This is the first book-length treatment of the unique nature and development of Nietzsche's post-Zarathustran political philosophy. This later political philosophy is set in the context of the critique of modernity that Nietzsche advances in the years 1885-1888, in such texts as Beyond Good and Evil, On the Genealogy of Morals, Twilight of the Idols, The Antichrist, The Case of Wagner, and Ecce Homo. Daniel Conway has written a powerful book about Nietzsche's own appreciation of the limitations of both his writing style and of his famous prophetic "stance".

First English translation of Nikos Kazantzakis’s 1909 doctoral dissertation on Nietzsche.

This innovative volume presents an account of Nietzsche's claims about noble, life-affirming ways of life, analyzes the source of such claims, and explores the political vision that springs from them. Kirkland elucidates the meaning of Nietzsche's remarks about life-affirmation through an examination of his rhetorical identification with values, such as honesty, that he ultimately seeks to overcome. The book includes an extended treatment of the meaning and implications of Nietzsche's doctrine of eternal return, which uncovers how this element of his philosophy challenges both ungrounded metaphysical oppositions and reductionist accounts of human life. The result is an illuminating discussion of how through his philosophical confrontation with modernity Nietzsche aims to move his readers toward a noble embrace of life.

This book claims Nietzsche as a leftist revolutionary but without overlooking the conservative and retrogressive elements of his political philosophy. The author argues that these two 'halves' of his philosophy help construct a new form of politics for contemporary readers, a possibility of revolution post-Marx.

Guides you through one of the most clearly developed statements of Nietzsche's mature philosophy, section by section.

Vinod Acharya presents a new existential interpretation of Nietzsche's philosophy. He contends that Nietzsche's peculiar form of existentialism can be understood only by undertaking a thorough analysis of his characterization and critique of metaphysics. This reading remedies the shortcomings of previous existential interpretations of Nietzsche, which typically view existentialism as concerned primarily with the meaning of individual existence, and therefore necessarily at odds with the abstraction and objectivity of metaphysical thought. Acharya argues that the approach of Nietzsche's philosophy, especially in his mature works, is to make the typical existential position foundational, and then to develop to the fullest the implications of this position. This meta-existential approach necessarily yields an ambiguous and open-ended critique of metaphysics. Taking issue with the Heideggerian, the poststructuralist, and the naturalistic interpretations, this book contends that Nietzsche neither simply overcomes metaphysics nor remains trapped within its confines. Acharya argues that an ever-renewed encounter with and critique of metaphysics is an essential aspect of Nietzsche's meta-existentialism.

The author reads Goethe's Faust as the first epic written under Spinoza's influence. He shows how its thematic development is governed by Spinoza's pantheistic naturalism. He further contends that Wagner and Nietzsche have tried to surpass their mentor Goethe's work by writing their own Spinozan epics of love and power in The Ring of the Nibelung and Thus Spoke Zarathustra. These Spinozan epics are designed to succeed the Christian epics in the Western literary tradition. Whereas the Christian epics dared to groom human beings for their destiny in the supernatural world, the Spinozan epics try to reinstate humanity as the children of Mother Nature and overcome their alienation from the natural world, which had been dictated by the long reign of Christianity. However, it has been well noted that none of these new epics seems to hang together thematically as a coherent work. By his Spinozan reading, the author not only demonstrates the thematic unity of each of them singly, but further illustrates their thematic relation with each other.