This study examines the American military's experience with urban operations in Somalia, particularly in the capital city of Mogadishu. That original focus can be found in the following pages, but the authors address other, broader issues as well, to include planning for a multinational intervention; workable and unworkable command and control arrangements; the advantages and problems inherent in coalition operations; the need for cultural awareness in a clan-based society whose status as a nation-state is problematic; the continuous adjustments required by a dynamic, often unpredictable situation; the political dimension of military activities at the operational and tactical levels; and the ability to match military power and capabilities to the mission at hand.

"My Clan Against the World": US and Coalition Operations in Somalia, 1992-94 represents another in a series of military case studies published by the Combat Studies Institute (CSI) at Fort Leavenworth, Kansas. The impetus for this project came from the commanding general, US Army Training and Doctrine Command, Fort Monroe, Virginia, who directed CSI to examine the American military's experience with urban operations in Somalia, particularly in the capital city of Mogadishu.

As this overview seeks to remind the reader, the United States had a military presence in Somalia from December 1992 to the end of March 1994. A principal aim of the authors was to provide an analytical narrative of each phase of the US military involvement in Somalia. The authors address planning for a multinational intervention; workable and unworkable command and control arrangements; the advantages and problems inherent in coalition operations; the need for cultural awareness in a clan-based society whose status as a nation-state is problematic; the continuous adjustments required by a dynamic, often unpredictable situation; the political dimension of military activities at the operational and tactical levels; and the ability to match military power and capabilities to the mission at hand. This case study also cautions against the misuse of "lessons learned."

Film moves audiences like no other medium; both documentaries and feature films are especially remarkable for their ability to influence viewers. Best-selling author James Brady remarked that he joined the Marines to fight in Korea after seeing a John Wayne film, demonstrating how a motion picture can change the course of a human life—in this case, launching the career of a major historian and novelist. In Why We Fought: America's Wars in Film and History, editors Peter C. Rollins and John E. O'Connor explore the complexities of war films, describing the ways in which such productions interpret history and illuminate American values, politics, and culture. This comprehensive volume covers representations of war in film from the American Revolution in the 18th century to today's global War on Terror. The contributors examine iconic battle films such as The Big Parade (1925), All Quiet on the Western Front (1930), From Here to Eternity (1953), and Platoon (1986), considering them as historical artifacts. The authors explain how film shapes our cultural understanding of military conflicts, analyzing how war is depicted on television programs, through news media outlets, and in fictional and factual texts. With several essays examining the events of September 11, 2001, and their aftermath, the book has a timely relevance concerning the country's current military conflicts. Jeff Chown examines controversial documentary films about the Iraq War, while Stacy Takacs considers Jessica Lynch and American gender issues in a post-9/11 world, and James Kendrick explores the political messages and aesthetic implications of United 93. From filmmakers who reshaped our understanding of the history of the Alamo, to Ken Burns's popular series on the Civil War, to the uses of film and media in understanding the Vietnam conflict, Why We Fought offers a balanced outlook— one of the book's editors was a combat officer in the United States Marines, the other an antiwar activist—on the conflicts that have become touchstones of American history. As Air Force veteran and film scholar Robert Fyne notes in the foreword, American war films mirror a nation's past and offer tangible evidence of the ways millions of Americans have become devoted, as was General MacArthur, to "Duty, honor, and country." Why We Fought chronicles how, for more than half a century, war films have shaped our nation's consciousness.

Operations Restore Hope and Continue Hope were planned and implemented with the aim of bringing order to chaos. Unfortunately, what should have been a victory for the United Nations deteriorated into a humiliating defeat of massive proportions. This is a brilliantly researched and moving expose of this bloody mission.

The American mission in Somalia presented the U.S. forces with a variety of difficult operational challenges as they tried to bring peace to a country ravaged by natural and man-made disasters. The author has taken the essential first step by identifying and articulating the hard lessons of Somalia with candor and objectivity.