representation of a quite different reality outside. Colour, smell and sound, they tell us, occur only in our heads. Yet when neuroscientists look inside our brains to see what's going on, they find only billions of neurons exchanging electrical impulses and releasing chemical substances. Five years ago, in a chance conversation, Tim Parks came across a radical new theory of consciousness that undercut this interpretation. This set him off on a quest to discover more about this fascinating topic and also led him to observe his own experience with immense attention. Out of My Head tells the gripping, highly personal, often surprisingly funny, story of Tim Parks' quest to discover more about this fascinating topic. It frames complex metaphysical considerations and technical laboratory experiments in terms we can all understand. Above all, it invites us to see space, time, colour and smell, sounds and sensations in an entirely new way. The world will feel more real after reading it.

“Every decent friendship comes with a drop of hatred. But that hatred is like honey in the tea. It makes it addictive.” Charismatic Marie Antoine is the daughter of the richest man in 19th century Montreal. She has everything she wants, except for a best friend—until clever, scheming Sadie Arnett moves to the neighborhood. Immediately united by their passion and intensity, Marie and Sadie attract and repel each other in ways that thrill them both. Their games soon become tinged with risk, even violence. Forced to separate by the adults around them, they spend years engaged in acts of alternating innocence and depravity. And when a singular event brings them back together, the dizzying effects will upend the city. Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal’s wealthy, When We Lost Our Heads dazzlingly explores gender, sex, desire, class, and the terrifying power of the human heart when it can’t let someone go.

A charming YA novel about a family who puts on an immersive, interactive play to save their historical home Finn lives in a family of theater lovers. His older brothers are both actors, and one of his moms is an actor and the other one is a director. They even live in an enormous historic mansion owned by the Beauregard, Minnesota's largest regional theater. Finn is desperate to be an actor, too, despite the fact that he can never seem to remember his lines. When a new artistic director threatens to sell the Jorgensen house and kick his family out of the only home he's ever known, his family puts on a show—an immersive 1890s experience unlike anything else out there. But will it be too much for his mom Lula, who is recovering from cancer? Will Finn connect with his crush and deal with his long-time rival, Jade? Will saving the house save Finn's acting career? Funny, warm, and full of Victorian hijinks, this is a novel for anyone looking for a place to belong.