Drawings depict events and individuals of the Renaissance period. The source of each drawing is given.

Get your FREE PDF Digital Edition when you purchase this book! You can download it at our website to print and color as many pages you want! Art Movements Series: Renaissance. This book includes 24 plus illustrations drawn by Chinthaka Herath. These are based on the masterpieces of the Renaissance art movement, created after going through numerous works of art from this period for inspiration. Join us in this celebration of the vision & artistry, which was a rebirth of the ideals of early Greek & Roman art. We hope you find inspiration in coloring these pages of art and bringing them to life. The art in this adult coloring book features beautiful women, portraits, animals, flowers and birds All illustrations are done by Chinthaka Herath, the illustrator of the August Reverie series. The illustrations are highly detailed and shading has been added to create depth and as a guide for shadowing & lighting, giving your completed pages a much more breath taking effect.

Renaissance Coloring Book. Fun for adults and children. Relax and get rid of stress by coloring in these detailed designs. Great activity for family bonding, relaxing after work, de stressing, and have a great time. * Relaxing * Great for kids and adults * Get rid of stress * Fun detailed pictures to colorTry it today...

This is an adult 8.5 x 11.0 coloring book filled with nude renaissance paintings of the famous couple Adam and Eve. Some of the most famous artist of the renaissance period created these paintings. The paintings have been transformed into sketches and drawings. The drawings can be filled in with pencil, magic marker or paint. Coloring can be done for relaxation. Perhaps some of these finished drawings can be framed and mounted to a wall after they are completely colored in. Try using the jacket of this book to get an idea of what the paintings looked like when they were painted by the artist. Check out more books by this author Britney Grimm Shakespeare!

What do you think of when you think of the Vikings? Fierce warriors? Sailors of magnificent dragon-prowed ships who terrorized North-Western Europe? Do you think of darkened halls thick with smoke and song? Like all people those researchers now consider to be Viking were much more complex than the modern world sees them as. This coloring book you are about to make yours is meant to show that. It is designed to provide scenes of the beauty of the early medieval world the Vikings inhabited. It is in this context that Viking cultures developed. You will find artifacts and animals, plants and landscapes within these pages to explore. Species that held some use to the Vikings, such as those that provided fur in particular have been focused on. To help you place the Vikings in the world you will find two maps showing where the Vikings ranged. Details about each scene are included on the back of each page. Reconstructed scenes are inspired by the diverse world experienced in the north. There are no horned helmets here. The real Vikings were much more practical than that.

Recent restoration campaigns, particularly to the Sistine Chapel, have focused attention on the importance of colour in our experience of paintings, but until recently it has been neglected by art historians. The author believes that the work of art can only be fully appreciated when it is regarded as the product of both the artist's hand and mind. This study utilizes the traditional sources, such as contemporary theoretical writings and iconographical analysis, but in addition draws on the scientific findings of the conservation laboratories. This is a new body of data assembled in large part since World War II, which art historians are only beginning to exploit to fill out the history of technique. Rather than writing merely a history of technique, however, the author has integrated this material with traditional approaches to cultural history. She undertakes to examine twenty major paintings of the period from Giotto to Tintoretto to elucidate how colour and technique contribute to their meaning. She gives us then, the first modern consideration of Renaissance paintings both as physical objects and as monuments of cultural history.