Disco Pigs is the extraordinary debut play about two warped teenagers that confirmed Enda Walsh's place in the forefront of young Irish dramatists. Pig and Runt are two 17-year-olds who share everything: birthday, language, worldview - and that moment when pop songs and life-changing orgasms flash by and last forever. Also published in this volume is Sucking Dublin, a fierce and uncompromising short play about a group of five individuals tormented by a rape in a claustrophobic, drug-infested Dublin."

For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer present Irishness as a monolithic entity. The book is arranged thematically, with chapters exploring cinematic representation of the middle class, urban life, rural life, religion, and politics. Offering close readings of Irish-themed films, Gillespie identifies a variety of interpretative approaches based on the diverse elements that define national character. Covering a wide range of films, from John Ford’s The Quiet Man and Kirk Jones’s Waking Ned Devine to Bob Quinn’s controversial Budawanny and The Bishop’s Story, The Myth of an Irish Cinema signals a paradigm shift in the field of film studies and promises to reinvigorate dialogue on the subject of national cinema.

Pig (male) and Runt (female) are two 17-year-olds who share everything including a birthday, communicate in a distinctive private language, and occupy an intensely imaginative world of their own. They seem to be completely inseparable, but as adulthood beckons them, Pig cannot let go of Runt and the fragile world they have built.

Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.

Publisher Description

Follow the daily adventures of three spirited pigs and the importance of bedtime. Three little piglets are all bundled up and as cozy as can be. Young readers will follow their wacky antics and ever-changing wardrobes as these energetic pigs jump, prance, and dance through a fun-filled day before finally climbing back into bed. A delightful rhyme reinforces key daily rituals and the importance of winding down the day and going to sleep. Hans Wilhelm has written and illustrated over 200 books for children and adults including the popular Guess Which Hand. Fans of Giraffes Can't Dance and If Animals Kissed Good Night will love taking the excited piglets through their adventure-filled day and putting them to bed at night. Great book for preschoolers and early readers that reinforces daily routines and the importance of bedtime.

Ruth Barton argues that in order to understand the position of filmmaking in Ireland and the inheritance on which contemporary filmmakers draw, definitions of the Irish culture and identity must take into account the Irish diaspora and engage with its cinema.