Shop better, buy less, and dress to tell the world "this is me"! Anna Murphy, Fashion Director of The Times, shares her tricks for dressing to feel confident and comfortable, look modern and fabulous, and define your personal style - without always resorting to black. Your clothes stake your place in the world to a voice, a path, a future. Choose who you want to be and how to dress well accordingly. As Mark Twain said, "There is no power without clothes". Anna draws on her years of inside fashion knowledge and style experience to help you work out your "clothing happy place". What best flatters your body? What expresses your sense of self? And how do you build a sustainable wardrobe that will serve you day in, day out, for years to come? Explore why less is more; how to layer, the tricks of mixing and non-matching, and how to dress up neutrals. Follow Anna's tips on the 9-5 work wardrobe, what to wear for that special event, and how to carry off athleisure in style. Also discover the best length of dress or trousers for you, your perfect jeans, and how to invest in a handbag that you will use and love for ever. Immerse yourself in this inspiring, realistic, and practical style book and you, too, will be able to throw chic outfits together effortlessly, have something you want to wear for every occasion, and create wardrobe that, with occasional shopping forays, can last forever. Make fashion your friend!

This is the first self help book that looks seriously into the psychology behind why women wear black. In certain cultures it is expected that women hide themselves behind black, however women worldwide choose to wear it for their own reasons. They believe it to be slimming, smart, chic and easy to co-ordinate.

"Why is it really that architects wear black?" was a question put to Cordula Rau by an automotive industry manager during an architectural competition. Even though she herself is an architect, and wears black, she did not have an answer on the spot. So she decided to ask other architects, as well as artists and designers. She has been collecting their handwritten replies in a notebook since 2001. In 2008, this collection of autographs appeared as a small publication – obviously bound in black. For the purpose of the new edition, this legendary collection was expanded by new notable, amusing, pragmatic, and quirky reasons: "Please read – and don’t ask me why architects wear black!". (Cordula Rau)

A Guidebook for the Modern Pagan Funeral Explore death and dying from the perspective of magical and Pagan communities. Filled with rituals, meditations, legal considerations, and practical advice, this book provides profound insights into death as a spiritual process. Within these pages, you will discover more than fifty rituals for funerals, memorials, and remembrances as well as meditations for mourning and letting go. Each chapter shares the beliefs and specific rituals of a distinct tradition, including British Traditional Wicca, Dis-cordianism, Eclectic Wicca, Heathenry, Hellenism, Druidry, Thelema, and more. You will also discover hands-on advice for creating shrouds, coffins, and death masks as well as tips for advanced planning, wills, and power of attorney. Whether you want to share this book with a non-Pagan funeral professional, learn what to expect at a Pagan funeral, or develop a ritual for a loved one's passing, the wealth of material within is designed to help readers experience final transitions in a spiritually meaningful way. With contributions from a variety of practitioners across many traditions, Do I Have to Wear Black? delivers a multitude of magical rites and detailed explanations in one thorough manual.

Drawn from her blog of the same name, this entertaining guide, which is part memoir, part-commiseration, and part how-to, shows new moms how to care for themselves post-partum to feel a little more like their glam former selves, while still being the best mommy they can be. Original.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

Infantus urbanus (defn.): Young mammal raised in city environment. Infantus urbanus love nights at the opera, modern architecture, and fine cuisine. Difficult to spot at night due to their penchant for black clothing. See also URBAN BABIES.