For more than seven centuries the Mumonkan has been used in Zen monasteries to train monks and to encourage the religious development of lay Buddhists. It contains forty- eight koans, or spiritual riddles, that must be explored during the course of Zen training. Shibayama Zenkei (1894-1974), an influential Japanese Zen teacher and calligrapher who traveled and lectured throughout the United States in the 60s and 70s, offers his own commentary alongside the classic text. The Gateless Barrier remains an essential text for all serious students of Buddhism.

The strange verbal paradoxes called koans have been used in Zen training to help students attain a direct realization of truths inexpressible in words. The two works translated in this book, Mumonkan (Gateless Gate) and Hekiganroku (Blue Cliff Record), both compiled during the Song dynasty in China, are the best known and most frequently studied koan collections, and are classics of Zen literature. In a completely new translation, together with original commentaries, Katsuki Sekida brings to these works the same fresh and pragmatic approach that made his Zen Training so successful. The insights of a lifetime of Zen practice and his familiarity with Western as well as Eastern ways of thinking make him an ideal interpreter of these texts

The Gateless Barrier is generally acknowledged to be the fundamental koan collection in the literature of Zen. Gathered together by Wu-men (Mumon), a thirteenth-century master of the Lin-chi (Rinzai) school, it is composed of forty-eight koans, or cases, each accompanied by a brief comment and poem by Wu-men. Robert Aitken, one of the premier American Zen masters, has translated Wu-men's text, supplementing the original with his own commentary -- the first such commentary by a Western master -- making the profound truths of Zen Buddhism accessible to serious contemporary students and relevant to current social concerns.

As director of the Montreal Zen Center for the past fifteen years, Albert Low has helped others work through these koans. In this book he provides contemporary and lively commentaries which serve to make the Mumonkan available to all readers and relevant to their everyday lives. He draws upon his own thirty years of practice, half of which has been spent as a teacher, to show how the Mumonkan can be a gateway to spiritual life.

Zen Sand is a classic collection of verses aimed at aiding practitioners of kôan meditation to negotiate the difficult relationship between insight and language. As such it represents a major contribution to both Western Zen practice and English-language Zen scholarship. In Japan the traditional Rinzai Zen kôan curriculum includes the use of jakugo, or "capping phrases." Once a monk has successfully replied to a kôan, the Zen master orders the search for a classical verse to express the monk’s insight into the kôan. Special collections of these jakugo were compiled as handbooks to aid in that search. Until now, Zen students in the West, lacking this important resource, have been severely limited in carrying out this practice. Zen Sand combines and translates two standard jakugo handbooks and opens the way for incorporating this important tradition fully into Western Zen practice. For the scholar, Zen Sand provides a detailed description of the jakugo practice and its place in the overall kôan curriculum, as well as a brief history of the Zen phrase book. This volume also contributes to the understanding of East Asian culture in a broader sense.

These essays by a prominent Zen master are a classic introduction to Zen Buddhism, specifically written for Westerners. The former abbot of Nanzenji Monastary in Kyoto, the Reverend Zenkei Shibayama, understood Western ways, and, in the early 1970s, prepared these introductory essays for English speakers. In A Flower Does Not Talk, the author describes the basic characteristics of Zen, the training it calls for, and the Zen Personality, before presenting three typical Zen writings accompanied by informative notes. This book is beautifully illustrated with drawings, photographs of Zen inspired flower arrangements, and paintings by Zen Master Hakuin, is a classic introduction to the core of Buddhist teachings, which provide the basis for the happiness of mankind.