Caleb begins his journey with a close relationship with his father. He hopes that he will never leave his side for any reason, which helps him keep a calm temper and attitude. Having constant tension with his girlfriend, Calissa, on numerous occasions, Caleb usually ends up losing everything good that he puts into the relationship. In a continual mental fighting ring with his best friend, Simeon, Caleb has to be stable enough in various nuances of his relationships with people as he tries to navigate the unsuspecting, unpredictable, unyielding, and relentless attacks in his life. It appears that hes always battling or fighting for survival in all his surroundingspressures from his career, his close friends, colleagues, and everyday functions. Carrying all his problems, issues, and stresses on his shoulders, Caleb begins to lose hope, but he still waits in expectation for a greater outcome. Not sure if he will make it.

Caleb's War is a narrative about the tribulations of Sergeant Caleb Johnson, a farmer from the Shenandoah Valley who volunteered to serve in the Stonewall Brigade to stop the Yanks invading eastern Virginia. As Caleb fought at Antietam, Fredericksburg, Chancellorsville, and Gettysburg, the reader will experience the gamut of emotions as he dealt with military and platoon issues and family concerns on the farm. The book is a plethora of information on the Civil War. The reader will learn about the filthy living conditions in camp, weapons, food preparation, diseases, generals, medicine, and terror and chaos of battle. A major theme throughout the book is the overpowering religious convictions of the soldiers, especially those from the South: reading the Bible, praying, and singing hymns such as "Amazing Grace" were common behaviors. Soldiers prayed before and during each battle imploring God to intervene on their behalf. Wounded warriors begged their Lord for forgiveness and end their agony and take them to his kingdom. The reader will gain a unique perspective of the battles as they first experience horrific happenings through the eyes of Sergeant Caleb Johnson, and then they join Union Private Josef Volzek and see what he perceived and underwent. The reader will be drawn into the story and feel what the soldiers endured: fear, bloodshed, smoke, terror, loss, noise, and chaos. Caleb's War is also a testimonial to all veterans. In the annals of warfare, there are no braver warriors than the men and several hundred women who served in the ranks of the Union and Confederacy during the Civil War; their courage and bravery is above reproach. Veterans are the men and women who answered our nation's call during a crisis. They remain a national treasure and merit our profoundest remembrance, respect, and support.

Fifteen-year-old Caleb's courageous commitment to justice grows as he faces a power struggle with his father, fights to keep both his temper and self-respect in dealing with whites, and puzzles over the German prisoners of war brought to his rural Georgia community during World War II.

Shortlisted for the 2013 Saltire Society Scottish First Book award. Edinburgh. 1898. On the cusp of the modern age. Caleb George Cash: mountaineer, geographer, antiquarian and teacher stands at the rocky summit of Arthur's Seat. This is the story of Caleb, me and the Scottish mountains visible from Arthur's Seat. Somehow the Cashs or the Calebs didn't sound right so I have called the hills on Caleb's list The Arthurs. More than just a climbing book this is the story of a survivor. Caleb's List is a beautifully descriptive account in which Kellan MacInnes intertwines his own personal struggle with HIV with the life story of Victorian mountaineer Caleb George Cash, beginning with the moment in 1898 when Caleb stood at the top of Arthur's Seat in Edinburgh and made a list of 20 mountains visible from its summit, from Ben Lomond in the west to Lochnager in the east. MacInnes stumbled upon this long forgotten list of hills, now dubbed the Arthurs, and in this book he sets a new hillwalking challenge ... climbing the Arthurs. Drawing on history, literature and personal experience, MacInnes offers both practical and emotional insight into climbing these hills, in an account that is a must-read for hillwalkers, visitors to Edinburgh and lovers of Scotland all over the world. This is not just a book about hillwalking and history. At its heart this is powerful landscape writing that explores the strong bond between a person and the hills they love . . . The author writes with skill and considerable authority. ALEX RODDIE, author Caleb Cash himself is an important if neglected figure in the history of the Scottish outdoors and the author's personal story gives the book an emotional power unusual in a guidebook. An excellent book. CHRIS TOWNSHEND, author A triumphant debut. THE GREAT OUTDOORS A tribute to the healing power of the Scottish landscape and to survival against the odds. THE SCOTSMAN

Since the end of the draft in the United States, the nation’s wars have been fought by all-volunteer forces, creating an enormous divide between the civilian public and its military. Recent wars have taken place during the information age, allowing cable news and the “new media” of the internet to change, sometimes on a daily or even hourly basis, the way wars are understood. As a result, a multitude of competing and often flawed narratives have emerged that, ultimately, merely explain events in terms of self-serving political and cultural perspectives. Author Caleb S. Cage, a veteran of the war in Iraq, brings a unique perspective to the understanding of how we talk about war. Why does the American public believe that those who served are somehow both heroes and victims, while the typical service member rarely embraces either identity? How does what happens on the front line get communicated to those back home, and what happens to that information as it travels? Is it possible that works of fiction are telling the most “real” versions of what is happening “over there”? War Narratives is a tightly packed and provocative book containing a series of connected essays on the many competing narratives—both fiction and nonfiction—that are used to explain recent conflicts in Iraq and Afghanistan, how those narratives are perceived through preexisting social, political, and literary lenses, and how they often fall short. As Cage points out, narratives are not merely the stories shared or even how they are told; these expressions reflect choices.