Although 1989 and 1991 witnessed more spectacular events, 1990 was a year of embryonic change in Russia: Article 6 of the constitution was abolished, and with it the Party's monopoly on political power. This fascinating collection of documentary evidence crystalizes the aspirations of the Russian people in the days before Communism finally fell. It charts--among many other social developments--the appearance of new political parties and independent trade unions, the rapid evolution of mass media, the emergence of a new class of entrepreneurs, a new openness about sex and pornography and a sudden craze for hot-air ballooning, banned under the Communist regime. 1990 is a reminder of the confusion and aspirations of the year before Communism finally collapsed in Russia, and a tantalizing glimpse of the paths that may have been taken if Yeltsin's coup had not forced the issue in 1991.

"Although 1989 and 1991 witnessed more spectacular events, 1990 was a year of embryonic change in Russia: Article 6 of the constitution was abolished, and with it the Party's monopoly on political power. This fascinating collection of documentary evidence crystalises the aspirations of the Russian people in the days before Communism finally fell. It charts - among many other social developments - the appearance of new political parties and independent trade unions, the rapid evolution of mass media, the emergence of a new class of entrepreneurs, a new openness about sex and pornography and a sudden craze for hot-air ballooning, banned under the Communist regime. 1990 is a reminder of the confusion and aspirations of the year before Communism finally collapsed in Russia, and a tantalising glimpse of the paths that may have been taken if Yeltsin's coup had not forced the issue in 1991"--Publisher's description.

Although 1989 and 1991 witnessed more spectacular events, 1990 was a year of embryonic change in Russia: Article 6 of the constitution was abolished, and with it the Party's monopoly on political power. This fascinating collection of documentary evidence crystalises the aspirations of the Russian people in the days before Communism finally fell. It charts - among many other social developments - the appearance of new political parties and independent trade unions, the rapid evolution of mass media, the emergence of a new class of entrepreneurs, a new openness about sex and pornography and a sudden craze for hot-air ballooning, banned under the Communist regime. 1990 is a reminder of the confusion and aspirations of the year before Communism finally collapsed in Russia, and a tantalising glimpse of the paths that may have been taken if Yeltsin's coup had not forced the issue in 1991.

Fluid Russia offers a new framework for understanding Russian national identity by focusing on the impact of globalization on its formation, something which has been largely overlooked. This approach sheds new light on the Russian case, revealing a dynamic Russian identity that is developing along the lines of other countries exposed to globalization. Vera Michlin-Shapir shows how along with the freedoms afforded when Russia joined the globalizing world in the 1990s came globalization's disruptions. Michlin-Shapir describes Putin's rise to power and his project to reaffirm a stronger identity not as a uniquely Russian diversion from liberal democracy, but as part of a broader phenomenon of challenges to globalization. She underlines the limits of Putin's regime to shape Russian politics and society, which is still very much impacted by global trends. As well, Michlin-Shapir questions a prevalent approach in Russia studies that views Russia's experience with national identity as abnormal or defective, either being too week or too aggressive. What is offered is a novel explanation for the so-called Russian identity crisis. As the liberal postwar order faces growing challenges, Russia's experience can be an instructive example of how these processes unfold. This study ties Russia's authoritarian politics and nationalist rallying to the shortcomings of globalization and neoliberal economics, potentially making Russia "patient zero" of the anti-globalist populist wave and rise of neo-authoritarian regimes. In this way, Fluid Russia contributes to the broader understanding of national identity in the current age and the complexities of identity formation in the global world.

WINNER OF THE ORWELL PRIZE WINNER OF THE CORNELIUS RYAN AWARD FINALIST FOR THE LIONEL GELBER PRIZE FINANCIAL TIMES BOOK OF THE YEAR “Fast-paced and excellently written." —New York Times “Filled with sparkling prose and deep analysis.” –The Wall Street Journal An essential analysis to understanding Putin's playbook and understanding the real Russian threat to World order and peace How did a country that embraced freedom over twenty-five years ago end up as an autocratic police state bent once again on confrontation with the West? In this Orwell Prize-winning book, Arkady Ostrovsky reaches back to the darkest days of the Cold War to tell the story of Russia's stealthy and largely unchronicled post-Soviet transformation. A highly regarded Moscow correspondent for the Economist, Arkady Ostrovsky comes to this story both as a participant and a foreign correspondent. His knowledge of many of the key players allows him to explain the phenomenon of Valdimir Putin - his rise and astonishing longevity, his use of hybrid warfare and the alarming crescendo of his military interventions. In his new paperback preface, Ostrovsky explores how Putin influenced the US election, the Trump Putin access, and shows how Putin's methods - weaponizing the media and serving up fake news - came to enter American politics.

There are few more contentious issues than the relation of faith to power or the suggestion that religion is irrational compared with politics and peculiarly prone to violence. The former claim is associated with Juergen Habermas and the latter with Richard Dawkins. In this book David Martin argues, against Habermas, that religion and politics share a common mythic basis and that it is misleading to contrast the rationality of politics with the irrationality of religion. In contrast to Richard Dawkins (and New Atheists generally), Martin argues that the approach taken is brazenly unscientific and that the proclivity to violence is a shared feature of religion, nationalism and political ideology alike rooted in the demands of power and social solidarity. The book concludes by considering the changing ecology of faith and power at both centre and periphery in monuments, places and spaces.

A little over 100 years ago, the first production of An-sky’s The Dybbuk, a play about the possession of a young woman by a dislocated spirit, opened in Warsaw. In the century that followed, The Dybbuk became a theatrical conduit for a wide range of discourses about Jews, belonging, and modernity. This timeless Yiddish play about spiritual possession beyond the grave would go on to exert a remarkable and unforgettable impact on modern theater, film, literature, music, and culture. The Dybbuk Century collects essays from an interdisciplinary group of scholars who explore the play’s original Yiddish and Hebrew productions and offer critical reflections on the play’s enduring influence. The collection will appeal to scholars, students, and theater practitioners, as well as general readers.