The official movie tie-in to the winner of the Outstanding First Narrative Feature Award at the Los Angeles Gay & Lesbian Film Festival, and the Best Gay Male Feature Film Award at the Philadelphia International Gay & Lesbian Film Festival. A shallow LA party boy falls in love with a hunky, repressed Mormon missionary in this gay romantic drama from the writer of Sweet Home Alabama starring Reese Witherspoon. The theatrical release date of Latter Days is January 2004, starring Jacqueline Besset, Mary Jay Place, Wes Ramsey, Steve Sandvoss and Amber Benson.

First released in 1985, THESE LATTER DAYS tells the story of a pregnant Mormon wife who takes her five children and leaves her husband. Settling in California, she tells people she is a widow. There a physician, himself an exiled Mormon, comes to her aid. The NEW YORKER described the book as "fine, grim details of turn-of-the-century American frontier life".

At twenty-two, Judith Freeman—born and raised in a Mormon community—had abandoned her faith, but found herself working in the church-owned department store in the Utah town where she grew up. She was in the process of divorcing the man she’d married at age seventeen and was living in her parents’ house with her four-year-old son, who had already endured two heart surgeries. The surgeon, a rising star in his field, had become her lover. It was at this fraught moment that she decided to become a writer. In this moving memoir, Freeman explores the circumstances and choices that informed her course, and those that allowed her to find a way forward. In shimmering prose, she gives us an illuminating, singular portrait of resilience and forgiveness, of memory and hindsight, and of the ways in which we come to identify our truest selves.

In 1820, a young farm boy in search of truth has a vision of God the Father and Jesus Christ. Three years later, an angel guides him to an ancient record buried in a hill near his home. With God’s help, he translates the record and organizes the Savior’s church in the latter days. Soon others join him, accepting the invitation to become Saints through the Atonement of Jesus Christ. But opposition and violence follow those who defy old traditions to embrace restored truths. The women and men who join the church must choose whether or not they will stay true to their covenants, establish Zion, and proclaim the gospel to a troubled world. The Standard of Truth is the first book in Saints, a new, four-volume narrative history of The Church of Jesus Christ of Latter-day Saints. Fast-paced, meticulously researched, Saints recounts true stories of Latter-day Saints across the globe and answers the Lord’s call to write history “for the good of the church, and for the rising generations” (Doctrine and Covenants 69:8).

In a chronological narrative that explores the pre-mortal, mortal, and post-mortal existence of man, animals, and the Earth itself, "Latter Days" focuses on the unique catalog of Latter-day Saint doctrine. 8-page photo insert.

SUB TITLE:The Old Testament

An arresting, lyrical memoir about the path the author took—sometimes unwittingly—out of her Mormon upbringing and through a thicket of profound difficulties to become a writer. At twenty-two, Judith Freeman was working in the Mormon church–owned department store in the Utah town where she’d grown up. In the process of divorcing the man she had married at seventeen, she was living in her parents’ house with her four-year-old son, who had already endured two heart surgeries. She had abandoned Mormonism, the faith into which she had been born, and she was having an affair with her son’s surgeon, a married man with three children of his own. It was at this fraught moment that she decided to become a writer. In this moving memoir, Freeman explores the circumstances and choices that informed her course, and those that allowed her to find a way forward. Writing with remarkable candor and insight, she gives us an illuminating, singular portrait of resilience and forgiveness, of memory and hindsight, and of the ways in which we come to identify our truest selves. (With black-and-white photographs throughout.)