Although the Crusades are generally thought of in terms of the European attempt to conquer and colonize the Holy Land, from the twelfth century onward crusading also involved the "reconquest" of the Iberian peninsula from the Muslims. This eyewitness account of the capture of Lisbon in 1147 by the combined forces of King Alfonso Henriques of Portugal and a fleet of crusaders from the Anglo-Norman realm, Flanders, and the Rhineland is one of the richest and most exciting sources to survive from this period. Far more than just a narrative, De expugnatione Lyxbonensi vividly conveys the tensions between the secular and spiritual motives of a crusading army, as well as revealing a wealth of information on medieval warfare, the development of crusading ideology and holy war, and Muslim views of the crusaders. The new foreword by Jonathan Phillips provides insight to the latest scholarship on the integral place of the Lisbon expedition in the Second Crusade, the identity of the text's author, and his message for crusaders.

This eyewitness account of the capture of Lisbon in 1147 by the combined forces of King Alfonso Henriques of Portugal and a fleet of crusaders from the Anglo-Norman realm, Flanders, and the Rhineland is one of the richest and most exciting sources to survive from this period.

A proofreader realizes his power to edit the truth on a whim, in a “brilliantly original” novel by a Nobel Prize winner (Los Angeles Times Book Review). Raimundo Silva is a middle-aged, celibate clerk, proofing manuscripts for a respectable publishing house. Fluent in Portuguese, he has been assigned to work on a standard history of the country, and the twelfth-century king who laid siege to Lisbon. In a moment of subversive daring, Raimundo decides to change just one single word of text—a capricious revision that completely undoes the past. When discovered, his insolent disregard for facts appalls his employers—save for his new editor, Maria Sara. She suggests that Rainmundo take his transgressions even further. Through Rainmundo and Maria’s eyes, what transpires is an alternate view of history and a colorful reinvention of a debatable truth. It’s a serpentine journey through time where past and present converge, fact becomes myth, and fiction and reality blur—especially for Rainmundo and Maria themselves, who begin to find themselves erotically drawn to each other. “Walter Mitty has nothing on Raimundo Silva . . . this hypnotic tale is a great comic romp through history, language and the imagination.” —Publishers Weekly Translated by Giovanni Pontiero