As the national campaign manager for Ralph Nader's historic runs for president in 2000 and 2004, Theresa Amato had a rare ringside role in two of the most hotly contested presidential elections this country has seen. In Grand Illusion, she gives u...

The Grand Illusion synthesizes the best consciousness research with decades of cutting-edge discovery and hard science, empowering you with an intelligent new paradigm and new direction for humanity. This acclaimed book destroys the materialist notion of humans as "meat computers" and lays the foundation for a scientifically-based metaphysics.

In 1861, 15 yr. old Alexandra is sent to Virginia to learn how to be a proper lady. The country is already in the grips of Civil War when a battle begins nearby. Eager to observe and not be detected, she borrows a young man's clothes. Hidden behind trees, Alexandra watches as the first Battle of Bull Run unfolds before her. After the devastating clash, she is drawn onto the field when a Union officer mistakes her for an out-of-uniform soldier. Alexandra makes the decision to carry on the charade and joins the fight disguised as Alex, the Union soldier. In the American Civil War, over four hundred women dressed as men to serve as soldiers and spies. The character of Alexandra is based on the real life experiences of Sarah Edmonds Seelye, Sarah Rosetta Wakeman, and the other women who disguised themselves as men to serve as soldiers in the American Civil War.

Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers. Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.

War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.